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Edge Of Sanity|Purgatory Afterglow

Purgatory Afterglow

Edge Of Sanity

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By the release of their fourth album, 1994's Purgatory Afterglow, Sweden's prolific Edge of Sanity was cruising -- a well-oiled machine with a growing reputation as one of death metal's most exciting, daring, and innovative acts. Like their good friends (and natural inheritors) Opeth, Edge of Sanity's excellence resides in their ability to juxtapose the most blistering, blast-beat-intensive death (bordering on black) metal offensive with melodic passages of startling beauty. In fact, Purgatory Afterglow's epic opener, "Twilight," with its wild mood swings and abrupt dynamic shifts, may well have served as a matrix for that now-legendary group's imminent debut, which, coincidentally, was engineered by Edge of Sanity's mastermind, Dan Swano. Swano's ability to alternate unintelligible death-grunts and deep, clean-singing vocals with confidence and conviction -- set in accordance to the group's musical backdrop of speedy thrash runs and grinding power riffs, respectively -- helps propel the welcome surprises heard on standout tracks like "Of Darksome Origin," "Silent," and "Velvet Dreams." But by this stage in their development, the band was also capable of pulling off straightforward, more easily digestible fare as well, and three-minute nuggets like "Black Tears" and "Elegy" come as close as death metal ever did to commercial sensibility. All this diversity and open-minded experimentation was, of course, the end result of years of gradual advances (the closing "Song of Sirens" is the album's only oddity, sounding at times like an Entombed tribute song), and with Purgatory Afterglow, Edge of Sanity seemed to strike upon the perfect, delicate balance of extremes that would result in what many still consider their career zenith, 1996's ambitious, 40-minute song Crimson.

© Eduardo Rivadavia /TiVo

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Purgatory Afterglow

Edge Of Sanity

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1
Twilight
00:07:50

Dan Swanö, Composer, Lyricist, Mastering Engineer, Mixing Engineer, Recording Engineer - Edge Of Sanity, Producer, MainArtist, AssociatedPerformer

(P) 1994 Century Media Records Ltd., under exclusive license from Edge Of Sanity

2
Of Darksome Origin
00:05:02

Dan Swanö, Composer, Lyricist, Mastering Engineer, Mixing Engineer, Recording Engineer - Edge Of Sanity, Producer, MainArtist, AssociatedPerformer

(P) 1994 Century Media Records Ltd., under exclusive license from Edge Of Sanity

3
Blood-Colored
00:04:00

Dan Swanö, Composer, Lyricist, Mastering Engineer, Mixing Engineer, Recording Engineer - Edge Of Sanity, Producer, MainArtist, AssociatedPerformer

(P) 1994 Century Media Records Ltd., under exclusive license from Edge Of Sanity

4
Silent
00:05:05

Dan Swanö, Composer, Lyricist, Mastering Engineer, Mixing Engineer, Recording Engineer - Edge Of Sanity, Producer, MainArtist, AssociatedPerformer

(P) 1994 Century Media Records Ltd., under exclusive license from Edge Of Sanity

5
Black Tears
00:03:15

Dan Swanö, Composer, Lyricist, Mastering Engineer, Mixing Engineer, Recording Engineer - Edge Of Sanity, Producer, MainArtist, AssociatedPerformer

(P) 1994 Century Media Records Ltd., under exclusive license from Edge Of Sanity

6
Elegy
00:03:57

Dan Swanö, Composer, Lyricist, Mastering Engineer, Mixing Engineer, Recording Engineer - Edge Of Sanity, Producer, MainArtist, AssociatedPerformer

(P) 1994 Century Media Records Ltd., under exclusive license from Edge Of Sanity

7
Velvet Dreams
00:07:10

Dan Swanö, Mastering Engineer, Mixing Engineer, Recording Engineer - Andreas Axelsson, Composer, Lyricist - Edge Of Sanity, Producer, MainArtist, AssociatedPerformer

(P) 1994 Century Media Records Ltd., under exclusive license from Edge Of Sanity

8
Enter Chaos Explicit
00:02:24

Dan Swanö, Mastering Engineer, Mixing Engineer, Recording Engineer - Andreas Axelsson, Composer, Lyricist - Edge Of Sanity, Producer, MainArtist, AssociatedPerformer

(P) 1994 Century Media Records Ltd., under exclusive license from Edge Of Sanity

9
The Sinner and the Sadness Explicit
00:03:06

Dan Swanö, Composer, Lyricist, Mastering Engineer, Mixing Engineer, Recording Engineer - Edge Of Sanity, Producer, MainArtist, AssociatedPerformer

(P) 1994 Century Media Records Ltd., under exclusive license from Edge Of Sanity

10
Song of Sirens
00:02:32

Dan Swanö, Composer, Mastering Engineer, Mixing Engineer, Recording Engineer - Edge Of Sanity, Producer, MainArtist, AssociatedPerformer - Andreas Magnus Axelsson, Lyricist

(P) 1994 Century Media Records Ltd., under exclusive license from Edge Of Sanity

Album review

By the release of their fourth album, 1994's Purgatory Afterglow, Sweden's prolific Edge of Sanity was cruising -- a well-oiled machine with a growing reputation as one of death metal's most exciting, daring, and innovative acts. Like their good friends (and natural inheritors) Opeth, Edge of Sanity's excellence resides in their ability to juxtapose the most blistering, blast-beat-intensive death (bordering on black) metal offensive with melodic passages of startling beauty. In fact, Purgatory Afterglow's epic opener, "Twilight," with its wild mood swings and abrupt dynamic shifts, may well have served as a matrix for that now-legendary group's imminent debut, which, coincidentally, was engineered by Edge of Sanity's mastermind, Dan Swano. Swano's ability to alternate unintelligible death-grunts and deep, clean-singing vocals with confidence and conviction -- set in accordance to the group's musical backdrop of speedy thrash runs and grinding power riffs, respectively -- helps propel the welcome surprises heard on standout tracks like "Of Darksome Origin," "Silent," and "Velvet Dreams." But by this stage in their development, the band was also capable of pulling off straightforward, more easily digestible fare as well, and three-minute nuggets like "Black Tears" and "Elegy" come as close as death metal ever did to commercial sensibility. All this diversity and open-minded experimentation was, of course, the end result of years of gradual advances (the closing "Song of Sirens" is the album's only oddity, sounding at times like an Entombed tribute song), and with Purgatory Afterglow, Edge of Sanity seemed to strike upon the perfect, delicate balance of extremes that would result in what many still consider their career zenith, 1996's ambitious, 40-minute song Crimson.

© Eduardo Rivadavia /TiVo

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