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Ted Rosenthal|The Maybeck Recital Series, Vol. 38 (Live At Maybeck Recital Hall, Berkeley, CA / October 30, 1994)

The Maybeck Recital Series, Vol. 38 (Live At Maybeck Recital Hall, Berkeley, CA / October 30, 1994)

Ted Rosenthal

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In his first solo piano excursion, Ted Rosenthal reveals himself as an intellectual bop and classical devotee, mostly indebted to Bud Powell, Lennie Tristano and J.S. Bach in no particular order. His technique is immaculate and contrapuntal-minded, the selection of material offbeat, but we don't feel as if we are in the presence of a strong individual personality; one responds with the head and not the heart. Rather than concentrate on the usual standards -- only a bare handful occupy the space here -- Rosenthal likes to include numbers by fellow pianists, such as Herbie Nichols' "117th Street," and an intricate bebop treatment of Tristano's "Lennie's Pennies," a fairly uninteresting rendition of Tadd Dameron's "You're a Joy," and James P. Johnson's "You've Got to Be Modernistic," which becomes more machine-like as it goes. He throws in a couple of originals; "Better You Than Me" is a rambling bop-based improv that changes keys constantly, while the less disciplined "Drop Me a Line" drops into a freewheeling contemporary classical world. He even tries a little Bach in "Jesu, Joy of Man's Desiring," improvising a bit upon the theme but not straying too far from the urtext. This is Vol. 38 of the Maybeck series.

© Richard S. Ginell /TiVo

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The Maybeck Recital Series, Vol. 38 (Live At Maybeck Recital Hall, Berkeley, CA / October 30, 1994)

Ted Rosenthal

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1
It's All Right With Me (Live At Maybeck Recital Hall, Berkeley, CA / October 30, 1994)
00:06:00

Nick Phillips, Producer, Recording Producer - Cole Porter, ComposerLyricist - David Luke, Recording Engineer, StudioPersonnel - Ted Rosenthal, Piano, MainArtist, AssociatedPerformer - George Horn, Mastering Engineer, StudioPersonnel - Bud Spangler, Recording Engineer, StudioPersonnel - Carl Jefferson, Producer, Executive Producer - Robert Berenson, Asst. Recording Engineer, StudioPersonnel - Mike Hoaglin, Production Coordinator, StudioPersonnel

℗ 1995 Concord Jazz

2
Long Ago And Far Away (Live At Maybeck Recital Hall, Berkeley, CA / October 30, 1994)
00:05:46

Nick Phillips, Producer, Recording Producer - Ira Gershwin, Author - Jerome Kern, Composer - David Luke, Recording Engineer, StudioPersonnel - Ted Rosenthal, Piano, MainArtist, AssociatedPerformer - George Horn, Mastering Engineer, StudioPersonnel - Bud Spangler, Recording Engineer, StudioPersonnel - Carl Jefferson, Producer, Executive Producer - Robert Berenson, Asst. Recording Engineer, StudioPersonnel - Mike Hoaglin, Production Coordinator, StudioPersonnel

℗ 1995 Concord Jazz

3
Lennie's Pennies (Live At Maybeck Recital Hall, Berkeley, CA / October 30, 1994)
00:05:00

Nick Phillips, Producer, Recording Producer - David Luke, Recording Engineer, StudioPersonnel - Lennie Tristano, Composer - Ted Rosenthal, Piano, MainArtist, AssociatedPerformer - George Horn, Mastering Engineer, StudioPersonnel - Bud Spangler, Recording Engineer, StudioPersonnel - Carl Jefferson, Producer, Executive Producer - Robert Berenson, Asst. Recording Engineer, StudioPersonnel - Mike Hoaglin, Production Coordinator, StudioPersonnel

℗ 1995 Concord Jazz

4
Better You Than Me (Live At Maybeck Recital Hall, Berkeley, CA / October 30, 1994)
00:06:16

Nick Phillips, Producer, Recording Producer - David Luke, Recording Engineer, StudioPersonnel - Ted Rosenthal, Piano, MainArtist, AssociatedPerformer, ComposerLyricist - George Horn, Mastering Engineer, StudioPersonnel - Bud Spangler, Recording Engineer, StudioPersonnel - Carl Jefferson, Producer, Executive Producer - Robert Berenson, Asst. Recording Engineer, StudioPersonnel - Mike Hoaglin, Production Coordinator, StudioPersonnel

℗ 1995 Concord Jazz

5
You're A Joy (Live At Maybeck Recital Hall, Berkeley, CA / October 30, 1994)
00:05:32

Nick Phillips, Producer, Recording Producer - David Luke, Recording Engineer, StudioPersonnel - Tadd Dameron, ComposerLyricist - Ted Rosenthal, Piano, MainArtist, AssociatedPerformer - George Horn, Mastering Engineer, StudioPersonnel - Bud Spangler, Recording Engineer, StudioPersonnel - Carl Jefferson, Producer, Executive Producer - Robert Berenson, Asst. Recording Engineer, StudioPersonnel - Mike Hoaglin, Production Coordinator, StudioPersonnel

