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Britney Spears|Greatest Hits: My Prerogative

Greatest Hits: My Prerogative

Britney Spears

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Greatest Hits: My Prerogative appeared at the tail end of a year where Britney Spears was married twice, canceled a tour, injured her knee, lost the movie role of Daisy Duke to rival teen pop diva Jessica Simpson, was a punch line in Fahrenheit 9/11, and had countless paparazzi shots of her drinking and making out in public. It was enough high-profile shenanigans for a career, and it was par for the course for Britney, who hadn't been out of the pop culture headlines since she released her debut album, ...Baby One More Time, in January 1999. In the nearly six years separating that debut album and the release of Greatest Hits in November 2004, Britney was omnipresent, representing both the entire teen pop phenomenon of the turn of the millennium, plus the teasing, Maxim-fueled sexuality of the time; it's not for nothing that Tom Wolfe name drops Britney Spears, not archrival Christina Aguilera, in his 2004 novel I Am Charlotte Simmons -- Britney alone captured the era, which in turn is captured on this 17-track hits collection. If Bob Dylan had a hard time being a voice of a generation (which he does acknowledge in his autobiography, Chronicles), imagine the weight put upon this simple Louisiana girl who just wanted to be famous and became a cultural icon instead! During those six years, she kept turning out product, selling herself with increasingly racy photographs, all the while being used as an example of everything that's wrong with pop culture, or even worse, as the subject of cultural theses explaining pop culture. No wonder that after six years of mind-boggling fame she wanted to abandon her career for motherhood -- it's exhausting being in the limelight, even for a shameless pop star! So, Greatest Hits arrived at a perfect time -- just as her star was fading, just as the teen pop era grew to a close, and just as she readied herself for retirement.
As a time capsule, Greatest Hits does its job well. It has all of her hits outside of "From the Bottom of My Broken Heart," a largely forgotten ballad from her debut released just before her second album, Oops!...I Did It Again, and it contains two very good previously unreleased tunes, including the In the Zone outtake "I've Just Begun (Having My Fun)," an infectious spin on No Doubt's "Hella Good" that betters most of the songs that were featured on the album (it also has a useless remake of Bobby Brown's "My Prerogative," which seems to exist solely for its video). Clearly, this is the album not just for the casual fan, but for any fan of Spears, because like most teen pop singers, her albums are notoriously spotty affairs, memorable largely for the singles themselves. What is surprising is that those singles -- all presented here in their hit forms, which means this has the "Stop Remix" of "(You Drive Me) Crazy," not the album version -- are somewhat less than the sum of their parts when collected together. The similarities in Max Martin's clanking, insistent writing and production become blindingly evident, and Britney's thin, squeaky voice wears thin over the course of 17 songs. Also, the song selection and sequencing emphasize keeping the perfect beat over chronology, which not only makes it a little harder to listen to as an album, it puts the focus on the individual songs, which seem neither as hooky or catchy as they did when they were initially on the radio. There are exceptions to the rule, of course -- "...Baby One More Time" still retains its punch, "Oops!...I Did It Again" is so silly it's hard to resist, "(You Drive Me) Crazy" is fluffy dance-pop at its best, and "Toxic" is a delirious, intoxicating rush -- but they're all better as individual moments, even if when taken together, they do illustrate the cacophonous monotony of her music and, yes, her time quite well. So, even if it isn't a great listen as a cohesive album, Greatest Hits does perform the valuable function of offering all of Britney's hits in one place, and it does work as a portrait of the time when Britney Spears was the defining figure of American pop culture. But if you compare it to The Immaculate Collection, which captured the time when Madonna was the defining figure of American pop culture and does work as an album, it's clear that a cultural artifact isn't necessarily the same thing as great music.

