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Roderick Williams|Schubert: Schwanengesang - Beethoven: An die ferne Geliebte

Schubert: Schwanengesang - Beethoven: An die ferne Geliebte

Roderick Williams, Iain Burnside

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Although only twelve years separate the composition of Beethoven’s An die ferne Geliebte and Schubert’s Schwanengesang, the ethos and sound world of the two works are markedly different. Pairing them on the concert platform seemed an obvious choice on one hand, but I was reminded not to try to perform Beethoven in the way I perform Schubert. For one thing, the former still has the ring of the late classical, while the latter explores the darkness of the early romantic. For this reason, we decided to record the two works in slightly different soundscapes. In An die ferne Geliebte, the inventiveness of Beethoven is best expressed in the piano writing, while the vocal part is deliberately simple, strophic (the music is repeated for each stanza), and folk-like. ...the sixth song states that these songs are offered ‘ohne Kunstgepräng’. And so we have set the voice slightly more distantly in the balance, giving the piano due prominence; the effect is almost as if I were singing over Iain’s shoulder. Schwanengesang is recorded more traditionally: in these most extraordinary and progressive songs the vocal line is supported by the piano, in equal partnership. © Roderick Williams/Chandos

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Schubert: Schwanengesang - Beethoven: An die ferne Geliebte

Roderick Williams

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An die ferne Geliebte, Op. 98 (Ludwig van Beethoven)

1
I. Auf dem Hügel sitz' ich, spähend
00:02:42

Ludwig van Beethoven, Composer - Roderick Williams, MainArtist, BaritoneVocals - Iain Burnside, Piano, MainArtist

2020 Chandos Records 2020 Chandos Records

2
II. Wo die Berge so blau
00:01:41

Ludwig van Beethoven, Composer - Roderick Williams, MainArtist, BaritoneVocals - Iain Burnside, Piano, MainArtist

2020 Chandos Records 2020 Chandos Records

3
III. Leichte Segler in den Höhen
00:01:35

Ludwig van Beethoven, Composer - Roderick Williams, MainArtist, BaritoneVocals - Iain Burnside, Piano, MainArtist

2020 Chandos Records 2020 Chandos Records

4
IV. Diese Wolken in den Höhen
00:00:56

Ludwig van Beethoven, Composer - Roderick Williams, MainArtist, BaritoneVocals - Iain Burnside, Piano, MainArtist

2020 Chandos Records 2020 Chandos Records

5
V. Es kehret der Maien, es blühet die Au
00:02:39

Ludwig van Beethoven, Composer - Roderick Williams, MainArtist, BaritoneVocals - Iain Burnside, Piano, MainArtist

2020 Chandos Records 2020 Chandos Records

6
Nimm sie hin denn, diese Lieder
00:04:18

Ludwig van Beethoven, Composer - Roderick Williams, MainArtist, BaritoneVocals - Iain Burnside, Piano, MainArtist

2020 Chandos Records 2020 Chandos Records

Schwanengesang, D. 957 (Franz Schubert)

7
I. Liebesbotschaft
00:03:06

Franz Schubert, Composer - Roderick Williams, MainArtist, BaritoneVocals - Iain Burnside, Piano, MainArtist

2020 Chandos Records 2020 Chandos Records

8
II. Kriegers Ahnung
00:05:06

Franz Schubert, Composer - Roderick Williams, MainArtist, BaritoneVocals - Iain Burnside, Piano, MainArtist

2020 Chandos Records 2020 Chandos Records

9
III. Frühlingssehnsucht
00:03:43

Franz Schubert, Composer - Roderick Williams, MainArtist, BaritoneVocals - Iain Burnside, Piano, MainArtist

2020 Chandos Records 2020 Chandos Records

10
IV. Ständchen
00:04:00

Franz Schubert, Composer - Roderick Williams, MainArtist, BaritoneVocals - Iain Burnside, Piano, MainArtist

2020 Chandos Records 2020 Chandos Records

11
V. Aufenthalt
00:02:55

Franz Schubert, Composer - Roderick Williams, MainArtist, BaritoneVocals - Iain Burnside, Piano, MainArtist

2020 Chandos Records 2020 Chandos Records

12
VI. In der Ferne
00:06:06

Franz Schubert, Composer - Roderick Williams, MainArtist, BaritoneVocals - Iain Burnside, Piano, MainArtist

2020 Chandos Records 2020 Chandos Records

13
VII. Abschied
00:04:43

Franz Schubert, Composer - Roderick Williams, MainArtist, BaritoneVocals - Iain Burnside, Piano, MainArtist

2020 Chandos Records 2020 Chandos Records

14
VIII. Der Atlas
00:02:26

Franz Schubert, Composer - Roderick Williams, MainArtist, BaritoneVocals - Iain Burnside, Piano, MainArtist

2020 Chandos Records 2020 Chandos Records

15
IX. Ihr Bild
00:02:33

Franz Schubert, Composer - Roderick Williams, MainArtist, BaritoneVocals - Iain Burnside, Piano, MainArtist

2020 Chandos Records 2020 Chandos Records

16
X. Das Fischermädchen
00:02:05

Franz Schubert, Composer - Roderick Williams, MainArtist, BaritoneVocals - Iain Burnside, Piano, MainArtist

2020 Chandos Records 2020 Chandos Records

17
XI. Die Stadt
00:02:45

Franz Schubert, Composer - Roderick Williams, MainArtist, BaritoneVocals - Iain Burnside, Piano, MainArtist

2020 Chandos Records 2020 Chandos Records

18
XII. Am Meer
00:04:02

Franz Schubert, Composer - Roderick Williams, MainArtist, BaritoneVocals - Iain Burnside, Piano, MainArtist

2020 Chandos Records 2020 Chandos Records

19
XIII. Der Doppelgänger
00:03:37

Franz Schubert, Composer - Roderick Williams, MainArtist, BaritoneVocals - Iain Burnside, Piano, MainArtist

2020 Chandos Records 2020 Chandos Records

20
XIV. Die Taubenpost
00:04:08

Franz Schubert, Composer - Roderick Williams, MainArtist, BaritoneVocals - Iain Burnside, Piano, MainArtist

2020 Chandos Records 2020 Chandos Records

Album review

Although only twelve years separate the composition of Beethoven’s An die ferne Geliebte and Schubert’s Schwanengesang, the ethos and sound world of the two works are markedly different. Pairing them on the concert platform seemed an obvious choice on one hand, but I was reminded not to try to perform Beethoven in the way I perform Schubert. For one thing, the former still has the ring of the late classical, while the latter explores the darkness of the early romantic. For this reason, we decided to record the two works in slightly different soundscapes. In An die ferne Geliebte, the inventiveness of Beethoven is best expressed in the piano writing, while the vocal part is deliberately simple, strophic (the music is repeated for each stanza), and folk-like. ...the sixth song states that these songs are offered ‘ohne Kunstgepräng’. And so we have set the voice slightly more distantly in the balance, giving the piano due prominence; the effect is almost as if I were singing over Iain’s shoulder. Schwanengesang is recorded more traditionally: in these most extraordinary and progressive songs the vocal line is supported by the piano, in equal partnership. © Roderick Williams/Chandos

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