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Lviv National Philharmonic Orchestra of Ukraine|Thomas de Hartmann: Orchestral Music, Vol. 2

Thomas de Hartmann: Orchestral Music, Vol. 2

Leon Bosch, Lviv National Philharmonic Orchestra of Ukraine, Theodore Kuchar

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The music of the Ukrainian-born Thomas de Hartmann (1884–1956) is only now beginning to be rediscovered, almost seven decades after his death. The two works receiving their first recordings here reveal a major late-Romantic voice, downstream from Tchaikovsky, a student of Arensky and Taneyev, contemporary of Rachmaninov, and alert to the discoveries of Stravinsky and Prokofiev.

The Symphonie-Poème No. 1 – a musical cousin of Rachmaninov’s Second Symphony – occupies a vast canvas and requires a correspondingly huge orchestra, generating a monumental sense of scale from essentially balletic material. The lighter Fantaisie-Concerto for double bass and orchestra moves from tangy dissonance via a tuneful slow movement to a perky, folk-inspired finale. © Toccata Classics

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Thomas de Hartmann: Orchestral Music, Vol. 2

Lviv National Philharmonic Orchestra of Ukraine

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Symphonie-poème No. 1, Op. 50 (Thomas de Hartmann)

1
I. Lento
Lviv National Philharmonic Orchestra of Ukraine
00:21:13

Thomas de Hartmann, Composer - Theodore Kuchar, Conductor, MainArtist - Lviv National Philharmonic Orchestra of Ukraine, Orchestra, MainArtist

(C) 2022 Toccata Classics (P) 2022 Toccata Classics

2
II. Scherzo
Lviv National Philharmonic Orchestra of Ukraine
00:14:51

Thomas de Hartmann, Composer - Theodore Kuchar, Conductor, MainArtist - Lviv National Philharmonic Orchestra of Ukraine, Orchestra, MainArtist

(C) 2022 Toccata Classics (P) 2022 Toccata Classics

3
III. Andante
Lviv National Philharmonic Orchestra of Ukraine
00:15:26

Thomas de Hartmann, Composer - Theodore Kuchar, Conductor, MainArtist - Lviv National Philharmonic Orchestra of Ukraine, Orchestra, MainArtist

(C) 2022 Toccata Classics (P) 2022 Toccata Classics

4
IV. Finale. Allegretto feroce
Lviv National Philharmonic Orchestra of Ukraine
00:13:59

Thomas de Hartmann, Composer - Theodore Kuchar, Conductor, MainArtist - Lviv National Philharmonic Orchestra of Ukraine, Orchestra, MainArtist

(C) 2022 Toccata Classics (P) 2022 Toccata Classics

Fantaisie-concerto for Double Bass & Orchestra, Op. 65 (Thomas de Hartmann)

5
I. Allegro con brio
Leon Bosch
00:07:47

Leon Bosch, Artist, MainArtist - Thomas de Hartmann, Composer - Theodore Kuchar, Conductor, MainArtist - Lviv National Philharmonic Orchestra of Ukraine, Orchestra, MainArtist

(C) 2022 Toccata Classics (P) 2022 Toccata Classics

6
II. Romance 1830. Adagio
Leon Bosch
00:03:54

Leon Bosch, Artist, MainArtist - Thomas de Hartmann, Composer - Theodore Kuchar, Conductor, MainArtist - Lviv National Philharmonic Orchestra of Ukraine, Orchestra, MainArtist

(C) 2022 Toccata Classics (P) 2022 Toccata Classics

7
III. Finale. Allegro commodo
Leon Bosch
00:04:33

Leon Bosch, Artist, MainArtist - Thomas de Hartmann, Composer - Theodore Kuchar, Conductor, MainArtist - Lviv National Philharmonic Orchestra of Ukraine, Orchestra, MainArtist

(C) 2022 Toccata Classics (P) 2022 Toccata Classics

Album review

The music of the Ukrainian-born Thomas de Hartmann (1884–1956) is only now beginning to be rediscovered, almost seven decades after his death. The two works receiving their first recordings here reveal a major late-Romantic voice, downstream from Tchaikovsky, a student of Arensky and Taneyev, contemporary of Rachmaninov, and alert to the discoveries of Stravinsky and Prokofiev.

The Symphonie-Poème No. 1 – a musical cousin of Rachmaninov’s Second Symphony – occupies a vast canvas and requires a correspondingly huge orchestra, generating a monumental sense of scale from essentially balletic material. The lighter Fantaisie-Concerto for double bass and orchestra moves from tangy dissonance via a tuneful slow movement to a perky, folk-inspired finale. © Toccata Classics

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