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Timber Timbre|Timber Timbre

Timber Timbre

Timber Timbre

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Singer-songwriter Taylor Kirk, known professionally as Timber Timbre, garnered attention is his native Canada by delivering a dark, mysterious combination of folk, blues, and indie rock that was often both contemporary and ancient-sounding. His self-titled album opens with the unadorned guitar-and-vocal “Demon Host,” but adds increasingly more complex, yet still spare, production elements as the record progresses. “Until the Night” features tinkling autoharp, garage rock organ, and a languid oriental melody, while “Trouble Comes Knocking” is driven by sleazy strip-club saxophone and a throbbing bass drum beat. Throughout, TIMBER TIMBRE sounds like the soundtrack to some great lost ‘60s B-movie, at once colorfully original and creepily unsettling.

© TiVo

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Timber Timbre

Timber Timbre

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1
Demon Host
00:03:37
2
Lay Down In The Tall Grass
00:05:35

Timber Timbre, MainArtist - Taylor Kirk, ComposerLyricist

℗ 2009 Arts & Crafts Productions Inc.

3
Until The Night Is Over
00:03:58

Timber Timbre, MainArtist - Taylor Kirk, ComposerLyricist

℗ 2009 Arts & Crafts Productions Inc.

4
Magic Arrow
00:06:04

Timber Timbre, MainArtist - Taylor Kirk, ComposerLyricist

℗ 2009 Arts & Crafts Productions Inc.

5
We'll Find Out
00:02:38

Timber Timbre, MainArtist - Taylor Kirk, ComposerLyricist

℗ 2009 Arts & Crafts Productions Inc.

6
I Get Low
00:05:10

Timber Timbre, MainArtist - Taylor Kirk, ComposerLyricist

℗ 2009 Arts & Crafts Productions Inc.

7
Trouble Comes Knocking
00:05:26

Timber Timbre, MainArtist - Taylor Kirk, ComposerLyricist

℗ 2009 Arts & Crafts Productions Inc.

8
No Bold Villian
00:03:51

Timber Timbre, MainArtist - Taylor Kirk, ComposerLyricist

℗ 2009 Arts & Crafts Productions Inc.

Album review

Singer-songwriter Taylor Kirk, known professionally as Timber Timbre, garnered attention is his native Canada by delivering a dark, mysterious combination of folk, blues, and indie rock that was often both contemporary and ancient-sounding. His self-titled album opens with the unadorned guitar-and-vocal “Demon Host,” but adds increasingly more complex, yet still spare, production elements as the record progresses. “Until the Night” features tinkling autoharp, garage rock organ, and a languid oriental melody, while “Trouble Comes Knocking” is driven by sleazy strip-club saxophone and a throbbing bass drum beat. Throughout, TIMBER TIMBRE sounds like the soundtrack to some great lost ‘60s B-movie, at once colorfully original and creepily unsettling.

© TiVo

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