© Stephen Thomas Erlewine /TiVo

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Greatest Hits: My Prerogative

Britney Spears

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1
My Prerogative
Britney Spears
00:03:33

Avant, Arranger - Avant, Edited By - Avant, Producer - Avant, Programmer - Avant, Recording Engineer - BlackCell, Background Vocal - Bloodshy, Arranger - Bloodshy, Edited By - Bloodshy, Producer - Bloodshy, Programmer - Bloodshy, Recording Engineer - Bobby Brown, Composer - Bobby Brown, Lyricist - Britney Spears, Background Vocal - Britney Spears, Performer - Edward Riley, Composer - Edward Riley, Lyricist - Emma Holgren, Background Vocal - Gene Griffin, Composer - Gene Griffin, Lyricist - Henrik Jonback, Guitar - Niklas Flyckt, Mixing Engineer - Steve Lunt, A&R Director - Steve Lunt, Arranger - Tobias Lehmann, Engineer - Tom Coyne, Mastering Engineer - Uwe Lietzow, Engineer

(P) 2004 RCA/JIVE Label Group, a unit of Sony Music Entertainment

2
Toxic
Britney Spears
00:03:18

Avant, Arranger - Avant, Edited By - Avant, Performer - Avant, Producer - Avant, Recording Engineer - BlackCell, Background Vocal - Bloodshy, Arranger - Bloodshy, Edited By - Bloodshy, Performer - Bloodshy, Producer - Bloodshy, Recording Engineer - Britney Spears, Background Vocal - Britney Spears, Performer - Cathy Dennis, Background Vocal - Cathy Dennis, Composer - Cathy Dennis, Lyricist - Christian Karlsson, Composer - Christian Karlsson, Lyricist - Emma Holmgren, Background Vocal - Henrik Jonback, Composer - Henrik Jonback, Guitar - Henrik Jonback, Lyricist - JD Andrew, 2nd Engineer - Janson & Janson, Conductor - Jonas Ostman, 2nd Engineer - Niklas Flyckt, Mixing Engineer - Pontus Winnberg, Composer - Pontus Winnberg, Lyricist - Steve Lunt, Arranger - Stockholm Session Strings, Strings - Thomas Lindberg, Acoustic Bass

(P) 2003 RCA Records, a division of Sony Music Entertainment

3
I'm a Slave 4 U
Britney Spears
00:03:23

Andrew Coleman, Recording Engineer - Brian Garten, Recording Engineer - Britney Spears, Performer - Charles Edward Hugo, Composer - Charles Edward Hugo, Lyricist - Pharrell Williams, Composer - Pharrell Williams, Lyricist - Serban Ghenea, Mixing Engineer - The Neptunes, Producer - Tom Coyne, Mastering Engineer

(P) 2001 RCA Records, a division of Sony Music Entertainment

4
Oops!...I Did It Again (Album Version)
Britney Spears
00:03:30

Britney Spears, Background Vocal - Britney Spears, Performer - Britney Spears, Speaker - Esbjörn Öhrwall, Guitar - Johan Carlberg, Guitar - Max Martin, Background Vocal - Max Martin, Composer - Max Martin, Lyricist - Max Martin, Mixing Engineer - Max Martin, Producer - Max Martin, Recording Engineer - Max Martin, Speaker - Nana Hedin, Background Vocal - Rami, Composer - Rami, Lyricist - Rami, Mixing Engineer - Rami, Producer - Rami, Recording Engineer - Tomas Lindberg, Bass

