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Louis Prima|The Wildest Show At Lake Tahoe

The Wildest Show At Lake Tahoe

Louis Prima and Keely Smith with Sam Butera and The Witnesses

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This was the third straight classic album by trumpeter-singer Louis Prima with his wife, singer Keely Smith and the spirited R&B tenor-saxophonist Sam Butera; it is as exciting as the first two. Recorded live in Lake Tahoe, the band romps through four medleys (including "On the Sunny Side of the Street/Exactly Like You" and "Don't Worry 'Bout Me/I'm in the Mood for Love"), Smith's feature on "A Foggy Day," Butera's showcase on "Come Back to Sorrento" and trombonist Little Red Blount's extroverted rendition of "How High the Moon." Toss in a few vocal duets and the results are quite memorable. All three of these Capitol records are highly recommended, for they document a unique group at the height of its power.

© Scott Yanow /TiVo

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The Wildest Show At Lake Tahoe

Louis Prima

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1
On The Sunny Side Of The Street/Exactly Like You (Live/Medley)
00:06:12

Dorothy Fields, ComposerLyricist - Keely Smith, Vocals, MainArtist, AssociatedPerformer - Voyle Gilmore, Producer - Jimmy McHugh, ComposerLyricist - Louis Prima, Trumpet, Vocals, MainArtist, AssociatedPerformer - Sam Butera, Saxophone, Background Vocalist, AssociatedPerformer - Jimmy "Little Red" Blount, Trombone, Background Vocalist, AssociatedPerformer - Bobby Morris, Drums, AssociatedPerformer - Willie McCumber, Piano, AssociatedPerformer - Antony Liuzza, Background Vocalist, AssociatedPerformer, Bass (Vocal) - Sam Butera & The Witnesses, MainArtist

(C) 2011 Capitol Records, LLC ℗ 1957 Capitol Records, LLC

2
A Foggy Day (Live)
00:02:38

George Gershwin, Composer - Ira Gershwin, Author - Keely Smith, Vocals, MainArtist, AssociatedPerformer - Voyle Gilmore, Producer - Louis Prima, Trumpet, Vocals, Orchestra Leader, MainArtist, AssociatedPerformer - Sam Butera, Saxophone, AssociatedPerformer - Jimmy "Little Red" Blount, Saxophone, Trombone, AssociatedPerformer - Bobby Morris, Drums, AssociatedPerformer - Willie McCumber, Piano, AssociatedPerformer - Antony Liuzza, AssociatedPerformer, Bass (Vocal) - Sam Butera & The Witnesses, MainArtist - Antony 'Tony' Liuzza, AssociatedPerformer, Bass (Vocal) - William 'Willie' McCumber, Piano, AssociatedPerformer

(C) 2011 Capitol Records, LLC ℗ 1957 Capitol Records, LLC

3
How High The Moon (Live)
00:02:25

Voyle Gilmore, Producer - Nancy Hamilton, ComposerLyricist - Louis Prima, Trumpet, MainArtist, AssociatedPerformer - Morgan Lewis, ComposerLyricist - Sam Butera, Saxophone, AssociatedPerformer - Jimmy "Little Red" Blount, Trombone, AssociatedPerformer - Bobby Morris, Drums, AssociatedPerformer - Willie McCumber, Piano, AssociatedPerformer - Antony Liuzza, AssociatedPerformer, Bass (Vocal) - Sam Butera & The Witnesses, MainArtist

(C) 2011 Capitol Records, LLC ℗ 1957 Capitol Records, LLC

4
Angelina / Zooma Zooma
00:04:16

Keely Smith, MainArtist - Allan Roberts, ComposerLyricist - Louis Prima, MainArtist - Sam Butera & The Witnesses, MainArtist - Doris Fischer, ComposerLyricist

(C) 2011 Capitol Records, LLC ℗ 1957 Capitol Records LLC

5
Don't Worry 'Bout Me/I'm In The Mood For Love (Live/Medley)
00:04:25

Ted Koehler, ComposerLyricist - Dorothy Fields, Author - Keely Smith, Vocals, MainArtist, AssociatedPerformer - Rube Bloom, ComposerLyricist - Voyle Gilmore, Producer - Jimmy McHugh, Composer - Louis Prima, Trumpet, Vocals, MainArtist, AssociatedPerformer - Sam Butera, Saxophone, AssociatedPerformer - Jimmy "Little Red" Blount, Trombone, AssociatedPerformer - Bobby Morris, Drums, AssociatedPerformer - Willie McCumber, Piano, AssociatedPerformer - Antony Liuzza, AssociatedPerformer, Bass (Vocal) - Sam Butera & The Witnesses, MainArtist

(C) 2011 Capitol Records, LLC ℗ 1957 Capitol Records, LLC

6
Come Back To Sorrento (Live)
00:03:07

Voyle Gilmore, Producer - Ernesto De Curtis, Composer - Louis Prima, Arranger, Trumpet, Work Arranger, MainArtist, AssociatedPerformer - Sam Butera, Saxophone, AssociatedPerformer - Jimmy "Little Red" Blount, Trombone, AssociatedPerformer - Bobby Morris, Drums, AssociatedPerformer - Willie McCumber, Piano, AssociatedPerformer - Antony Liuzza, AssociatedPerformer, Bass (Vocal) - Sam Butera & The Witnesses, MainArtist

(C) 2011 Capitol Records, LLC ℗ 1957 Capitol Records, LLC

7
I Gotta Right To Sing The Blues (Live)
00:03:39

Harold Arlen, Composer - Ted Koehler, Composer - Keely Smith, Vocals, MainArtist, AssociatedPerformer - Voyle Gilmore, Producer - Louis Prima, Trumpet, MainArtist, AssociatedPerformer - Sam Butera, Saxophone, AssociatedPerformer - Jimmy "Little Red" Blount, Trombone, AssociatedPerformer - Bobby Morris, Drums, AssociatedPerformer - Willie McCumber, Piano, AssociatedPerformer - Antony Liuzza, AssociatedPerformer, Bass (Vocal) - Sam Butera & The Witnesses, MainArtist

(C) 2011 Capitol Records, LLC ℗ 1957 Capitol Records, LLC

8
Robin Hood/Oh Babe! (Live)
00:05:31

B. Miketta, ComposerLyricist - Keely Smith, Background Vocalist, MainArtist, AssociatedPerformer - Voyle Gilmore, Producer - Louis Prima, Trumpet, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Milton Kabak, ComposerLyricist - Sam Butera, Saxophone, AssociatedPerformer - Jimmy "Little Red" Blount, Trombone, AssociatedPerformer - Bobby Morris, Drums, AssociatedPerformer - Willie McCumber, Piano, AssociatedPerformer - Antony Liuzza, AssociatedPerformer, Bass (Vocal) - Sam Butera & The Witnesses, MainArtist

(C) 2011 Capitol Records, LLC ℗ 1957 Capitol Records, LLC

Album review

This was the third straight classic album by trumpeter-singer Louis Prima with his wife, singer Keely Smith and the spirited R&B tenor-saxophonist Sam Butera; it is as exciting as the first two. Recorded live in Lake Tahoe, the band romps through four medleys (including "On the Sunny Side of the Street/Exactly Like You" and "Don't Worry 'Bout Me/I'm in the Mood for Love"), Smith's feature on "A Foggy Day," Butera's showcase on "Come Back to Sorrento" and trombonist Little Red Blount's extroverted rendition of "How High the Moon." Toss in a few vocal duets and the results are quite memorable. All three of these Capitol records are highly recommended, for they document a unique group at the height of its power.

© Scott Yanow /TiVo

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