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Björk|Homogenic

Homogenic

Bjork

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By the late '90s, Björk's playful, unique world view and singular voice became as confining as they were defining. With its surprising starkness and darkness, 1997's Homogenic shatters her "Icelandic pixie" image. Possibly inspired by the end of her relationship with drum'n'bass kingpin Goldie, Björk sheds her more precious aspects, displaying more emotional depth than even her best previous work indicated. Her collaborators -- LFO's Mark Bell, Mark "Spike" Stent, and Post contributor Howie B -- help make this album not only her emotionally bravest work, but her most sonically adventurous as well. A seamless fusion of chilly strings (courtesy of the Icelandic String Octet), stuttering, abstract beats, and unexpected touches like accordion and glass harmonica, Homogenic alternates between dark, uncompromising songs such as the icy opener, "Hunter," and more soothing fare like the gently percolating "All Neon Like." The noisy, four-on-the-floor catharsis of "Pluto" and the raw vocals and crunching beats of "5 Years" and "Immature" reveal surprising amounts of anger, pain, and strength in the face of heartache. "I dare you to take me on," Björk challenges her lover in "5 Years," and wonders on "Immature," "How could I be so immature/To think he would replace/The missing elements in me?" "Bachelorette," a sweeping, brooding cousin to Post's "Isobel," is possibly Homogenic's saddest, most beautiful moment, giving filmic grandeur to a stormy relationship. Björk lets a little hope shine through on "Jòga," a moving song dedicated to her homeland and her best friend, and the reassuring finale, "All Is Full of Love." "Alarm Call"'s uplifting dance-pop might seem out of place with the rest of the album, but as its title implies, Homogenic is her most holistic work. It might not represent every side of Björk's music, but Homogenic offers some of her most impressive heights.

© Heather Phares /TiVo

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Homogenic

Björk

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1
Hunter
00:04:13

Eumir Deodato, Arranger - Marius de Vries, Programmer - Mark Bell, Producer, Keyboards, Additional Programmer - Trevor Morais, Drums - Chris Laurence, Bass - HOWIE B, Producer, Programmer - Roger Garland, Violin - Martin Loveday, Cello - Jim McLeod, Violin - Paul Kegg, Cello - Roger Chase, Viola - Ben Cruft, Violin - Bjork, Composer, Producer, Arranger, Keyboards, Writer, Performance, MainArtist - Helen Liebmann, Cello - Mike Brittain, Bass - Peter Oxer, Violin - Jeffrey Bryant, Horn - Wilfred Gibson, Violin - Yasuhiro Kobayashi, Accordion - Markus Dravis, Producer, Additional Programmer - Steve Henderson, Contributor

© 2004 Elektra Entertainment. Marketed by Warner Strategic Marketing. ℗ 1997 Bjork Overseas Ltd./One Little Indian Ltd. under exclusive license to Elektra Entertainment Group for North America and Mother Records/PMV for the rest of the world excluding UK and Iceland

2
Joga
00:05:05

Eumir Deodato, Arranger - Marius de Vries, Programmer - Mark Bell, Producer, Keyboards, Additional Programmer - Trevor Morais, Drums - Björk Gudmundsdottir, Composer - Chris Laurence, Bass - HOWIE B, Producer, Programmer - Roger Garland, Violin - Martin Loveday, Cello - Jim McLeod, Violin - Paul Kegg, Cello - Roger Chase, Viola - Ben Cruft, Violin - Bjork, Composer, Producer, Arranger, Keyboards, Writer, Performance, MainArtist - Helen Liebmann, Cello - Mike Brittain, Bass - Peter Oxer, Violin - Sjon, Writer - Sigurjon Sigurdsson, Composer - Jeffrey Bryant, Horn - Wilfred Gibson, Violin - Yasuhiro Kobayashi, Accordion - Sigurjon Birgir Sigurdsson, Writer - Markus Dravis, Producer, Additional Programmer - Steve Henderson, Contributor

© 2004 Elektra Entertainment. Marketed by Warner Strategic Marketing. ℗ 1991 Bjork Overseas Ltd./One Little Indian Ltd. under exclusive license to Elektra Entertainment Group for North America and Mother Records/PMV for the rest of the world excluding UK and Iceland

