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Ra Ra Riot|The Orchard (10th Anniversary Edition)

The Orchard (10th Anniversary Edition)

Ra Ra Riot

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When Ra Ra Riot released The Rhumb Line in 2008, they sounded like a thinking man’s pop band: quirky, melodic, and unconventionally chic, with a small string section that lent a sense of sophistication to the band’s sound. They wrote straightforward songs and performed them with complex arrangements, each member limiting his or her own parts to allow room for the cello, violin, and guitar lines to breathe. On their sophomore effort, though, the musicians sound a little too bogged down by their own cleverness. The Orchard is like The Rhumb Line without the poppy punch; it’s brainy and classy, but it requires its audience to put their own thinking caps instead of their dancing shoes. Individually speaking, the bandmates all sound stronger this time around. Bassist Mathieu Santos plays his instrument like he’s part of the string section, darting his way up and down the scale while still rooting the chords, and frontman Wes Miles sings like an indie choir boy raised on Smiths records. Something happens when all the pieces fit together, though, and the result is a knotted record on which the highlights (“Too Dramatic,” “Shadowcasting”) are split up by less kinetic songs. Maybe the guys have started looking to their contemporaries for influence -- “Massachusetts” couldn’t sound more like Vampire Weekend if it wore an Oxford shirt and graduated from Columbia -- or maybe they purposely set out to create a headier, introspective, and altogether more challenging record. In either event, The Orchard doesn’t go down as easily as The Rhumb Line did, even though it still has some satisfying moments.

© Andrew Leahey /TiVo

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The Orchard (10th Anniversary Edition)

Ra Ra Riot

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1
The Orchard
00:03:29

Ra Ra Riot, Composer, MainArtist - Big Deal Notes/Whales the Brine and the Barnacles c/o Words and Music Administration (ASCAP), MusicPublisher

2020 Barsuk Records 2010 Barsuk Records

2
Boy
00:03:10

Ra Ra Riot, Composer, MainArtist - Big Deal Notes/Whales the Brine and the Barnacles c/o Words and Music Administration (ASCAP), MusicPublisher

2020 Barsuk Records 2010 Barsuk Records

3
Too Dramatic
00:03:04

Ra Ra Riot, Composer, MainArtist - Big Deal Notes/Whales the Brine and the Barnacles c/o Words and Music Administration (ASCAP), MusicPublisher

2020 Barsuk Records 2010 Barsuk Records

4
Foolish
00:04:01

Ra Ra Riot, Composer, MainArtist - Big Deal Notes/Whales the Brine and the Barnacles c/o Words and Music Administration (ASCAP), MusicPublisher

2020 Barsuk Records 2010 Barsuk Records

5
Massachusetts
00:05:38

Ra Ra Riot, Composer, MainArtist - Big Deal Notes/Whales the Brine and the Barnacles c/o Words and Music Administration (ASCAP), MusicPublisher

2020 Barsuk Records 2010 Barsuk Records

6
You and I Know
00:04:34

Ra Ra Riot, Composer, MainArtist - Big Deal Notes/Whales the Brine and the Barnacles c/o Words and Music Administration (ASCAP), MusicPublisher

2020 Barsuk Records 2010 Barsuk Records

7
Shadowcasting
00:03:40

Ra Ra Riot, Composer, MainArtist - Big Deal Notes/Whales the Brine and the Barnacles c/o Words and Music Administration (ASCAP), MusicPublisher

2020 Barsuk Records 2010 Barsuk Records

8
Do You Remember
00:03:31

Rostam Batmanglij, Composer - Ra Ra Riot, Composer, MainArtist - Rostam Batmanglij Music (ASCAP), MusicPublisher - Big Deal Notes/Whales the Brine and the Barnacles c/o Words and Music Administration (ASCAP), MusicPublisher

2020 Barsuk Records 2010 Barsuk Records

9
Kansai
00:04:13

Ra Ra Riot, Composer, MainArtist - Big Deal Notes/Whales the Brine and the Barnacles c/o Words and Music Administration (ASCAP), MusicPublisher

