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Not a concept album, but a song cycle depicting life in southern California in the late '60s, Realization is a fine cycle to catch a ride on. It's also a serious surprise -- when psychedelia reared its head in 1967, the results were frequently disastrous for those performers who'd been specializing in straight-ahead rock & roll, and few had rocked harder or more straight-ahead than Johnny Rivers. Instead of jumping on a bandwagon that had nothing to do with where he was musically, he hijacked the sounds of psychedelic rock -- much as the Temptations did at Motown -- and took it where he was going. Acting as his own producer for the first time, Rivers opened up a slightly gentler side to his work that's equally valid and a lot more interesting, if not quite as exciting as his rock & roll classics. After a few sonic digressions as a lead-in, "Hey Joe" gets going, carrying listeners into Rivers' gorgeous rendition of James Hendricks' "Look to Your Soul." His own achingly beautiful "The Way We Live" follows, and then comes Hendricks' "Summer Rain," which turned into Rivers' last big hit of the 1960s. And then he has the temerity to take "A Whiter Shade of Pale" and make it prettier and harder -- but less spacy -- than the Procol Harum original; from there he plunges into blue-eyed soul on "Brother, Where Are You." The surprises continue right through to the rather delicate, introspective reading of "Positively Fourth Street" at the close, Rivers succeeding in evoking a vast array of thoughts and emotions. For his trouble, helped by the two hits, he was rewarded with a Top Five charting album, and one that has continued to find new admirers across the decades.
© James Chrispell & Bruce Eder /TiVo
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Bernie Grundman, Mastering Engineer, StudioPersonnel - Billy Roberts, ComposerLyricist - Johnny Rivers, MainArtist
(C) 1998 EMI Records USA, a division of Capitol Records Inc This label copy information is the subject of copyright protection. All rights reserved. (C) 1998 EMI Records Ltd ℗ 1998 Capitol Records, LLC
Ron McMaster, Mastering Engineer, StudioPersonnel - James Hendricks, ComposerLyricist - Johnny Rivers, Producer, MainArtist
(C) 1998 EMI Records USA, a division of Capitol Records Inc This label copy information is the subject of copyright protection. All rights reserved. (C) 1998 EMI Records Ltd ℗ 1998 Capitol Records, LLC
Bernie Grundman, Mastering Engineer, StudioPersonnel - Johnny Rivers, Composer, MainArtist
(C) 1998 EMI Records USA, a division of Capitol Records Inc This label copy information is the subject of copyright protection. All rights reserved. (C) 1998 EMI Records Ltd ℗ 1968 Capitol Records, LLC
Bernie Grundman, Mastering Engineer, StudioPersonnel - James Hendricks, Composer - Johnny Rivers, MainArtist
(C) 1998 EMI Records USA, a division of Capitol Records Inc This label copy information is the subject of copyright protection. All rights reserved. (C) 1998 EMI Records Ltd ℗ 1998 Capitol Records, LLC
Keith Reid, ComposerLyricist - Gary Brooker, ComposerLyricist - Johnny Rivers, MainArtist
(C) 1998 EMI Records USA, a division of Capitol Records Inc This label copy information is the subject of copyright protection. All rights reserved. (C) 1998 EMI Records Ltd ℗ 1968 Capitol Records, LLC
Johnny Rivers, MainArtist - Oscar Brown, Jr., Composer
(C) 1998 EMI Records USA, a division of Capitol Records Inc This label copy information is the subject of copyright protection. All rights reserved. (C) 1998 EMI Records Ltd ℗ 1968 Capitol Records, LLC
Bernie Grundman, Mastering Engineer, StudioPersonnel - James Hendricks, Composer - Johnny Rivers, Composer, MainArtist
(C) 1998 EMI Records USA, a division of Capitol Records Inc This label copy information is the subject of copyright protection. All rights reserved. (C) 1998 EMI Records Ltd ℗ 1998 Capitol Records, LLC
Scott McKenzie, Composer - Bernie Grundman, Mastering Engineer, StudioPersonnel - Johnny Rivers, MainArtist
(C) 1998 EMI Records USA, a division of Capitol Records Inc This label copy information is the subject of copyright protection. All rights reserved. (C) 1998 EMI Records Ltd ℗ 1998 Capitol Records, LLC
Lou Adler, Producer - BONES HOWE, Producer - Johnny Rivers, Producer, MainArtist, ComposerLyricist
(C) 1998 EMI Records USA, a division of Capitol Records Inc This label copy information is the subject of copyright protection. All rights reserved. (C) 1998 EMI Records Ltd ℗ 1968 Capitol Records, LLC
Bernie Grundman, Mastering Engineer, StudioPersonnel - Bob Dylan, ComposerLyricist - Johnny Rivers, MainArtist
(C) 1998 EMI Records USA, a division of Capitol Records Inc This label copy information is the subject of copyright protection. All rights reserved. (C) 1998 EMI Records Ltd ℗ 1998 Capitol Records, LLC
Album review
Not a concept album, but a song cycle depicting life in southern California in the late '60s, Realization is a fine cycle to catch a ride on. It's also a serious surprise -- when psychedelia reared its head in 1967, the results were frequently disastrous for those performers who'd been specializing in straight-ahead rock & roll, and few had rocked harder or more straight-ahead than Johnny Rivers. Instead of jumping on a bandwagon that had nothing to do with where he was musically, he hijacked the sounds of psychedelic rock -- much as the Temptations did at Motown -- and took it where he was going. Acting as his own producer for the first time, Rivers opened up a slightly gentler side to his work that's equally valid and a lot more interesting, if not quite as exciting as his rock & roll classics. After a few sonic digressions as a lead-in, "Hey Joe" gets going, carrying listeners into Rivers' gorgeous rendition of James Hendricks' "Look to Your Soul." His own achingly beautiful "The Way We Live" follows, and then comes Hendricks' "Summer Rain," which turned into Rivers' last big hit of the 1960s. And then he has the temerity to take "A Whiter Shade of Pale" and make it prettier and harder -- but less spacy -- than the Procol Harum original; from there he plunges into blue-eyed soul on "Brother, Where Are You." The surprises continue right through to the rather delicate, introspective reading of "Positively Fourth Street" at the close, Rivers succeeding in evoking a vast array of thoughts and emotions. For his trouble, helped by the two hits, he was rewarded with a Top Five charting album, and one that has continued to find new admirers across the decades.
© James Chrispell & Bruce Eder /TiVo
About the album
- 1 disc(s) - 10 track(s)
- Total length: 00:38:44
- Main artists: Johnny Rivers
- Composer: Various Composers
- Label: Zonophone
- Genre: Pop/Rock Rock
© 1998 EMI Records USA, a division of Capitol Records Inc ℗ 1998 EMI Records USA, a division of Capitol Records Inc
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