3
Unravel
00:03:17

Eumir Deodato, Arranger - Marius de Vries, Programmer - Guy Sigsworth, Writer - Mark Bell, Producer, Keyboards, Additional Programmer - Trevor Morais, Drums - Chris Laurence, Bass - HOWIE B, Producer, Programmer - Roger Garland, Violin - Martin Loveday, Cello - Jim McLeod, Violin - Paul Kegg, Cello - Roger Chase, Viola - Ben Cruft, Violin - Bjork, Composer, Producer, Arranger, Keyboards, Writer, Performance, MainArtist - Helen Liebmann, Cello - Mike Brittain, Bass - Peter Oxer, Violin - Jeffrey Bryant, Horn - Wilfred Gibson, Violin - Yasuhiro Kobayashi, Accordion - Markus Dravis, Producer, Additional Programmer - Steve Henderson, Contributor

© 2004 Elektra Entertainment. Marketed by Warner Strategic Marketing. ℗ 1997 Bjork Overseas Ltd./One Little Indian Ltd. under exclusive license to Elektra Entertainment Group for North America and Mother Records/PMV for the rest of the world excluding UK and Iceland

4
Bachelorette (Family Tree Version)
00:05:16

Bjork, Lead Vocals, Writer, MainArtist - Sigurjon Birgir Sigurdsson, Writer

© 2004 Elektra Entertainment. Marketed by Warner Strategic Marketing. ℗ 1997 Bjork Overseas Ltd./One Little Indian Ltd. under exclusive license to Elektra Entertainment Group for North America and Mother Records/PMV for the rest of the world excluding UK and Iceland

5
All Neon Like
00:05:52

Eumir Deodato, Arranger - Marius de Vries, Programmer - Mark Bell, Producer, Keyboards, Additional Programmer - Trevor Morais, Drums - Chris Laurence, Bass - HOWIE B, Producer, Programmer - Roger Garland, Violin - Martin Loveday, Cello - Jim McLeod, Violin - Paul Kegg, Cello - Roger Chase, Viola - Ben Cruft, Violin - Bjork, Producer, Arranger, Keyboards, Writer, Performance, MainArtist - Helen Liebmann, Cello - Mike Brittain, Bass - Peter Oxer, Violin - Jeffrey Bryant, Horn - Wilfred Gibson, Violin - Yasuhiro Kobayashi, Accordion - Markus Dravis, Producer, Additional Programmer - Steve Henderson, Contributor

© 2004 Elektra Entertainment. Marketed by Warner Strategic Marketing. ℗ 1997 Bjork Overseas Ltd./One Little Indian Ltd. under exclusive license to Elektra Entertainment Group for North America and Mother Records/PMV for the rest of the world excluding UK and Iceland

6
5 Years
00:04:29

Eumir Deodato, Arranger - Marius de Vries, Programmer - Mark Bell, Producer, Keyboards, Additional Programmer - Trevor Morais, Drums - Chris Laurence, Bass - HOWIE B, Producer, Programmer - Roger Garland, Violin - Martin Loveday, Cello - Jim McLeod, Violin - Paul Kegg, Cello - Roger Chase, Viola - Ben Cruft, Violin - Bjork, Producer, Arranger, Keyboards, Writer, Performance, MainArtist - Helen Liebmann, Cello - Mike Brittain, Bass - Peter Oxer, Violin - Jeffrey Bryant, Horn - Wilfred Gibson, Violin - Yasuhiro Kobayashi, Accordion - Markus Dravis, Producer, Additional Programmer - Steve Henderson, Contributor

© 2004 Elektra Entertainment. Marketed by Warner Strategic Marketing. ℗ 1999 Bjork Overseas Ltd./One Little Indian Ltd. under exclusive license to Elektra Entertainment Group for North America and Mother Records/PMV for the rest of the world excluding UK and Iceland

7
Immature
00:03:06

Eumir Deodato, Arranger - Marius de Vries, Programmer - Mark Bell, Producer, Keyboards, Additional Programmer - Trevor Morais, Drums - Chris Laurence, Bass - HOWIE B, Producer, Programmer - Roger Garland, Violin - Martin Loveday, Cello - Jim McLeod, Violin - Paul Kegg, Cello - Roger Chase, Viola - Ben Cruft, Violin - Bjork, Producer, Arranger, Keyboards, Writer, Performance, MainArtist - Helen Liebmann, Cello - Mike Brittain, Bass - Peter Oxer, Violin - Jeffrey Bryant, Horn - Wilfred Gibson, Violin - Yasuhiro Kobayashi, Accordion - Markus Dravis, Producer, Additional Programmer - Steve Henderson, Contributor

© 2004 Elektra Entertainment. Marketed by Warner Strategic Marketing. ℗ 1997 Bjork Overseas Ltd./One Little Indian Ltd. under exclusive license to Elektra Entertainment Group for North America and Mother Records/PMV for the rest of the world excluding UK and Iceland