2020 Barsuk Records 2010 Barsuk Records

10
Keep It Quiet
00:03:46

Ra Ra Riot, Composer, MainArtist - Big Deal Notes/Whales the Brine and the Barnacles c/o Words and Music Administration (ASCAP), MusicPublisher

2020 Barsuk Records 2010 Barsuk Records

11
Boy (RAC Mix)
00:03:51

RAC, Remixer - Ra Ra Riot, Composer, MainArtist - Big Deal Notes/Whales the Brine and the Barnacles c/o Words and Music Administration (ASCAP), MusicPublisher

2020 Barsuk Records 2020 Big Deal Notes/Whales the Brine and the Barnacles c/o Words and Music Administration (ASCAP)

12
Too Dramatic (Alternate Version)
00:03:10

Ra Ra Riot, Composer, MainArtist - Big Deal Notes/Whales the Brine and the Barnacles c/o Words and Music Administration (ASCAP), MusicPublisher

2020 Barsuk Records 2020 Big Deal Notes/Whales the Brine and the Barnacles c/o Words and Music Administration (ASCAP)

13
Too Dramatic (Anamanaguchi Remix)
00:03:03

Ra Ra Riot, Composer, MainArtist - Anamanaguchi, FeaturedArtist - Big Deal Notes/Whales the Brine and the Barnacles c/o Words and Music Administration (ASCAP), MusicPublisher

2020 Barsuk Records 2020 Big Deal Notes/Whales the Brine and the Barnacles c/o Words and Music Administration (ASCAP)

14
Keep It Quiet (Bear)
00:03:33

Ra Ra Riot, Composer, MainArtist - Barsuk Records, MusicPublisher

2020 Barsuk Records 2010 Barsuk Records

15
Keep It Quiet (GOP)
00:01:32

Ra Ra Riot, MainArtist - Whales, The Brine, and Barnacles (ASCAP), MusicPublisher - 2011 Wes Miles (ASCAP), Composer

2020 Barsuk Records 2011 Whales, The Brine, and Barnacles (ASCAP)

16
Megafauna
00:04:28

Ra Ra Riot, MainArtist - Whales, The Brine, and Barnacles (ASCAP), MusicPublisher - 2011 Wes Miles (ASCAP), Composer

2020 Barsuk Records 2011 Whales, The Brine, and Barnacles (ASCAP)

17
Saccharin and the War
00:03:53

Ra Ra Riot, Composer, MainArtist - Barsuk Records, MusicPublisher

2020 Barsuk Records 2010 Barsuk Records

Album review

When Ra Ra Riot released The Rhumb Line in 2008, they sounded like a thinking man’s pop band: quirky, melodic, and unconventionally chic, with a small string section that lent a sense of sophistication to the band’s sound. They wrote straightforward songs and performed them with complex arrangements, each member limiting his or her own parts to allow room for the cello, violin, and guitar lines to breathe. On their sophomore effort, though, the musicians sound a little too bogged down by their own cleverness. The Orchard is like The Rhumb Line without the poppy punch; it’s brainy and classy, but it requires its audience to put their own thinking caps instead of their dancing shoes. Individually speaking, the bandmates all sound stronger this time around. Bassist Mathieu Santos plays his instrument like he’s part of the string section, darting his way up and down the scale while still rooting the chords, and frontman Wes Miles sings like an indie choir boy raised on Smiths records. Something happens when all the pieces fit together, though, and the result is a knotted record on which the highlights (“Too Dramatic,” “Shadowcasting”) are split up by less kinetic songs. Maybe the guys have started looking to their contemporaries for influence -- “Massachusetts” couldn’t sound more like Vampire Weekend if it wore an Oxford shirt and graduated from Columbia -- or maybe they purposely set out to create a headier, introspective, and altogether more challenging record. In either event, The Orchard doesn’t go down as easily as The Rhumb Line did, even though it still has some satisfying moments.

© Andrew Leahey /TiVo

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