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Bernard Haitink|Ravel, M.: Daphnis et Chloe / Poulenc, F.: Gloria (Francis Poulenc - Maurice Ravel)

Ravel, M.: Daphnis et Chloe / Poulenc, F.: Gloria (Francis Poulenc - Maurice Ravel)

Francis Poulenc - Maurice Ravel

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For the novice listener, this CD may not offer the ideal introduction to either work, but the performances of Poulenc's Gloria and Ravel's Daphnis et Chloé with Bernard Haitink and the Chicago Symphony Orchestra & Chorus should interest any fan of the conductor, the orchestra, or the pieces themselves. In this live 2007 recording, Haitink and the CSO turn in performances full of buoyant rhythms, sparkling colors, lucid textures, and an irresistible joie de vivre. Poulenc's Gloria receives a bright, ebullient performance that does not lack for depth in the central movements, but which still sings and swings in the outer movements. Ravel's Daphnis gets a performance that glows with luminous colors, irresistible tempos, and a sense of inevitability that hold the work together as an aesthetic whole, despite its expansive length and teeming diversity. Haitink and the Chicago Symphony Orchestra & Chorus turn in performances that rival the finest ever made technically, and the live digital sound is deep, clean, and balanced. Although there are recordings of each work neophytes should hear first -- most notably, Decca's ecstatic 1959 Daphnis et Chloé with Pierre Monteux and the London Symphony, and the joyous 1988 EMI recording of the Gloria with Georges Prêtre and the Orchestre National de France and the Chorus de Radio France -- this disc has sufficient virtues to merit a hearing.
© TiVo

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Ravel, M.: Daphnis et Chloe / Poulenc, F.: Gloria (Francis Poulenc - Maurice Ravel)

Bernard Haitink

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1
Gloria
Chicago Symphony Orchestra (CSO)
00:03:04

Bernard Haitink, Conductor - Chicago Symphony Chorus, Choir - Bernard Haitink, Conductor - Chicago Symphony Orchestra, Orchestra

2
Laudamus te
Chicago Symphony Orchestra (CSO)
00:03:10

Bernard Haitink, Conductor - Chicago Symphony Chorus, Choir - Bernard Haitink, Conductor - Chicago Symphony Orchestra, Orchestra

3
Domine Deus
Bernard Haitink
00:03:55

Bernard Haitink, Conductor - Bernard Haitink, Conductor - Chicago Symphony Orchestra, Orchestra - Chicago Symphony Chorus, Choir

4
Domine Fili unigenite
Bernard Haitink
00:01:22

Bernard Haitink, Conductor - Chicago Symphony Chorus, Choir - Chicago Symphony Orchestra, Orchestra - Bernard Haitink, Conductor

5
Domine Deus, Agnus Dei
Chicago Symphony Orchestra (CSO)
00:06:08

Bernard Haitink, Conductor - Bernard Haitink, Conductor - Chicago Symphony Orchestra, Orchestra - Chicago Symphony Chorus, Choir

6
Qui sedes ad dexteram Patris
Bernard Haitink
00:06:03

Bernard Haitink, Conductor - Chicago Symphony Chorus, Choir - Bernard Haitink, Conductor - Chicago Symphony Orchestra, Orchestra

7
Part I: Introduction
Chicago Symphony Orchestra (CSO)
00:02:38

Bernard Haitink, Conductor - Bernard Haitink, Conductor - Chicago Symphony Orchestra, Orchestra

8
Part I: Danse religieuse
Bernard Haitink
00:04:35

Bernard Haitink, Conductor - Bernard Haitink, Conductor - Chicago Symphony Orchestra, Orchestra

9
Part I: Les jeunes filles attirent Daphnis - Danse generale
Chicago Symphony Orchestra (CSO)
00:03:18

Bernard Haitink, Conductor - Bernard Haitink, Conductor - Chicago Symphony Orchestra, Orchestra

10
Part I: Danse grotesque de Dorcon
Chicago Symphony Orchestra (CSO)
00:02:02

Bernard Haitink, Conductor - Chicago Symphony Orchestra, Orchestra - Bernard Haitink, Conductor

11
Part I: Danse legere et gracieuse de Daphnis
Bernard Haitink
00:03:38

Bernard Haitink, Conductor - Bernard Haitink, Conductor - Chicago Symphony Orchestra, Orchestra

12
Part I: Les rires s'interrompent - Danse de Lyceion
Chicago Symphony Orchestra (CSO)
00:04:00

Bernard Haitink, Conductor - Bernard Haitink, Conductor - Chicago Symphony Orchestra, Orchestra

13
Part I: Une lumiere irreelle enveloppe le paysage - Danse lente et mysterieuse
Chicago Symphony Orchestra (CSO)
00:04:36

Bernard Haitink, Conductor - Bernard Haitink, Conductor - Chicago Symphony Orchestra, Orchestra

14
Part II: Introduction
Bernard Haitink
00:02:52

Bernard Haitink, Conductor - Bernard Haitink, Conductor - Chicago Symphony Orchestra, Orchestra

15
Part II: Anime et tres rude - Bryaxis ordonne d'amener la captive
Chicago Symphony Orchestra (CSO)
00:04:50

Bernard Haitink, Conductor - Chicago Symphony Orchestra, Orchestra - Bernard Haitink, Conductor

16
Part II: Danse suppliante de Chloe
Chicago Symphony Orchestra (CSO)
00:05:04

Bernard Haitink, Conductor - Bernard Haitink, Conductor - Chicago Symphony Orchestra, Orchestra

17
Part III: Aucun bruit que le murmure des ruisselets amasses par la rosee qui coule des roches - Le vieux berger Lammon
Bernard Haitink
00:05:48

Bernard Haitink, Conductor - Bernard Haitink, Conductor - Chicago Symphony Orchestra, Orchestra

18
Part III: Chloe figure la jeune nymphe errant das la prairie - Devant l'autel des Nymphes
Chicago Symphony Orchestra (CSO)
00:06:17

Bernard Haitink, Conductor - Bernard Haitink, Conductor - Chicago Symphony Orchestra, Orchestra

19
Part III: Danse generale
Chicago Symphony Orchestra (CSO)
00:03:40

Bernard Haitink, Conductor - Bernard Haitink, Conductor - Chicago Symphony Orchestra, Orchestra

Album review

For the novice listener, this CD may not offer the ideal introduction to either work, but the performances of Poulenc's Gloria and Ravel's Daphnis et Chloé with Bernard Haitink and the Chicago Symphony Orchestra & Chorus should interest any fan of the conductor, the orchestra, or the pieces themselves. In this live 2007 recording, Haitink and the CSO turn in performances full of buoyant rhythms, sparkling colors, lucid textures, and an irresistible joie de vivre. Poulenc's Gloria receives a bright, ebullient performance that does not lack for depth in the central movements, but which still sings and swings in the outer movements. Ravel's Daphnis gets a performance that glows with luminous colors, irresistible tempos, and a sense of inevitability that hold the work together as an aesthetic whole, despite its expansive length and teeming diversity. Haitink and the Chicago Symphony Orchestra & Chorus turn in performances that rival the finest ever made technically, and the live digital sound is deep, clean, and balanced. Although there are recordings of each work neophytes should hear first -- most notably, Decca's ecstatic 1959 Daphnis et Chloé with Pierre Monteux and the London Symphony, and the joyous 1988 EMI recording of the Gloria with Georges Prêtre and the Orchestre National de France and the Chorus de Radio France -- this disc has sufficient virtues to merit a hearing.
© TiVo

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