Qobuz Store wallpaper
Categories:
Cart 0

Your cart is empty

Anna-Lena Elbert|Haydn: Die sieben letzten Worte unseres Erlösers am Kreuze (Vokalfassung)

Haydn: Die sieben letzten Worte unseres Erlösers am Kreuze (Vokalfassung)

Sebastian Noack, Frieder Bernius, Hofkapelle Stuttgart, Kammerchor Stuttgart, Anna-Lena Elbert, Florian Sievers, Sophie Harmsen

Digital booklet

Available in
24-Bit/48 kHz Stereo

Unlimited Streaming

Listen to this album in high quality now on our apps

Start my trial period and start listening to this album

Enjoy this album on Qobuz apps with your subscription

Subscribe

Enjoy this album on Qobuz apps with your subscription

Digital Download

Purchase and download this album in a wide variety of formats depending on your needs.

The German choir conductor Frieder Bernius has a great number of recordings to his name. These range from Schutz’s Symphoniae Sacrae to Haydn’s Stabat Mater, as well as numerous discoveries concerning the works of Jan Dismas Zelenka. In 1984, Frieder Bernius had already recorded the rare oratorio version of Joseph Haydn's The Seven Last Words of Christ in Stuttgart. Edited in 2006 by Hänssler, the piece featured excellent soloists. Now, almost forty years after Bernius’ original recording, Hänssler is offering a new version of this famous work on his current label, Carus. 

It's common knowledge that Haydn was very fond of this work. It was commissioned around 1785, by a canon of Cadiz, for the purpose of being performed during a Good Friday service. Consisting of eight slow, meditative movements that culminate in a striking terremoto ("earthquake"), this singular work was originally intended to be performed by an orchestra. Haydn created an arrangement for a string quartet, which he followed with a piano transcription, leading to his penning of a final revival in the form of an oratorio—with a set of texts revised by Baron Gottfried Van Swieten.

This most recent version is the least well known, undoubtedly overshadowed by masterpieces such as The Creation (Die Schopfung) and The Seasons (Die Jahrezeiten). This new version, by Frieder Bernius, was recorded in March 2021 at the Stadthalle in Sindelfingen, near Stuttgart. It inspires introspection, creating an atmosphere of both naïve and sincere faith that aligns perfectly with Haydn’s spirit. © François Hudry/Qobuz

More info

Haydn: Die sieben letzten Worte unseres Erlösers am Kreuze (Vokalfassung)

Anna-Lena Elbert

launch qobuz app I already downloaded Qobuz for Windows / MacOS Open

download qobuz app I have not downloaded Qobuz for Windows / MacOS yet Download the Qobuz app

You are currently listening to samples.

Listen to over 100 million songs with an unlimited streaming plan.

Listen to this playlist and more than 100 million songs with our unlimited streaming plans.

From $10.83/month

Die sieben letzten Worte unseres Erlösers am Kreuze, Hob. XX:2 (Joseph Haydn)

1
I. Introduzione. Maestoso ed adagio
Hofkapelle Stuttgart
00:04:53

Joseph Haydn, Composer - Gottfried van Swieten, Author - Frieder Bernius, Conductor, MainArtist - Hofkapelle Stuttgart, Orchestra, MainArtist - Irmgard Bauer, Editor, Mastering Engineer, StudioPersonnel - Andreas Priemer, Producer - Alexander Noelle, Recording Engineer, StudioPersonnel

℗ 2022 Carus

2
II. Vater, vergib ihnen. Largo
Anna-Lena Elbert
00:06:07

Kammerchor Stuttgart, Choir, MainArtist - Joseph Haydn, Composer - Gottfried van Swieten, Author - Frieder Bernius, Conductor, MainArtist - Sophie Harmsen, Alto, MainArtist, AssociatedPerformer - Sebastian Noack, MainArtist, AssociatedPerformer, Bass (Vocal) - Hofkapelle Stuttgart, Orchestra, MainArtist - Irmgard Bauer, Editor, Mastering Engineer, StudioPersonnel - Andreas Priemer, Producer - Florian Sievers, Tenor, MainArtist, AssociatedPerformer - Hannah Gries, Soprano, MainArtist, AssociatedPerformer - Alexander Noelle, Recording Engineer, StudioPersonnel - Anna-Lena Elbert, Soprano, MainArtist, AssociatedPerformer

