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Sophie Yates|The Pleasures of the Imagination

The Pleasures of the Imagination

Sophie Yates

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Collections of Baroque keyboard music are often focused on famous French and German composers, so there's comparatively little available on CD of English harpsichord music of the 18th century, aside from recordings of works by Henry Purcell and George Frederick Handel. Considering the rarity of its material, Sophie Yates' 2016 album on Chaconne, The Pleasures of the Imagination, holds a certain appeal because its selections haven't been dulled by excessive anthologizing. While some of the composers' names may ring a bell, such as John Blow, Jeremiah Clarke, Thomas Arne, and Johann Christian Bach (the "London Bach"), their contributions here will be unknown to most listeners, while William Croft, Maurice Greene, and Richard Jones are known only to specialists in the period. But obscurity doesn't mean boring, and as overlooked as these pieces are, they are remarkably lively and entertaining in Yates' varied and virtuosic performances. Sampling will yield many pleasant surprises, such as the rhythmic play in Blow's delightful Morlake Ground, the quirky "Round O" in Clarke's Suite No. 2, and the affecting dances in Croft's Suite in D minor, just for starters. Yates plays modern copies of a 1681 Vaudry and a 1748 Goujon, which have crisp sonorities in these fairly close-up recordings, made in 2012 at St. George's Church, Brandon Hill, Bristol.
© TiVo

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The Pleasures of the Imagination

Sophie Yates

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1
Chaconne in F Major
00:06:12

John Blow, Composer - Sophie Yates, Harpsichord, MainArtist

2016 Chandos Records 2016 Chandos Records

2
Morlake Ground
00:04:31

John Blow, Composer - Sophie Yates, Harpsichord, MainArtist

2016 Chandos Records 2016 Chandos Records

Suite No. 2 in A Major (Jeremiah Clarke)

3
I. Almand
00:02:58

Jeremiah Clarke, Composer - Sophie Yates, Harpsichord, MainArtist

2016 Chandos Records 2016 Chandos Records

4
II. Round O
00:01:17

Jeremiah Clarke, Composer - Sophie Yates, Harpsichord, MainArtist

2016 Chandos Records 2016 Chandos Records

5
III. Jigg
00:01:45

Jeremiah Clarke, Composer - Sophie Yates, Harpsichord, MainArtist

2016 Chandos Records 2016 Chandos Records

Suite No. 6 in D minor (William Croft)

6
I. Slow Almand
00:04:18

William Croft, Composer - Sophie Yates, Harpsichord, MainArtist

2016 Chandos Records 2016 Chandos Records

7
II. Corant
00:02:01

William Croft, Composer - Sophie Yates, Harpsichord, MainArtist

2016 Chandos Records 2016 Chandos Records

8
III. Saraband
00:02:39

William Croft, Composer - Sophie Yates, Harpsichord, MainArtist

2016 Chandos Records 2016 Chandos Records

A Collection of Lessons for the Harpsichord, Suite No. 14 in C Major (Maurice Greene)

9
I. Allegro
00:04:21

Maurice Greene, Composer - Sophie Yates, Harpsichord, MainArtist

2016 Chandos Records 2016 Chandos Records

10
II. Vivace
00:02:17

Maurice Greene, Composer - Sophie Yates, Harpsichord, MainArtist

2016 Chandos Records 2016 Chandos Records

11
III. Allegro
00:02:43

Maurice Greene, Composer - Sophie Yates, Harpsichord, MainArtist

2016 Chandos Records 2016 Chandos Records

Third Set of Lessons for Harpsichord in B-Flat Major (Richard Jones)

12
I. Prelude. Allegro
00:06:14

Richard Jones, Composer - Sophie Yates, Harpsichord, MainArtist

2016 Chandos Records 2016 Chandos Records

13
II. Sarabanda
00:02:13

Richard Jones, Composer - Sophie Yates, Harpsichord, MainArtist

2016 Chandos Records 2016 Chandos Records

14
III. Allegro
00:03:23

Richard Jones, Composer - Sophie Yates, Harpsichord, MainArtist

2016 Chandos Records 2016 Chandos Records

15
IV. Minuet
00:01:20

Richard Jones, Composer - Sophie Yates, Harpsichord, MainArtist

2016 Chandos Records 2016 Chandos Records

16
V. Boree
00:01:01

Richard Jones, Composer - Sophie Yates, Harpsichord, MainArtist

2016 Chandos Records 2016 Chandos Records

17
VI. Largo
00:00:47

Richard Jones, Composer - Sophie Yates, Harpsichord, MainArtist

2016 Chandos Records 2016 Chandos Records

18
VII. Giga. Allegro
00:02:53

Richard Jones, Composer - Sophie Yates, Harpsichord, MainArtist

2016 Chandos Records 2016 Chandos Records

Harpsichord Sonata No. 3 in G major (Thomas Arne)

19
I. Prelude
00:01:35

Thomas Augustine Arne, Composer - Sophie Yates, Harpsichord, MainArtist

2016 Chandos Records 2016 Chandos Records

20
II. Allegro
00:03:03

Thomas Augustine Arne, Composer - Sophie Yates, Harpsichord, MainArtist

2016 Chandos Records 2016 Chandos Records

21
III. Minuet
00:03:16

Thomas Augustine Arne, Composer - Sophie Yates, Harpsichord, MainArtist

2016 Chandos Records 2016 Chandos Records

Harpsichord Sonata in C Minor, Op. 17 No. 2 (Johann Sebastian Bach)

22
I. Allegro
00:05:35

Johann Sebastian Bach, Composer - Sophie Yates, Harpsichord, MainArtist

2016 Chandos Records 2016 Chandos Records

23
II. Andante
00:03:33

Johann Sebastian Bach, Composer - Sophie Yates, Harpsichord, MainArtist

2016 Chandos Records 2016 Chandos Records

24
III. Prestissimo
00:05:10

Johann Sebastian Bach, Composer - Sophie Yates, Harpsichord, MainArtist

2016 Chandos Records 2016 Chandos Records

Album review

Collections of Baroque keyboard music are often focused on famous French and German composers, so there's comparatively little available on CD of English harpsichord music of the 18th century, aside from recordings of works by Henry Purcell and George Frederick Handel. Considering the rarity of its material, Sophie Yates' 2016 album on Chaconne, The Pleasures of the Imagination, holds a certain appeal because its selections haven't been dulled by excessive anthologizing. While some of the composers' names may ring a bell, such as John Blow, Jeremiah Clarke, Thomas Arne, and Johann Christian Bach (the "London Bach"), their contributions here will be unknown to most listeners, while William Croft, Maurice Greene, and Richard Jones are known only to specialists in the period. But obscurity doesn't mean boring, and as overlooked as these pieces are, they are remarkably lively and entertaining in Yates' varied and virtuosic performances. Sampling will yield many pleasant surprises, such as the rhythmic play in Blow's delightful Morlake Ground, the quirky "Round O" in Clarke's Suite No. 2, and the affecting dances in Croft's Suite in D minor, just for starters. Yates plays modern copies of a 1681 Vaudry and a 1748 Goujon, which have crisp sonorities in these fairly close-up recordings, made in 2012 at St. George's Church, Brandon Hill, Bristol.
© TiVo

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