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Peter Whelan|Mozart's Bassoon. Works for Solo Bassoon

Mozart's Bassoon. Works for Solo Bassoon

Peter Whelan, Ensemble Marsyas and Kristian Bezuidenhout

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Returning to his beloved bassoon Peter Whelan takes a fresh look at the two surviving works by Mozart for the instrument: Concerto, K. 191 and Sonata, K. 292. These attractive early works were most likely composed during the composer’s time in Salzburg. The Concerto is the earliest of his woodwind concertos, and has become a staple work for every bassoon player: it showcases the tremendous capabilities of the pre-nineteenth-century instrument, its agility, extraordinary range and tone colour.

Whelan and his virtuoso Ensemble Marsyas are playing from the original printed parts since the autograph score has not survived. While the sonata’s original medium is uncertain - for two bass instruments or bassoon and keyboard - Whelan makes it his own with Kristian Bezuidenhout performing the continuo line. Ensemble Marsyas rounds off the programme with Mozart’s most dramatic work for winds, the Serenade in C minor. Composed in Vienna for the "Harmonie" (the bassoon’s natural home), it served as a musical laboratory where Mozart could experiment with the virtuoso and lyrical possibilities of his Viennese wind soloists who later animated his greatest operas. © Linn Records

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Mozart's Bassoon. Works for Solo Bassoon

Peter Whelan

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Bassoon Concerto in B-Flat Major, K. 191 (Wolfgang Amadeus Mozart)

1
I. Allegro
00:06:38

Wolfgang Amadeus Mozart, Composer - Copyright Control, MusicPublisher - Peter Whelan, Conductor, MainArtist - Ensemble Marsyas, Ensemble, MainArtist

2022 Outhere Linn Records (2015-2022)

2
II. Andante ma adagio
00:06:22

Wolfgang Amadeus Mozart, Composer - Copyright Control, MusicPublisher - Peter Whelan, Conductor, MainArtist - Ensemble Marsyas, Ensemble, MainArtist

2022 Outhere Linn Records (2015-2022)

3
III. Rondo (Tempo di menuetto)
00:04:22

Wolfgang Amadeus Mozart, Composer - Copyright Control, MusicPublisher - Peter Whelan, Conductor, MainArtist - Ensemble Marsyas, Ensemble, MainArtist

2022 Outhere Linn Records (2015-2022)

Sonata in B-Flat Major, K. 292 (Wolfgang Amadeus Mozart)

4
I. Allegro
00:05:06

Wolfgang Amadeus Mozart, Composer - Copyright Control, MusicPublisher - Kristian Bezuidenhout, MainArtist - Peter Whelan, MainArtist

2022 Outhere Linn Records (2015-2022)

5
II. Andante
00:04:26

Wolfgang Amadeus Mozart, Composer - Copyright Control, MusicPublisher - Kristian Bezuidenhout, MainArtist - Peter Whelan, MainArtist

2022 Outhere Linn Records (2015-2022)

6
III. Rondo (Allegro)
00:03:02

Wolfgang Amadeus Mozart, Composer - Copyright Control, MusicPublisher - Kristian Bezuidenhout, MainArtist - Peter Whelan, MainArtist

2022 Outhere Linn Records (2015-2022)

Serenade in C minor, K. 388 (Wolfgang Amadeus Mozart)

7
I. Allegro
00:08:03

Wolfgang Amadeus Mozart, Composer - Copyright Control, MusicPublisher - Peter Whelan, Conductor, MainArtist - Ensemble Marsyas, Ensemble, MainArtist

2022 Outhere Linn Records (2015-2022)

8
II. Andante
00:03:52

Wolfgang Amadeus Mozart, Composer - Copyright Control, MusicPublisher - Peter Whelan, Conductor, MainArtist - Ensemble Marsyas, Ensemble, MainArtist

2022 Outhere Linn Records (2015-2022)

9
III. Menuetto in canone
00:03:44

Wolfgang Amadeus Mozart, Composer - Copyright Control, MusicPublisher - Peter Whelan, Conductor, MainArtist - Ensemble Marsyas, Ensemble, MainArtist

2022 Outhere Linn Records (2015-2022)

10
IV. Allegro
00:06:14

Wolfgang Amadeus Mozart, Composer - Copyright Control, MusicPublisher - Peter Whelan, Conductor, MainArtist - Ensemble Marsyas, Ensemble, MainArtist

2022 Outhere Linn Records (2015-2022)

Album review

Returning to his beloved bassoon Peter Whelan takes a fresh look at the two surviving works by Mozart for the instrument: Concerto, K. 191 and Sonata, K. 292. These attractive early works were most likely composed during the composer’s time in Salzburg. The Concerto is the earliest of his woodwind concertos, and has become a staple work for every bassoon player: it showcases the tremendous capabilities of the pre-nineteenth-century instrument, its agility, extraordinary range and tone colour.

Whelan and his virtuoso Ensemble Marsyas are playing from the original printed parts since the autograph score has not survived. While the sonata’s original medium is uncertain - for two bass instruments or bassoon and keyboard - Whelan makes it his own with Kristian Bezuidenhout performing the continuo line. Ensemble Marsyas rounds off the programme with Mozart’s most dramatic work for winds, the Serenade in C minor. Composed in Vienna for the "Harmonie" (the bassoon’s natural home), it served as a musical laboratory where Mozart could experiment with the virtuoso and lyrical possibilities of his Viennese wind soloists who later animated his greatest operas. © Linn Records

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