℗ 1995 Concord Jazz

6
Jesu, Joy Of Man's Desiring (Live At Maybeck Recital Hall, Berkeley, CA / October 30, 1994)
00:04:24

Nick Phillips, Producer, Recording Producer - Johann Sebastian Bach, Composer - David Luke, Recording Engineer, StudioPersonnel - Ted Rosenthal, Piano, MainArtist, AssociatedPerformer - George Horn, Mastering Engineer, StudioPersonnel - Bud Spangler, Recording Engineer, StudioPersonnel - Carl Jefferson, Producer, Executive Producer - Robert Berenson, Asst. Recording Engineer, StudioPersonnel - Mike Hoaglin, Production Coordinator, StudioPersonnel

℗ 1995 Concord Jazz

7
Drop Me A Line (Live At Maybeck Recital Hall, Berkeley, CA / October 30, 1994)
00:05:32

Nick Phillips, Producer, Recording Producer - David Luke, Recording Engineer, StudioPersonnel - Ted Rosenthal, Piano, MainArtist, AssociatedPerformer, ComposerLyricist - George Horn, Mastering Engineer, StudioPersonnel - Bud Spangler, Recording Engineer, StudioPersonnel - Carl Jefferson, Producer, Executive Producer - Robert Berenson, Asst. Recording Engineer, StudioPersonnel - Mike Hoaglin, Production Coordinator, StudioPersonnel

℗ 1995 Concord Jazz

8
117th Street (Live At Maybeck Recital Hall, Berkeley, CA / October 30, 1994)
00:06:10

Nick Phillips, Producer, Recording Producer - David Luke, Recording Engineer, StudioPersonnel - Herbie Nichols, ComposerLyricist - Ted Rosenthal, Piano, MainArtist, AssociatedPerformer - George Horn, Mastering Engineer, StudioPersonnel - Bud Spangler, Recording Engineer, StudioPersonnel - Carl Jefferson, Producer, Executive Producer - Robert Berenson, Asst. Recording Engineer, StudioPersonnel - Mike Hoaglin, Production Coordinator, StudioPersonnel

℗ 1995 Concord Jazz

9
Gone With The Wind (Live At Maybeck Recital Hall, Berkeley, CA / October 30, 1994)
00:05:24

Nick Phillips, Producer, Recording Producer - Herbert Magidson, ComposerLyricist - David Luke, Recording Engineer, StudioPersonnel - Allie Wrubel, ComposerLyricist - Ted Rosenthal, Piano, MainArtist, AssociatedPerformer - George Horn, Mastering Engineer, StudioPersonnel - Bud Spangler, Recording Engineer, StudioPersonnel - Carl Jefferson, Producer, Executive Producer - Robert Berenson, Asst. Recording Engineer, StudioPersonnel - Mike Hoaglin, Production Coordinator, StudioPersonnel

℗ 1995 Concord Jazz

10
Hallucinations (Live At Maybeck Recital Hall, Berkeley, CA / October 30, 1994)
00:04:27

Nick Phillips, Producer, Recording Producer - Bud Powell, ComposerLyricist - David Luke, Recording Engineer, StudioPersonnel - Ted Rosenthal, Piano, MainArtist, AssociatedPerformer - George Horn, Mastering Engineer, StudioPersonnel - Bud Spangler, Recording Engineer, StudioPersonnel - Carl Jefferson, Producer, Executive Producer - Robert Berenson, Asst. Recording Engineer, StudioPersonnel - Mike Hoaglin, Production Coordinator, StudioPersonnel

℗ 1995 Concord Jazz

11
You've Got To Be Modernistic (Live At Maybeck Recital Hall, Berkeley, CA / October 30, 1994)
00:04:25

Nick Phillips, Producer, Recording Producer - David Luke, Recording Engineer, StudioPersonnel - James P. Johnson, ComposerLyricist - Ted Rosenthal, Piano, MainArtist, AssociatedPerformer - George Horn, Mastering Engineer, StudioPersonnel - Bud Spangler, Recording Engineer, StudioPersonnel - Carl Jefferson, Producer, Executive Producer - Robert Berenson, Asst. Recording Engineer, StudioPersonnel - Mike Hoaglin, Production Coordinator, StudioPersonnel

℗ 1995 Concord Jazz

Album review

In his first solo piano excursion, Ted Rosenthal reveals himself as an intellectual bop and classical devotee, mostly indebted to Bud Powell, Lennie Tristano and J.S. Bach in no particular order. His technique is immaculate and contrapuntal-minded, the selection of material offbeat, but we don't feel as if we are in the presence of a strong individual personality; one responds with the head and not the heart. Rather than concentrate on the usual standards -- only a bare handful occupy the space here -- Rosenthal likes to include numbers by fellow pianists, such as Herbie Nichols' "117th Street," and an intricate bebop treatment of Tristano's "Lennie's Pennies," a fairly uninteresting rendition of Tadd Dameron's "You're a Joy," and James P. Johnson's "You've Got to Be Modernistic," which becomes more machine-like as it goes. He throws in a couple of originals; "Better You Than Me" is a rambling bop-based improv that changes keys constantly, while the less disciplined "Drop Me a Line" drops into a freewheeling contemporary classical world. He even tries a little Bach in "Jesu, Joy of Man's Desiring," improvising a bit upon the theme but not straying too far from the urtext. This is Vol. 38 of the Maybeck series.

© Richard S. Ginell /TiVo

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