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Hervé Niquet|Orazio Benevolo : Missa si Deus pro nobis - Magnificat

Orazio Benevolo : Missa si Deus pro nobis - Magnificat

Le Concert Spirituel - Hervé Niquet

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In the 17th century, Roman churches were competing to put on the greatest show to celebrate their patron saints. On these occasions, extraordinary services were performed, where many different artists would be brought together, singers and instrumentalists alike, alongside ordinary musicians, for sumptuous pieces performed by several vocal and instrumental choirs. One contemporary description gives an idea of the scale: ten choirs and ensembles played together, two on fixed stages, and eight others distributed symmetrically right along the nave, on platforms built for the occasion. Every additional stage was provided with a positive organ, while many other instruments added to the sonic splendour. So that all the musicians could play well together in spite of the distance, "capi di coro” or time-keeping drummers, would play in unison. Orazio Benevolo (1605-1672) was one of the most remarkable architects of these extravagant, multi-choral monuments. Benevolo was a choirboy at the Church of St. Louis of the French in Rome before he entered the upper echelons by taking the job of Chapel Master in 1638. The composer has left behind him an abundant set of works, containing no fewer than 34 motets for a range of players, including Regna terrae, written for twelve soprano parts distributed across six vocal choirs, each with its own basso continuo. We are also indebted to him for twelve versions of the Magnificat, for between eight and 24 voices, including one for 16 voices, in quadruple choir, which appears here. Hervé Niquet and his Concert Spirituel have made use of the ample acoustics in the Notre-Dame-du-Liban church in Paris, perfectly structured to hold several choirs distributed across the building, to create the sensations of immersion and spatial plenitude that the composer aimed for. © SM/Qobuz

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Orazio Benevolo : Missa si Deus pro nobis - Magnificat

Hervé Niquet

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Aeterna Christi munera (Saint Ambrose)

1
Aeterna Christi munera et martyrum victorias
Le Concert Spirituel
00:01:32

Le Concert Spirituel - Hervé Niquet, Conductor - Saint Ambrose (c.340-397), Composer

2018 Alpha Classics / Outhere Music France 2018 Le Concert Spirituel & Alpha Classics / Outhere Music France

Cantate Domino, SV 293 (Claudio Monteverdi)

2
Cantate Domino, SV 293
Le Concert Spirituel
00:01:43

Le Concert Spirituel - Hervé Niquet, Conductor - Claudio Monteverdi, Composer

2018 Alpha Classics / Outhere Music France 2018 Le Concert Spirituel & Alpha Classics / Outhere Music France

3
I. Kyrie eleison
Le Concert Spirituel
00:04:44

Le Concert Spirituel - Hervé Niquet, Conductor - Orazio Benevolo (1605-1672), Composer

2018 Alpha Classics / Outhere Music France 2018 Le Concert Spirituel & Alpha Classics / Outhere Music France

4
II. Christe eleison
Le Concert Spirituel
00:02:57

Le Concert Spirituel - Hervé Niquet, Conductor - Orazio Benevolo, Composer

2018 Alpha Classics / Outhere Music France 2018 Le Concert Spirituel & Alpha Classics / Outhere Music France

5
III. Kyrie eleison II
Le Concert Spirituel
00:03:15

Le Concert Spirituel - Hervé Niquet, Conductor - Orazio Benevolo, Composer

2018 Alpha Classics / Outhere Music France 2018 Le Concert Spirituel & Alpha Classics / Outhere Music France

Mottetorum I (Palestrina)

6
Beata es, virgo Maria
Le Concert Spirituel
00:01:50

Le Concert Spirituel - Hervé Niquet, Conductor - Giovanni Pierluigi da Palestrina, Composer

2018 Alpha Classics / Outhere Music France 2018 Le Concert Spirituel & Alpha Classics / Outhere Music France

7
IV. Gloria
Le Concert Spirituel
00:08:02

Le Concert Spirituel - Hervé Niquet, Conductor - Orazio Benevolo, Composer

2018 Alpha Classics / Outhere Music France 2018 Le Concert Spirituel & Alpha Classics / Outhere Music France

Ne avertas faciem tuam a puero tuo (Anonyme)