8
Alarm Call Explicit
00:04:19

Eumir Deodato, Arranger - Marius de Vries, Programmer - Mark Bell, Producer, Keyboards, Additional Programmer - Trevor Morais, Drums - Björk Gudmundsdottir, Writer - Chris Laurence, Bass - HOWIE B, Producer, Programmer - Roger Garland, Violin - Martin Loveday, Cello - Jim McLeod, Violin - Paul Kegg, Cello - Roger Chase, Viola - Ben Cruft, Violin - Bjork, Producer, Arranger, Keyboards, Writer, Performance, MainArtist - Helen Liebmann, Cello - Mike Brittain, Bass - Peter Oxer, Violin - Jeffrey Bryant, Horn - Wilfred Gibson, Violin - Yasuhiro Kobayashi, Accordion - Markus Dravis, Producer, Additional Programmer - Steve Henderson, Contributor

© 2004 Elektra Entertainment. Marketed by Warner Strategic Marketing. ℗ 1999 Bjork Overseas Ltd./One Little Indian Ltd. under exclusive license to Elektra Entertainment Group for North America and Mother Records/PMV for the rest of the world excluding UK and Iceland

9
Pluto
00:03:19

Eumir Deodato, Arranger - Marius de Vries, Programmer - Mark Bell, Producer, Keyboards, Writer, Additional Programmer - Trevor Morais, Drums - Chris Laurence, Bass - HOWIE B, Producer, Programmer - Roger Garland, Violin - Martin Loveday, Cello - Jim McLeod, Violin - Paul Kegg, Cello - Roger Chase, Viola - Ben Cruft, Violin - Bjork, Producer, Arranger, Keyboards, Writer, Performance, MainArtist - Helen Liebmann, Cello - Mike Brittain, Bass - Peter Oxer, Violin - Jeffrey Bryant, Horn - Wilfred Gibson, Violin - Yasuhiro Kobayashi, Accordion - Markus Dravis, Producer, Additional Programmer - Steve Henderson, Contributor

© 2004 Elektra Entertainment. Marketed by Warner Strategic Marketing. ℗ 1997 Bjork Overseas Ltd./One Little Indian Ltd. under exclusive license to Elektra Entertainment Group for North America and Mother Records/PMV for the rest of the world excluding UK and Iceland

10
All Is Full of Love
00:04:32

Björk Gudmundsdottir, Composer - Bjork, Producer, Keyboards, Performance, MainArtist

© 2004 Elektra Entertainment. Marketed by Warner Strategic Marketing. ℗ 1997 Bjork Overseas Ltd./One Little Indian Ltd. under exclusive license to Elektra Entertainment Group for North America and Mother Records/PMV for the rest of the world excluding UK and Iceland

Album review

By the late '90s, Björk's playful, unique world view and singular voice became as confining as they were defining. With its surprising starkness and darkness, 1997's Homogenic shatters her "Icelandic pixie" image. Possibly inspired by the end of her relationship with drum'n'bass kingpin Goldie, Björk sheds her more precious aspects, displaying more emotional depth than even her best previous work indicated. Her collaborators -- LFO's Mark Bell, Mark "Spike" Stent, and Post contributor Howie B -- help make this album not only her emotionally bravest work, but her most sonically adventurous as well. A seamless fusion of chilly strings (courtesy of the Icelandic String Octet), stuttering, abstract beats, and unexpected touches like accordion and glass harmonica, Homogenic alternates between dark, uncompromising songs such as the icy opener, "Hunter," and more soothing fare like the gently percolating "All Neon Like." The noisy, four-on-the-floor catharsis of "Pluto" and the raw vocals and crunching beats of "5 Years" and "Immature" reveal surprising amounts of anger, pain, and strength in the face of heartache. "I dare you to take me on," Björk challenges her lover in "5 Years," and wonders on "Immature," "How could I be so immature/To think he would replace/The missing elements in me?" "Bachelorette," a sweeping, brooding cousin to Post's "Isobel," is possibly Homogenic's saddest, most beautiful moment, giving filmic grandeur to a stormy relationship. Björk lets a little hope shine through on "Jòga," a moving song dedicated to her homeland and her best friend, and the reassuring finale, "All Is Full of Love." "Alarm Call"'s uplifting dance-pop might seem out of place with the rest of the album, but as its title implies, Homogenic is her most holistic work. It might not represent every side of Björk's music, but Homogenic offers some of her most impressive heights.

© Heather Phares /TiVo

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