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Clara Haskil|Piano Recital 1953 (Live)

Piano Recital 1953 (Live)

Clara Haskil

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More precisely: 10 April 1953 in the great hall of the Holy Orders of the baroque castle of Ludwigsburg. Clara Haskil, who sadly only had five more years left to live, albeit the happiest and most fertile of her life: with Swiss nationality and a booked-out diary, she could finally give herself over to music without worrying about survival or exile. This most prodigious period of recording gave us Mozart, to be sure, but also rarer repertoires, like Ravel or Debussy, as documented in this publication - in which, indeed, she avoids Mozart altogether! The pièce de résistance is surely the 32nd Sonata Op. 111 by Beethoven, which she plays quite differently from how we are used to hearing it: under her fingers, the fire still crackles, but Haskil knows not to make it a perpetual volcano, which would harm the discourse. Who knows whether it was her fragile health that forced her to go easy - but whatever the reason, musically at least, it is a good thing she did. The programme continues with some rather more transparent pieces from Schumann – the Abegg Variations in particular – before sojourning a while on the other bank of the Rhine with two Études by Debussy, which she plays dreamily; Sonatine by Ravel which she dreams , playfully, before closing with a choral from Bach (the Cantor who opened the proceedings), and a delicate adieu from Schumann, "Abschied" from the Waldszenen. The grande dame of the piano passes into tender silence, rather than ending the concert with virtuoso explosions. 10 April 1953 was a fine day! © SM/Qobuz

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Piano Recital 1953 (Live)

Clara Haskil

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Toccata in E minor, BWV 914 (Johann Sebastian Bach)

1
Toccata in E Minor, BWV 914
00:07:09

Johann Sebastian Bach, Composer - Clara Haskil, Artist, MainArtist

(C) 2018 SWR Classic (P) 2018 SWR Classic

Keyboard Sonata in C Major, Kk. 132 (Domenico Scarlatti)

2
Keyboard Sonata in C Major, K.132/L.457/P.295
00:05:07

DOMENICO SCARLATTI, Composer - Clara Haskil, Artist, MainArtist

(C) 2018 SWR Classic (P) 2018 SWR Classic

Keyboard Sonata in E-Flat Major, Kk. 193 (Domenico Scarlatti)

3
Keyboard Sonata in E-Flat Major, K.193/L.142/P.254
00:03:50

DOMENICO SCARLATTI, Composer - Clara Haskil, Artist, MainArtist

(C) 2018 SWR Classic (P) 2018 SWR Classic

Keyboard Sonata in B Minor, Kk. 87 (Domenico Scarlatti)

4
Keyboard Sonata in B Minor, K.87/L.33/P.43
00:04:10

DOMENICO SCARLATTI, Composer - Clara Haskil, Artist, MainArtist

(C) 2018 SWR Classic (P) 2018 SWR Classic

Piano Sonata No. 32 in C minor, Op. 111 (Ludwig van Beethoven)

5
I. Maestoso - Allegro con brio ed appassionato
00:08:23

Ludwig van Beethoven, Composer - Clara Haskil, Artist, MainArtist

(C) 2018 SWR Classic (P) 2018 SWR Classic

6
II. Arietta: Adagio molto semplice e cantabile
00:13:36

Ludwig van Beethoven, Composer - Clara Haskil, Artist, MainArtist

(C) 2018 SWR Classic (P) 2018 SWR Classic

Bunte Blätter, Op. 99, 3 Stücklein (Robert Schumann)

7
3 Stücklein: No. 1. Nicht schnell, mit Innigkeit
00:01:25

Robert Schumann, Composer - Clara Haskil, Artist, MainArtist

(C) 2018 SWR Classic (P) 2018 SWR Classic

8
3 Stücklein: No. 2. Sehr rasch
00:00:50

Robert Schumann, Composer - Clara Haskil, Artist, MainArtist

(C) 2018 SWR Classic (P) 2018 SWR Classic

9
3 Stücklein: No. 3. Frisch
00:02:31

Robert Schumann, Composer - Clara Haskil, Artist, MainArtist

(C) 2018 SWR Classic (P) 2018 SWR Classic

Theme and Variations on the name Abegg, Op. 1 (Robert Schumann)

10
Theme and Variations on the name Abegg, Op. 1
00:06:21

Robert Schumann, Composer - Clara Haskil, Artist, MainArtist

(C) 2018 SWR Classic (P) 2018 SWR Classic

12 Etudes, L. 136, Book 2 (Claude Debussy)

11
No. 10. Pour les sonorités opposées (For opposing sonorities)
00:04:01

Claude Debussy, Composer - Clara Haskil, Artist, MainArtist

(C) 2018 SWR Classic (P) 2018 SWR Classic

12
No. 7. Pour les degrés chromatiques (For chromatic steps)
00:02:01

Claude Debussy, Composer - Clara Haskil, Artist, MainArtist

(C) 2018 SWR Classic (P) 2018 SWR Classic

Sonatine, M. 40 (Maurice Ravel)

13
I. Modéré
00:03:31

Maurice Ravel, Composer - Clara Haskil, Artist, MainArtist

(C) 2018 SWR Classic (P) 2018 SWR Classic

14
II. Mouvement de Menuet
00:02:35

Maurice Ravel, Composer - Clara Haskil, Artist, MainArtist

(C) 2018 SWR Classic (P) 2018 SWR Classic

15
III. Animé
00:03:25

Maurice Ravel, Composer - Clara Haskil, Artist, MainArtist

(C) 2018 SWR Classic (P) 2018 SWR Classic

18 Chorales "Leipziger" (Johann Sebastian Bach)

16
18 Chorales, BWV 651-668, "Leipziger Chorale": Nun komm der Heiden Heiland, BWV 659 (arr. F. Busoni for piano)
00:03:53

Johann Sebastian Bach, Composer - Ferruccio Busoni, Composer - Clara Haskil, Artist, MainArtist

(C) 2018 SWR Classic (P) 2018 SWR Classic

Waldszenen, op. 82 (Robert Schumann)

17
Waldscenen, Op. 82: No. 9. Abschied (Farewell to the Forest)
00:02:49

Robert Schumann, Composer - Clara Haskil, Artist, MainArtist

(C) 2018 SWR Classic (P) 2018 SWR Classic

Album review

More precisely: 10 April 1953 in the great hall of the Holy Orders of the baroque castle of Ludwigsburg. Clara Haskil, who sadly only had five more years left to live, albeit the happiest and most fertile of her life: with Swiss nationality and a booked-out diary, she could finally give herself over to music without worrying about survival or exile. This most prodigious period of recording gave us Mozart, to be sure, but also rarer repertoires, like Ravel or Debussy, as documented in this publication - in which, indeed, she avoids Mozart altogether! The pièce de résistance is surely the 32nd Sonata Op. 111 by Beethoven, which she plays quite differently from how we are used to hearing it: under her fingers, the fire still crackles, but Haskil knows not to make it a perpetual volcano, which would harm the discourse. Who knows whether it was her fragile health that forced her to go easy - but whatever the reason, musically at least, it is a good thing she did. The programme continues with some rather more transparent pieces from Schumann – the Abegg Variations in particular – before sojourning a while on the other bank of the Rhine with two Études by Debussy, which she plays dreamily; Sonatine by Ravel which she dreams , playfully, before closing with a choral from Bach (the Cantor who opened the proceedings), and a delicate adieu from Schumann, "Abschied" from the Waldszenen. The grande dame of the piano passes into tender silence, rather than ending the concert with virtuoso explosions. 10 April 1953 was a fine day! © SM/Qobuz

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