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Greta Matassa|I Wanna Be Loved

I Wanna Be Loved

Greta Matassa

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Greta Matassa made her mark performing in the Pacific Northwest as a jazz vocalist, with a great insight into the Great American Songbook and strong scatting abilities. Both are on display in this big-band session, with arrangements by the promising young pianist Tamir Hendelman and an all-star group. Following a swinging "Broadway" that also includes a healthy dose of scat, she is draped in strings and complemented by Steve Wilkerson's soprano sax in a lively take of Herbie Hancock's "Chan's Song" that sounds like it could have come from a movie soundtrack. There are several little-known songs that Matassa makes her own, including Jerry Goldsmith's moving ballad "Alone in the World" (written for the soundtrack to the film Russia House and performed with just the rhythm section, Carroll Coates' luxurious ballad "You'll See," and a touching setting of Cy Coleman's "Would You Believe." If there's a weak spot, it is Al Jarreau's "Save Me," which is undermined a bit by its uninspired lyrics and the questionable use of a harmonica synthesizer (perhaps no jazz harmonica player was available at the time?). Greta Matassa makes a strong statement with this memorable recording.
© Ken Dryden /TiVo

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I Wanna Be Loved

Greta Matassa

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1
Broadway
00:05:02

Teddy McRae, Composer, Writer - Henri Woode, Composer, Writer - Billy Bird, Composer, Writer - Greta Matassa, MainArtist

2009 Resonance Records 2009 Resonance Records

2
Chan's Song
00:05:39

Stevie Wonder, Composer, Writer - HERBIE HANCOCK, Composer, Writer - Greta Matassa, MainArtist

2009 Resonance Records 2009 Resonance Records

3
Alone In The World
00:04:56

Jerry Goldsmith, Composer, Writer - Marilyn Bergman, Composer, Writer - Alan Bergman, Composer, Writer - Greta Matassa, MainArtist

2009 Resonance Records 2009 Resonance Records

4
I Wanna Be Loved
00:06:42

Edward Heyman, Composer, Writer - Billy Rose, Composer, Writer - Johnny Green, Composer, Writer - Greta Matassa, MainArtist

2009 Resonance Records 2009 Resonance Records

5
Nothing Like You
00:05:37

Bob Dorough, Composer, Writer - Greta Matassa, MainArtist - Francis Landesman, Composer, Writer

2009 Resonance Records 2009 Resonance Records

6
You'll See
00:05:27

CARROLL COATES, Composer, Writer - Greta Matassa, MainArtist

2009 Resonance Records 2009 Resonance Records

7
Save Me
00:05:57

DAVID FOSTER, Composer, Writer - JAY GRAYDON, Composer, Writer - Al Jarreau, Composer, Writer - Greta Matassa, MainArtist

2009 Resonance Records 2009 Resonance Records

8
Two for the Road
00:05:49

Henry Mancini, Composer - Greta Matassa, MainArtist

2009 Resonance Records 2009 Resonance Records

9
The Night Mist
00:06:33

Greta Matassa, Writer, MainArtist

2009 Resonance Records 2009 Resonance Records

10
Would You Believe
00:04:22

James Lipton, Composer, Writer - CY COLEMAN, Composer, Writer - Greta Matassa, MainArtist

2009 Resonance Records 2009 Resonance Records

11
All Night Long
00:06:05

CURTIS LEWIS, Composer, Writer - Greta Matassa, MainArtist

2009 Resonance Records 2009 Resonance Records

Album review

Greta Matassa made her mark performing in the Pacific Northwest as a jazz vocalist, with a great insight into the Great American Songbook and strong scatting abilities. Both are on display in this big-band session, with arrangements by the promising young pianist Tamir Hendelman and an all-star group. Following a swinging "Broadway" that also includes a healthy dose of scat, she is draped in strings and complemented by Steve Wilkerson's soprano sax in a lively take of Herbie Hancock's "Chan's Song" that sounds like it could have come from a movie soundtrack. There are several little-known songs that Matassa makes her own, including Jerry Goldsmith's moving ballad "Alone in the World" (written for the soundtrack to the film Russia House and performed with just the rhythm section, Carroll Coates' luxurious ballad "You'll See," and a touching setting of Cy Coleman's "Would You Believe." If there's a weak spot, it is Al Jarreau's "Save Me," which is undermined a bit by its uninspired lyrics and the questionable use of a harmonica synthesizer (perhaps no jazz harmonica player was available at the time?). Greta Matassa makes a strong statement with this memorable recording.
© Ken Dryden /TiVo

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