Unlimited Streaming
Listen to this album in high quality now on our apps
Start my trial period and start listening to this albumEnjoy this album on Qobuz apps with your subscription
SubscribeEnjoy this album on Qobuz apps with your subscription
Digital Download
Purchase and download this album in a wide variety of formats depending on your needs.
Camille Saint-Saëns' music is at last beginning to emerge from the purdah to which it has been confined for almost a century. New releases follow one after another, constantly leading us to reconsider the unkind judgements that have been made about this composer. It is true that his marked xenophobia and his lack of knowledge of the composers of his time, including Debussy and Stravinsky, made him look like an obtuse reactionary.
Like Bach or Mozart in their time, Saint-Saëns did not seek to revolutionise the language of music, slipping into existing moulds to express what he had to say. Ever respectful of form, he composed, he said, "as an apple tree produces apples". Although he had explored all the genres, Saint-Saëns had never before touched the sacrosanct string quartet, a form renowned for its loftiness and difficulty of writing. It was not until 1899 that he composed his Quartet No. 1 in E minor, probably stirred by the success of Debussy's string quartet that had been written a few years earlier.
Then aged sixty-three, Saint-Saëns breathed an insolent youthfulness into this work with its irresistible dynamic momentum and rich melodies. The writing is skilful and timelessly classic, with a pre-eminence in the part of the first violin. It should be said that the work is dedicated to his friend Eugène Ysaÿe, one of the greatest violinists of his time. The Quartet N° 2 in G major, written in 1918, is less ambitious and has only three movements, but it has the serenity of old age, free from metaphysical torment, combining candour and expression, especially in the beautiful slow movement. The clarity of Saint-Saëns' writing is perfectly displayed by the beautiful interpretation of the Tchalik Quartet, a Franco-Russian sibling ensemble immersed in music from their childhood, with natural playing and the rare ability to listen to each other. © François Hudry/Qobuz
You are currently listening to samples.
Listen to over 100 million songs with an unlimited streaming plan.
Listen to this playlist and more than 100 million songs with our unlimited streaming plans.
From $10.83/month
CAMILLE SAINT-SAENS, Composer - Quatuor Tchalik, Orchestra, MainArtist
2021 Alkonost Classic 2021 Alkonost Classic
CAMILLE SAINT-SAENS, Composer - Quatuor Tchalik, Orchestra, MainArtist
2021 Alkonost Classic 2021 Alkonost Classic
CAMILLE SAINT-SAENS, Composer - Quatuor Tchalik, Orchestra, MainArtist
2021 Alkonost Classic 2021 Alkonost Classic
CAMILLE SAINT-SAENS, Composer - Quatuor Tchalik, Orchestra, MainArtist
2021 Alkonost Classic 2021 Alkonost Classic
CAMILLE SAINT-SAENS, Composer - Quatuor Tchalik, Orchestra, MainArtist
2021 Alkonost Classic 2021 Alkonost Classic
CAMILLE SAINT-SAENS, Composer - Quatuor Tchalik, Orchestra, MainArtist
2021 Alkonost Classic 2021 Alkonost Classic
CAMILLE SAINT-SAENS, Composer - Quatuor Tchalik, Orchestra, MainArtist
2021 Alkonost Classic 2021 Alkonost Classic
Album review
Camille Saint-Saëns' music is at last beginning to emerge from the purdah to which it has been confined for almost a century. New releases follow one after another, constantly leading us to reconsider the unkind judgements that have been made about this composer. It is true that his marked xenophobia and his lack of knowledge of the composers of his time, including Debussy and Stravinsky, made him look like an obtuse reactionary.
Like Bach or Mozart in their time, Saint-Saëns did not seek to revolutionise the language of music, slipping into existing moulds to express what he had to say. Ever respectful of form, he composed, he said, "as an apple tree produces apples". Although he had explored all the genres, Saint-Saëns had never before touched the sacrosanct string quartet, a form renowned for its loftiness and difficulty of writing. It was not until 1899 that he composed his Quartet No. 1 in E minor, probably stirred by the success of Debussy's string quartet that had been written a few years earlier.
Then aged sixty-three, Saint-Saëns breathed an insolent youthfulness into this work with its irresistible dynamic momentum and rich melodies. The writing is skilful and timelessly classic, with a pre-eminence in the part of the first violin. It should be said that the work is dedicated to his friend Eugène Ysaÿe, one of the greatest violinists of his time. The Quartet N° 2 in G major, written in 1918, is less ambitious and has only three movements, but it has the serenity of old age, free from metaphysical torment, combining candour and expression, especially in the beautiful slow movement. The clarity of Saint-Saëns' writing is perfectly displayed by the beautiful interpretation of the Tchalik Quartet, a Franco-Russian sibling ensemble immersed in music from their childhood, with natural playing and the rare ability to listen to each other. © François Hudry/Qobuz
About the album
- 1 disc(s) - 7 track(s)
- Total length: 00:56:12
- 1 Digital booklet
- Main artists: Quatuor Tchalik
- Composer: Camille Saint-Saëns
- Label: Alkonost Classic
- Genre: Classical
2021 Alkonost Classic 2021 Alkonost Classic
Improve album informationWhy buy on Qobuz?
-
Stream or download your music
Buy an album or an individual track. Or listen to our entire catalog with our high-quality unlimited streaming subscriptions.
-
Zero DRM
The downloaded files belong to you, without any usage limit. You can download them as many times as you like.
-
Choose the format best suited for you
Download your purchases in a wide variety of formats (FLAC, ALAC, WAV, AIFF...) depending on your needs.
-
Listen to your purchases on our apps
Download the Qobuz apps for smartphones, tablets, and computers, and listen to your purchases wherever you go.