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Zoot Sims|Jazz Alive! A Night At The Half Note (Live)

Jazz Alive! A Night At The Half Note (Live)

Zoot Sims, Al Cohn, Phil Woods

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Zoot Sims and Al Cohn always made great music together; this live recording documents portions of two nights' work together at the Half Note in New York City, assisted by pianist Mose Allison, bassist Nabil Totah and drummer Paul Motian. Their brisk setting of "Lover, Come Back to Me" features Cohn, Sims and Allison soloing in turn, building the fire before the eventual trading of fours between the tenor saxophonists. After a relaxed rendition of "It Had to Be You," alto saxophonist Phil Woods is added to the mix for the next two numbers, recorded the very next evening. The guest sets up the percolating mid-tempo setting of "Wee Dot," with the tenors following him. The delightful interplay within the long workout of "After You've Gone" signals the chemistry between the three friends. Bop and cool fans will want to make any effort to hear this excellent release.

© Ken Dryden /TiVo

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Jazz Alive! A Night At The Half Note (Live)

Zoot Sims

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1
Lover Come Back To Me (Live At The Half Note, NYC, 1959)
00:09:08

Mose Allison, Piano, AssociatedPerformer - Michael Cuscuna, Producer - Oscar Hammerstein II , ComposerLyricist - Sigmund Romberg, ComposerLyricist - Ron McMaster, Mastering Engineer, StudioPersonnel - Dick Olmsted, Mixer, Recording Engineer, StudioPersonnel - Jack Lewis, Producer - Al Cohn, MainArtist - Zoot Sims, Tenor Saxophone, MainArtist, AssociatedPerformer - PAUL MOTIAN, Drums, AssociatedPerformer - Nabil Totah, AssociatedPerformer, Bass (Vocal) - Al Cohen, Tenor Saxophone, AssociatedPerformer

℗ 1998 Capitol Records, LLC

2
It Had To Be You (Live At The Half Note, NYC, 1959)
00:10:14

Mose Allison, Piano, AssociatedPerformer - Gus Kahn, Author - Michael Cuscuna, Producer - Ron McMaster, Mastering Engineer, StudioPersonnel - Dick Olmsted, Mixer, Recording Engineer, StudioPersonnel - Jack Lewis, Producer - Al Cohn, Tenor Saxophone, MainArtist, AssociatedPerformer - Zoot Sims, Tenor Saxophone, MainArtist, AssociatedPerformer - Isham Jones, Composer - PAUL MOTIAN, Drum, AssociatedPerformer - Nabil Totah, AssociatedPerformer, Bass (Vocal)

℗ 1998 Capitol Records, LLC

3
Wee Dot (Live At The Half Note, NYC, 1959)
00:08:58

Mose Allison, Piano, AssociatedPerformer - Michael Cuscuna, Producer - Ron McMaster, Mastering Engineer, StudioPersonnel - Dick Olmsted, Mixer, Recording Engineer, StudioPersonnel - Jack Lewis, Producer - Al Cohn, Tenor Saxophone, MainArtist, AssociatedPerformer - Zoot Sims, Tenor Saxophone, MainArtist, AssociatedPerformer - J.J. Johnson, Composer - Phil Woods, Alto Saxophone, MainArtist, AssociatedPerformer - PAUL MOTIAN, Drums, AssociatedPerformer - Nabil Totah, AssociatedPerformer, Bass (Vocal) - Leo Parker, Composer

℗ 1998 Capitol Records, LLC

4
After You've Gone (Live At The Half Note, NYC, 1959)
00:11:26

Mose Allison, Piano, AssociatedPerformer - Michael Cuscuna, Producer - Ron McMaster, Mastering Engineer, StudioPersonnel - Dick Olmsted, Mixer, Recording Engineer, StudioPersonnel - Jack Lewis, Producer - Al Cohn, Tenor Saxophone, MainArtist, AssociatedPerformer - Zoot Sims, Tenor Saxophone, MainArtist, AssociatedPerformer - Turner Layton, Composer - Phil Woods, Alto Saxophone, MainArtist, AssociatedPerformer - PAUL MOTIAN, Drum, AssociatedPerformer - Henry Creamer, Composer - Nabil Totah, AssociatedPerformer, Bass (Vocal)

℗ 1998 Capitol Records, LLC

Album review

Zoot Sims and Al Cohn always made great music together; this live recording documents portions of two nights' work together at the Half Note in New York City, assisted by pianist Mose Allison, bassist Nabil Totah and drummer Paul Motian. Their brisk setting of "Lover, Come Back to Me" features Cohn, Sims and Allison soloing in turn, building the fire before the eventual trading of fours between the tenor saxophonists. After a relaxed rendition of "It Had to Be You," alto saxophonist Phil Woods is added to the mix for the next two numbers, recorded the very next evening. The guest sets up the percolating mid-tempo setting of "Wee Dot," with the tenors following him. The delightful interplay within the long workout of "After You've Gone" signals the chemistry between the three friends. Bop and cool fans will want to make any effort to hear this excellent release.

© Ken Dryden /TiVo

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