℗ 2022 Carus

3
III. Heute wirst du bei mir im Paradiese sein. Grave e cantabile
Anna-Lena Elbert
00:05:43

Kammerchor Stuttgart, Choir, MainArtist - Joseph Haydn, Composer - Gottfried van Swieten, Author - Frieder Bernius, Conductor, MainArtist - Sophie Harmsen, Alto, MainArtist, AssociatedPerformer - Sebastian Noack, MainArtist, AssociatedPerformer, Bass (Vocal) - Hofkapelle Stuttgart, Orchestra, MainArtist - Irmgard Bauer, Editor, Mastering Engineer, StudioPersonnel - Andreas Priemer, Producer - Florian Sievers, Tenor, MainArtist, AssociatedPerformer - Alexander Noelle, Recording Engineer, StudioPersonnel - Anna-Lena Elbert, Soprano, MainArtist, AssociatedPerformer

℗ 2022 Carus

4
IV. Frau, hier siehe deinen Sohn. Grave
Anna-Lena Elbert
00:06:29

Kammerchor Stuttgart, Choir, MainArtist - Joseph Haydn, Composer - Gottfried van Swieten, Author - Frieder Bernius, Conductor, MainArtist - Sophie Harmsen, Alto, MainArtist, AssociatedPerformer - Sebastian Noack, MainArtist, AssociatedPerformer, Bass (Vocal) - Hofkapelle Stuttgart, Orchestra, MainArtist - Irmgard Bauer, Editor, Mastering Engineer, StudioPersonnel - Andreas Priemer, Producer - Florian Sievers, Tenor, MainArtist, AssociatedPerformer - Alexander Noelle, Recording Engineer, StudioPersonnel - Anna-Lena Elbert, Soprano, MainArtist, AssociatedPerformer

℗ 2022 Carus

5
V. Mein Gott, warum hast du mich verlassen? Largo
Anna-Lena Elbert
00:05:40

Kammerchor Stuttgart, Choir, MainArtist - Joseph Haydn, Composer - Gottfried van Swieten, Author - Frieder Bernius, Conductor, MainArtist - Sophie Harmsen, Alto, MainArtist, AssociatedPerformer - Sebastian Noack, MainArtist, AssociatedPerformer, Bass (Vocal) - Hofkapelle Stuttgart, Orchestra, MainArtist - Irmgard Bauer, Editor, Mastering Engineer, StudioPersonnel - Andreas Priemer, Producer - Florian Sievers, Tenor, MainArtist, AssociatedPerformer - Alexander Noelle, Recording Engineer, StudioPersonnel - Anna-Lena Elbert, Soprano, MainArtist, AssociatedPerformer

℗ 2022 Carus

6
VI. Introduzione. Largo e cantabile
Hofkapelle Stuttgart
00:03:33

Joseph Haydn, Composer - Gottfried van Swieten, Author - Frieder Bernius, Conductor, MainArtist - Hofkapelle Stuttgart, Orchestra, MainArtist - Irmgard Bauer, Editor, Mastering Engineer, StudioPersonnel - Andreas Priemer, Producer - Alexander Noelle, Recording Engineer, StudioPersonnel

℗ 2022 Carus

7
VII. Mich dürstet. Adagio
Anna-Lena Elbert
00:05:25

Kammerchor Stuttgart, Choir, MainArtist - Joseph Haydn, Composer - Gottfried van Swieten, Author - Frieder Bernius, Conductor, MainArtist - Sophie Harmsen, Alto, MainArtist, AssociatedPerformer - Sebastian Noack, MainArtist, AssociatedPerformer, Bass (Vocal) - Hofkapelle Stuttgart, Orchestra, MainArtist - Irmgard Bauer, Editor, Mastering Engineer, StudioPersonnel - Andreas Priemer, Producer - Florian Sievers, Tenor, MainArtist, AssociatedPerformer - Alexander Noelle, Recording Engineer, StudioPersonnel - Anna-Lena Elbert, Soprano, MainArtist, AssociatedPerformer

℗ 2022 Carus

8
VIII. Es ist vollbracht. Lento
Anna-Lena Elbert
00:04:54

Joseph Haydn, Composer - Gottfried van Swieten, Author - Frieder Bernius, Conductor, MainArtist - Hofkapelle Stuttgart, Orchestra, MainArtist - Irmgard Bauer, Editor, Mastering Engineer, StudioPersonnel - Andreas Priemer, Producer - Alexander Noelle, Recording Engineer, StudioPersonnel - Anna-Lena Elbert, Soprano, MainArtist, AssociatedPerformer

