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Ernest Ansermet, Orchestre de la Suisse Romande|Saint-Saëns, Poulenc & Widor: Works for Organ

Saint-Saëns, Poulenc & Widor: Works for Organ

Christopher Jacobson, Orchestre de la Suisse Romande, Kazuki Yamada

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The monumental and colourful sounds of the organ and symphony orchestra blend together perfectly on this splendid recording of Saint-Saëns’ “Organ” Symphony, Poulenc’s Concerto for Organ, Strings and Timpani and the Toccata from Charles-Marie Widor’s Organ Symphony No. 5. The majestic organ chords at the start of the final movement of Saint-Saëns’ Symphony equal the sublime effect of Beethoven’s choral conclusion of his Ninth, and have made it an audience’s favourite straight from the moment of its 1886 premiere. Poulenc’s Organ Concerto shows the composer’s retrospective side, while simultaneously offering flashes of his stylistic playfulness. After Poulenc’s serene Concerto, Widor’s Toccata offers a vibrant conclusion to this programme. © Pentatone

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Saint-Saëns, Poulenc & Widor: Works for Organ

Ernest Ansermet, Orchestre de la Suisse Romande

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Symphony no. 3 in C Minor, Op. 78 ("Organ Symphony") (Camille Saint-Saëns)

1
Symphony No. 3 in C Minor, Op. 78, R. 176 "Organ": Ia. Adagio - Allegro moderato
Ernest Ansermet, Orchestre de la Suisse Romande
00:10:24

CAMILLE SAINT-SAENS, Composer - Orchestre de la Suisse Romande, Orchestra, MainArtist - Kazuki Yamada, Conductor

(C) 2019 PENTATONE (P) 2019 PENTATONE

2
Symphony No. 3 in C Minor, Op. 78, R. 176 "Organ": Ib. Poco adagio
Christopher Jacobson
00:09:56

CAMILLE SAINT-SAENS, Composer - Orchestre de la Suisse Romande, Orchestra - Kazuki Yamada, Conductor - Christopher Jacobson, Artist, MainArtist

(C) 2019 PENTATONE (P) 2019 PENTATONE

3
Symphony No. 3 in C Minor, Op. 78, R. 176 "Organ": IIa. Allegro moderato - Presto
Ernest Ansermet, Orchestre de la Suisse Romande
00:07:48

CAMILLE SAINT-SAENS, Composer - Orchestre de la Suisse Romande, Orchestra, MainArtist - Kazuki Yamada, Conductor

(C) 2019 PENTATONE (P) 2019 PENTATONE

4
Symphony No. 3 in C Minor, Op. 78, R. 176 "Organ": IIb. Maestoso - Allegro
Christopher Jacobson
00:08:24

CAMILLE SAINT-SAENS, Composer - Orchestre de la Suisse Romande, Orchestra - Kazuki Yamada, Conductor - Christopher Jacobson, Artist, MainArtist

(C) 2019 PENTATONE (P) 2019 PENTATONE

Concerto for Organ, Strings and Timpani in G Minor (Francis Poulenc)

5
Organ Concerto in G Minor, FP 93: Ia. Andante
Christopher Jacobson
00:02:56

Francis Poulenc, Composer - Orchestre de la Suisse Romande, Orchestra - Kazuki Yamada, Conductor - Christopher Jacobson, Artist, MainArtist

(C) 2019 PENTATONE (P) 2019 PENTATONE

6
Organ Concerto in G Minor, FP 93: Ib. Allegro giocoso
Christopher Jacobson
00:02:12

Francis Poulenc, Composer - Orchestre de la Suisse Romande, Orchestra - Kazuki Yamada, Conductor - Christopher Jacobson, Artist, MainArtist

(C) 2019 PENTATONE (P) 2019 PENTATONE

7
Organ Concerto in G Minor, FP 93: Ic. Andante moderato
Christopher Jacobson
00:06:59

Francis Poulenc, Composer - Orchestre de la Suisse Romande, Orchestra - Kazuki Yamada, Conductor - Christopher Jacobson, Artist, MainArtist

(C) 2019 PENTATONE (P) 2019 PENTATONE

8
Organ Concerto in G Minor, FP 93: Tempo allegro, molto agitato
Christopher Jacobson
00:10:02

Francis Poulenc, Composer - Orchestre de la Suisse Romande, Orchestra - Kazuki Yamada, Conductor - Christopher Jacobson, Artist, MainArtist

(C) 2019 PENTATONE (P) 2019 PENTATONE

Symphony for Organ No. 5 (Charles-Marie Widor)

9
Organ Symphony No. 5 in F Minor, Op. 42 No. 1: V. Toccata
Christopher Jacobson
00:06:45

Charles-Marie Widor, Composer - Christopher Jacobson, Artist, MainArtist

(C) 2019 PENTATONE (P) 2019 PENTATONE

Album review

The monumental and colourful sounds of the organ and symphony orchestra blend together perfectly on this splendid recording of Saint-Saëns’ “Organ” Symphony, Poulenc’s Concerto for Organ, Strings and Timpani and the Toccata from Charles-Marie Widor’s Organ Symphony No. 5. The majestic organ chords at the start of the final movement of Saint-Saëns’ Symphony equal the sublime effect of Beethoven’s choral conclusion of his Ninth, and have made it an audience’s favourite straight from the moment of its 1886 premiere. Poulenc’s Organ Concerto shows the composer’s retrospective side, while simultaneously offering flashes of his stylistic playfulness. After Poulenc’s serene Concerto, Widor’s Toccata offers a vibrant conclusion to this programme. © Pentatone

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