8
Ne avertas faciem tuam a puero tuo
Lucia Nigohossian
00:01:16

Lucia Nigohossian, Alto (Soloist, Concert Spirituel) - Anonymous, Composer

2018 Alpha Classics / Outhere Music France 2018 Le Concert Spirituel & Alpha Classics / Outhere Music France

9
V. Credo
Le Concert Spirituel
00:13:48

Le Concert Spirituel - Hervé Niquet, Conductor - Orazio Benevolo, Composer

2018 Alpha Classics / Outhere Music France 2018 Le Concert Spirituel & Alpha Classics / Outhere Music France

Canzon vigesimanona, F 8.54 (Girolamo Frescobaldi)

10
Canzon vigesimanona, F 8.54
Le Concert Spirituel
00:02:37

Le Concert Spirituel - Hervé Niquet, Conductor - Girolamo Frescobaldi, Composer

2018 Alpha Classics / Outhere Music France 2018 Le Concert Spirituel & Alpha Classics / Outhere Music France

11
VI. Sanctus
Le Concert Spirituel
00:01:46

Le Concert Spirituel - Hervé Niquet, Conductor - Orazio Benevolo, Composer

2018 Alpha Classics / Outhere Music France 2018 Le Concert Spirituel & Alpha Classics / Outhere Music France

Benedictus qui venit in nomine domini (Anonyme)

12
Benedictus qui venit in nomine domini
Benoît Descamps
00:00:48

Anonymous, Composer - Benoît Descamps, Bass (Soloist, Concert Spirituel)

2018 Alpha Classics / Outhere Music France 2018 Le Concert Spirituel & Alpha Classics / Outhere Music France

Regna terrae (Orazio Benevolo)

13
Regna terrae
Le Concert Spirituel
00:03:50

Le Concert Spirituel - Hervé Niquet, Conductor - Orazio Benevolo, Composer

2018 Alpha Classics / Outhere Music France 2018 Le Concert Spirituel & Alpha Classics / Outhere Music France

14
VII. Agnus Dei
Le Concert Spirituel
00:04:53

Le Concert Spirituel - Hervé Niquet, Conductor - Orazio Benevolo, Composer

2018 Alpha Classics / Outhere Music France 2018 Le Concert Spirituel & Alpha Classics / Outhere Music France

Magnificat a 16 voci (Orazio Benevolo)

15
Magnificat a 16 voci
Le Concert Spirituel
00:10:40

Le Concert Spirituel - Hervé Niquet, Conductor - Orazio Benevolo, Composer

2018 Alpha Classics / Outhere Music France 2018 Le Concert Spirituel & Alpha Classics / Outhere Music France

Album review

In the 17th century, Roman churches were competing to put on the greatest show to celebrate their patron saints. On these occasions, extraordinary services were performed, where many different artists would be brought together, singers and instrumentalists alike, alongside ordinary musicians, for sumptuous pieces performed by several vocal and instrumental choirs. One contemporary description gives an idea of the scale: ten choirs and ensembles played together, two on fixed stages, and eight others distributed symmetrically right along the nave, on platforms built for the occasion. Every additional stage was provided with a positive organ, while many other instruments added to the sonic splendour. So that all the musicians could play well together in spite of the distance, "capi di coro” or time-keeping drummers, would play in unison. Orazio Benevolo (1605-1672) was one of the most remarkable architects of these extravagant, multi-choral monuments. Benevolo was a choirboy at the Church of St. Louis of the French in Rome before he entered the upper echelons by taking the job of Chapel Master in 1638. The composer has left behind him an abundant set of works, containing no fewer than 34 motets for a range of players, including Regna terrae, written for twelve soprano parts distributed across six vocal choirs, each with its own basso continuo. We are also indebted to him for twelve versions of the Magnificat, for between eight and 24 voices, including one for 16 voices, in quadruple choir, which appears here. Hervé Niquet and his Concert Spirituel have made use of the ample acoustics in the Notre-Dame-du-Liban church in Paris, perfectly structured to hold several choirs distributed across the building, to create the sensations of immersion and spatial plenitude that the composer aimed for. © SM/Qobuz

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