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Sergio Tiempo|Legacy

Legacy

Sergio Tiempo

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It is hard to take much interest in the extraneous considerations which, according to the artist, dictated the content of this album: the familial "homages" to his parents, his sister, his spouse, his children, his niece, all presented with a shedload of photos of the various relations, including "uncle" Nelson (Freire, of course), or "aunty" Martha (Argerich, naturally)... So let's pass over them. Because it is above all the musical content of the recording which confirms once again that the Argentine pianist is a sort of musical extraterrestrial: his reading of the "Appassionata" Sonata opens a door to a stunning world of sounds, colours, energies, as so few pianists, or no one else at all, can. He can throw up a thousand different sounds, as if playing with several different pianos at once (whereas in fact it was a recording made in public, on one single piano!) proves that it is possible to get a lot more out of this instrument than mere virtuosity or mind-blowing skill: it can become a whole orchestra. One still needs to be able to read the scores... And Tiempo performs an astonishing reading of one of the most jaw-dropping of Brahms's Intermezzi, and then a superlatively elegant version of one of Brahms's most elegant waltzes. After a few takes on Romeo and Juliet by Prokofiev which take us to an incredible sonic planet, Tiempo heads for a dreamy Debussy where the piano becomes a kind of harp, and reaches a full-throated Chopin with a few Preludes which alternate between the moving and the formidable, but always infinitely poetic. Tiempo finishes up further south, in the Latin America of Villa-Lobos, and then with his countrymen Ginastera and Piazzola. A fantastic track list in the hands of a fantastic pianist, who, to be sure, hasn't recorded a lot, but whose career is developing and slowly but surely becoming one of the most prestigious in the world. © SM/Qobuz

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Legacy

Sergio Tiempo

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1
Piano Sonata No. 23 in F Minor, Op. 57 “Appassionata”: I. Allegro assai
00:10:24