℗ 2022 Carus

9
IX. In deine Händ', o Herr, empfehl ich meinen Geist. Largo
Anna-Lena Elbert
00:05:37

Kammerchor Stuttgart, Choir, MainArtist - Joseph Haydn, Composer - Gottfried van Swieten, Author - Frieder Bernius, Conductor, MainArtist - Sophie Harmsen, Alto, MainArtist, AssociatedPerformer - Sebastian Noack, MainArtist, AssociatedPerformer, Bass (Vocal) - Hofkapelle Stuttgart, Orchestra, MainArtist - Irmgard Bauer, Editor, Mastering Engineer, StudioPersonnel - Andreas Priemer, Producer - Florian Sievers, Tenor, MainArtist, AssociatedPerformer - Alexander Noelle, Recording Engineer, StudioPersonnel - Anna-Lena Elbert, Soprano, MainArtist, AssociatedPerformer

℗ 2022 Carus

10
X. Il Terremoto. Presto e con tutta la forza
Kammerchor Stuttgart
00:01:36

Kammerchor Stuttgart, Choir, MainArtist - Joseph Haydn, Composer - Gottfried van Swieten, Author - Frieder Bernius, Conductor, MainArtist - Hofkapelle Stuttgart, Orchestra, MainArtist - Irmgard Bauer, Editor, Mastering Engineer, StudioPersonnel - Andreas Priemer, Producer - Alexander Noelle, Recording Engineer, StudioPersonnel

℗ 2022 Carus

Album review

The German choir conductor Frieder Bernius has a great number of recordings to his name. These range from Schutz’s Symphoniae Sacrae to Haydn’s Stabat Mater, as well as numerous discoveries concerning the works of Jan Dismas Zelenka. In 1984, Frieder Bernius had already recorded the rare oratorio version of Joseph Haydn's The Seven Last Words of Christ in Stuttgart. Edited in 2006 by Hänssler, the piece featured excellent soloists. Now, almost forty years after Bernius’ original recording, Hänssler is offering a new version of this famous work on his current label, Carus. 

It's common knowledge that Haydn was very fond of this work. It was commissioned around 1785, by a canon of Cadiz, for the purpose of being performed during a Good Friday service. Consisting of eight slow, meditative movements that culminate in a striking terremoto ("earthquake"), this singular work was originally intended to be performed by an orchestra. Haydn created an arrangement for a string quartet, which he followed with a piano transcription, leading to his penning of a final revival in the form of an oratorio—with a set of texts revised by Baron Gottfried Van Swieten.

This most recent version is the least well known, undoubtedly overshadowed by masterpieces such as The Creation (Die Schopfung) and The Seasons (Die Jahrezeiten). This new version, by Frieder Bernius, was recorded in March 2021 at the Stadthalle in Sindelfingen, near Stuttgart. It inspires introspection, creating an atmosphere of both naïve and sincere faith that aligns perfectly with Haydn’s spirit. © François Hudry/Qobuz

About the album

Improve album information

Qobuz logo Why buy on Qobuz?

On sale now...

Getz/Gilberto

Stan Getz

Getz/Gilberto Stan Getz

Moanin'

Art Blakey & The Jazz Messengers

Moanin' Art Blakey & The Jazz Messengers

Blue Train

John Coltrane

Blue Train John Coltrane

Live In Europe

Melody Gardot

Live In Europe Melody Gardot
More on Qobuz
By Anna-Lena Elbert

Haydn: Die sieben letzten Worte unseres Erlösers am Kreuze (Vokalfassung)

Anna-Lena Elbert

Playlists

You may also like...

J.S. Bach: Goldberg Variations

Víkingur Ólafsson

J.S. Bach: Goldberg Variations Víkingur Ólafsson

Rachmaninoff: The Piano Concertos & Paganini Rhapsody

Yuja Wang

Beethoven and Beyond

María Dueñas

Beethoven and Beyond María Dueñas

Chopin: Piano Sonata No. 2, Op. 35 "Funeral March" - Beethoven: Piano Sonata No. 29, Op. 106 "Hammerklavier"

Beatrice Rana

A Symphonic Celebration - Music from the Studio Ghibli Films of Hayao Miyazaki

Joe Hisaishi