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Oliver Nelson|Nocturne

Nocturne

Oliver Nelson, Lem Winchester

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This relaxed set (originally on the Prestige subsidiary Moodsville) puts the emphasis on ballads and slower material. Nelson (switching between alto and tenor) is joined by vibraphonist Lem Winchester, pianist Richard Wyands, bassist George Duvivier and drummer Roy Haynes for four standards and three of his originals (including the swinging "Bob's Blues"). Everyone plays well but the intentional lack of mood variation keeps this release from being all that essential.

© Scott Yanow /TiVo

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Nocturne

Oliver Nelson

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1
Nocturne
00:03:43

George Duvivier, AssociatedPerformer, Bass (Vocal) - Oliver Nelson, Saxophone, MainArtist, AssociatedPerformer, ComposerLyricist - Rudy Van Gelder, Recording Engineer, StudioPersonnel - Roy Haynes, Drums, AssociatedPerformer - Lem Winchester, Vibraphone, MainArtist, AssociatedPerformer - Esmond Edwards, Producer - Richard Wyands, Piano, AssociatedPerformer

℗ 1960 Prestige/Moodsville Records

2
Bob's Blues
00:05:28

George Duvivier, AssociatedPerformer, Bass (Vocal) - Oliver Nelson, Saxophone, MainArtist, AssociatedPerformer, ComposerLyricist - Rudy Van Gelder, Recording Engineer, StudioPersonnel - Roy Haynes, Drums, AssociatedPerformer - Lem Winchester, Vibraphone, MainArtist, AssociatedPerformer - Esmond Edwards, Producer - Richard Wyands, Piano, AssociatedPerformer

℗ 1960 Prestige/Moodsville Records

3
Man With A Horn
00:06:06

Bonnie Lake, ComposerLyricist - George Duvivier, AssociatedPerformer, Bass (Vocal) - Oliver Nelson, Saxophone, MainArtist, AssociatedPerformer - Rudy Van Gelder, Recording Engineer, StudioPersonnel - Eddie De Lange, ComposerLyricist - Roy Haynes, Drums, AssociatedPerformer - Lem Winchester, Vibraphone, MainArtist, AssociatedPerformer - Esmond Edwards, Producer - Richard Wyands, Piano, AssociatedPerformer - Jack Jenney, ComposerLyricist

℗ 1960 Prestige/Moodsville Records

4
Early Morning
00:04:46

George Duvivier, AssociatedPerformer, Bass (Vocal) - Oliver Nelson, Saxophone, MainArtist, AssociatedPerformer, ComposerLyricist - Rudy Van Gelder, Recording Engineer, StudioPersonnel - Roy Haynes, Drums, AssociatedPerformer - Lem Winchester, Vibraphone, MainArtist, AssociatedPerformer - Esmond Edwards, Producer - Richard Wyands, Piano, AssociatedPerformer

℗ 1960 Prestige/Moodsville Records

5
In A Sentimental Mood
00:06:12

George Duvivier, AssociatedPerformer, Bass (Vocal) - Duke Ellington, Composer - Oliver Nelson, Saxophone, MainArtist, AssociatedPerformer - Irving Mills, ComposerLyricist - Rudy Van Gelder, Recording Engineer, StudioPersonnel - Manny Kurtz, ComposerLyricist - Roy Haynes, Drums, AssociatedPerformer - Lem Winchester, Vibraphone, MainArtist, AssociatedPerformer - Esmond Edwards, Producer - Richard Wyands, Piano, AssociatedPerformer

℗ 1960 Prestige/Moodsville Records

6
Azure Te
00:05:41

Donald Wolf, ComposerLyricist - George Duvivier, AssociatedPerformer, Bass (Vocal) - Billy Davis, ComposerLyricist - Oliver Nelson, Saxophone, MainArtist, AssociatedPerformer - Rudy Van Gelder, Recording Engineer, StudioPersonnel - Roy Haynes, Drums, AssociatedPerformer - Lem Winchester, Vibraphone, MainArtist, AssociatedPerformer - Esmond Edwards, Producer - Richard Wyands, Piano, AssociatedPerformer

℗ 1960 Prestige/Moodsville Records

7
Time After Time
00:07:24

George Duvivier, AssociatedPerformer, Bass (Vocal) - Jule Styne, Composer - Sammy Cahn, Author - Oliver Nelson, Saxophone, MainArtist, AssociatedPerformer - Rudy Van Gelder, Recording Engineer, StudioPersonnel - Roy Haynes, Drums, AssociatedPerformer - Lem Winchester, Vibraphone, MainArtist, AssociatedPerformer - Esmond Edwards, Producer - Richard Wyands, Piano, AssociatedPerformer

℗ 1960 Prestige/Moodsville Records

Album review

This relaxed set (originally on the Prestige subsidiary Moodsville) puts the emphasis on ballads and slower material. Nelson (switching between alto and tenor) is joined by vibraphonist Lem Winchester, pianist Richard Wyands, bassist George Duvivier and drummer Roy Haynes for four standards and three of his originals (including the swinging "Bob's Blues"). Everyone plays well but the intentional lack of mood variation keeps this release from being all that essential.

© Scott Yanow /TiVo

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