Ludwig van Beethoven, Composer - Sergio Tiempo, MainArtist

(C) 2017 Avanticlassic (P) 2017 Avanticlassic

2
Piano Sonata No. 23 in F Minor, Op. 57 “Appassionata”: II. Andante con moto
00:05:37

Ludwig van Beethoven, Composer - Sergio Tiempo, MainArtist

(C) 2017 Avanticlassic (P) 2017 Avanticlassic

3
Piano Sonata No. 23 in F Minor, Op. 57 “Appassionata”: III. Allegro ma non troppo - Presto
00:07:51

Ludwig van Beethoven, Composer - Sergio Tiempo, MainArtist

(C) 2017 Avanticlassic (P) 2017 Avanticlassic

4
Intermezzo No. 1 in B Minor, Op. 119
00:04:33

Johannes Brahms, Composer - Sergio Tiempo, MainArtist

(C) 2017 Avanticlassic (P) 2017 Avanticlassic

5
Waltz No. 15 in A-Flat Major, Op. 39
00:01:41

Johannes Brahms, Composer - Sergio Tiempo, MainArtist

(C) 2017 Avanticlassic (P) 2017 Avanticlassic

6
Romeo and Juliet, Ten Pieces for Piano, Op. 75: IV. Juliet as a young girl
00:03:27

Sergei Prokofiev, Composer - Sergio Tiempo, MainArtist

(C) 2017 Avanticlassic (P) 2017 Avanticlassic

7
Romeo and Juliet, Ten Pieces for Piano, Op. 75: VI. Montagues and Capulets
00:03:36

Sergei Prokofiev, Composer - Sergio Tiempo, MainArtist

(C) 2017 Avanticlassic (P) 2017 Avanticlassic

8
Romeo and Juliet, Ten Pieces for Piano, Op. 75: IX. Dance of the girls with the lilies
00:02:21

Sergei Prokofiev, Composer - Sergio Tiempo, MainArtist

(C) 2017 Avanticlassic (P) 2017 Avanticlassic

9
Romeo and Juliet, Ten Pieces for Piano, Op. 75: VIII. Mercutio
00:02:08

Sergei Prokofiev, Composer - Sergio Tiempo, MainArtist

(C) 2017 Avanticlassic (P) 2017 Avanticlassic

10
Images L. 110, Book I: Reflets dans l’eau
00:04:57

Claude Debussy, Composer - Sergio Tiempo, MainArtist

(C) 2017 Avanticlassic (P) 2017 Avanticlassic

11
24 Preludes, Op. 28: VI. Prelude in B Minor
00:02:02

FryderyK Chopin, Composer - Sergio Tiempo, MainArtist

(C) 2017 Avanticlassic (P) 2017 Avanticlassic

12
24 Preludes, Op. 28: III. Prelude in G Major
00:00:54

FryderyK Chopin, Composer - Sergio Tiempo, MainArtist

(C) 2017 Avanticlassic (P) 2017 Avanticlassic

13
24 Preludes, Op. 28: IV. Prelude in E Minor
00:02:12

FryderyK Chopin, Composer - Sergio Tiempo, MainArtist

(C) 2017 Avanticlassic (P) 2017 Avanticlassic

14
24 Preludes, Op. 28: VIII. Prelude in F-sharp Minor
00:01:51

FryderyK Chopin, Composer - Sergio Tiempo, MainArtist

(C) 2017 Avanticlassic (P) 2017 Avanticlassic

15
24 Preludes, Op. 28: XV. Prelude in D-flat Major
00:04:38

FryderyK Chopin, Composer - Sergio Tiempo, MainArtist

(C) 2017 Avanticlassic (P) 2017 Avanticlassic

16
24 Preludes, Op. 28: XVI. Prelude in B-flat Minor
00:01:06

FryderyK Chopin, Composer - Sergio Tiempo, MainArtist

(C) 2017 Avanticlassic (P) 2017 Avanticlassic

17
A Prole do bebê, Book I: Branquinha
00:02:32

Heitor Villa-Lobos, Composer - Sergio Tiempo, MainArtist

(C) 2017 Avanticlassic (P) 2017 Avanticlassic

18
A Prole do bebê, Book I: Moreninha
00:01:33

Heitor Villa-Lobos, Composer - Sergio Tiempo, MainArtist

(C) 2017 Avanticlassic (P) 2017 Avanticlassic

19
A Prole do bebê, Book I: O Polichinelo
00:01:23

Heitor Villa-Lobos, Composer - Sergio Tiempo, MainArtist

(C) 2017 Avanticlassic (P) 2017 Avanticlassic

20
A Prole do bebê, Book I: A Pobrezinha
00:01:50

Heitor Villa-Lobos, Composer - Sergio Tiempo, MainArtist

(C) 2017 Avanticlassic (P) 2017 Avanticlassic

21
Malambo, Op. 7
00:02:20

Alberto Ginastera, Composer - Sergio Tiempo, MainArtist

(C) 2017 Avanticlassic (P) 2017 Avanticlassic

22
Fuga y Misterio
00:04:53

Astor Piazzolla, Composer - Sergio Tiempo, MainArtist

(C) 2017 Avanticlassic (P) 2017 Avanticlassic

Album review

It is hard to take much interest in the extraneous considerations which, according to the artist, dictated the content of this album: the familial "homages" to his parents, his sister, his spouse, his children, his niece, all presented with a shedload of photos of the various relations, including "uncle" Nelson (Freire, of course), or "aunty" Martha (Argerich, naturally)... So let's pass over them. Because it is above all the musical content of the recording which confirms once again that the Argentine pianist is a sort of musical extraterrestrial: his reading of the "Appassionata" Sonata opens a door to a stunning world of sounds, colours, energies, as so few pianists, or no one else at all, can. He can throw up a thousand different sounds, as if playing with several different pianos at once (whereas in fact it was a recording made in public, on one single piano!) proves that it is possible to get a lot more out of this instrument than mere virtuosity or mind-blowing skill: it can become a whole orchestra. One still needs to be able to read the scores... And Tiempo performs an astonishing reading of one of the most jaw-dropping of Brahms's Intermezzi, and then a superlatively elegant version of one of Brahms's most elegant waltzes. After a few takes on Romeo and Juliet by Prokofiev which take us to an incredible sonic planet, Tiempo heads for a dreamy Debussy where the piano becomes a kind of harp, and reaches a full-throated Chopin with a few Preludes which alternate between the moving and the formidable, but always infinitely poetic. Tiempo finishes up further south, in the Latin America of Villa-Lobos, and then with his countrymen Ginastera and Piazzola. A fantastic track list in the hands of a fantastic pianist, who, to be sure, hasn't recorded a lot, but whose career is developing and slowly but surely becoming one of the most prestigious in the world. © SM/Qobuz

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