(P) 2000 RCA Records, a division of Sony Music Entertainment

5
Me Against the Music (LP Version / Video Mix) (LP Version/Video Mix)
Britney Spears featuring Madonna
00:03:44

Brian Thomas, Edited By - Brian Thomas, Recording Engineer - Britney Spears, Arranger - Britney Spears, Background Vocal - Britney Spears, Composer - Britney Spears, Lyricist - Britney Spears featuring Madonna, Performer - Charles McCrorey, 2nd Engineer - Christopher Stewart, Arranger - Christopher Stewart, Composer - Christopher Stewart, Lyricist - David Treahern, 2nd Engineer - Emma Roads, Background Vocal - Gary O'Brien, Composer - Gary O'Brien, Guitar - Gary O'Brien, Lyricist - John Hanes, Edited By - Madonna, Composer - Madonna, Lyricist - Mark Stent, Mixing Engineer - Mark Stent, Recording Engineer - P-Dub Walton, Edited By - Penelope Magnet, Arranger - Penelope Magnet, Background Vocal - Penelope Magnet, Co-Producer - Penelope Magnet, Composer - Penelope Magnet, Lyricist - Robert Haggart, 2nd Engineer - Serban Ghenea, Mixing Engineer - Steve Lunt, Arranger - Ted Nash, Composer - Ted Nash, Lyricist - Thabiso Nkhereanye, Composer - Thabiso Nkhereanye, Lyricist - Tim Roberts, 2nd Engineer - Tom Coyne, Mastering Engineer - Trixster, Producer

(P) 2003 RCA Records, a division of Sony Music Entertainment

6
Stronger
Britney Spears
00:03:23

Britney Spears, Performer - John Amatiello, Engineer - Max Martin, Composer - Max Martin, Lyricist - Max Martin, Mixing Engineer - Max Martin, Producer - Rami, Composer - Rami, Lyricist - Rami, Mixing Engineer - Rami, Producer - Tom Coyne, Mastering Engineer

(P) 2000 RCA Records, a division of Sony Music Entertainment

7
Everytime
Britney Spears
00:03:50

A. Stamatelatos, Composer - A. Stamatelatos, Lyricist - Britney Spears, Composer - Britney Spears, Lyricist - Britney Spears, Performer - Guy Sigsworth, Performer - Guy Sigsworth, Producer - Sean McGhee, Edited By - Sean McGhee, Engineer - Sean McGhee, Mixing Engineer - Seth Waldman, 2nd Engineer - Tom Coyne, Mastering Engineer

(P) 2003 RCA Records, a division of Sony Music Entertainment

8
...Baby One More Time (Album Version)
Britney Spears
00:03:30

Britney Spears, Background Vocal - Britney Spears, Performer - Johan Carlberg, Guitar - Max Martin, Background Vocal - Max Martin, Composer - Max Martin, Lyricist - Max Martin, Mixing Engineer - Max Martin, Producer - Max Martin, Recording Engineer - Nana Hedin, Background Vocal - Rami, Mixing Engineer - Rami, Producer - Rami, Recording Engineer - Tomas Lindberg, Acoustic Bass

(P) 1998 Sony Music Entertainment

9
(You Drive Me) Crazy (The Stop Remix!)
Britney Spears
00:03:16

Britney Spears, Performer - David Kreuger, Composer - David Kreuger, Lyricist - Esbjörn Öhrwall, Guitar - Jeanette Söderholm, Background Vocal - Johan Carlberg, Guitar - Jörgen Elofsson, Composer - Jörgen Elofsson, Lyricist - Max Martin, Background Vocal - Max Martin, Composer - Max Martin, Lyricist - Max Martin, Mixing Engineer - Max Martin, Producer - Per Magnusson, Composer - Per Magnusson, Lyricist - Rami, Background Vocal - Rami, Mixing Engineer - Rami, Producer - Stephen George, Engineer - The Fanchoir, Background Vocal - Tomas Lindberg, Bass

(P) 1999 RCA/JIVE Label Group, a unit of Sony Music Entertainment

10
Boys (Co-Ed Remix featuring Pharrell Williams of N.E.R.D.)
Britney Spears feat. Pharrell Williams
00:03:44

Andrew Coleman, Recording Engineer - Britney Spears, Performer - Charles Edward Hugo, Composer - Charles Edward Hugo, Lyricist - Charles Edward Hugo, Performer - Chaz Harper, Mastering Engineer - Pharrell Williams, Composer - Pharrell Williams, Lyricist - Pharrell Williams, Performer - Serban Ghenea, Mixing Engineer - The Neptunes, Producer - The Neptunes, Re-Mixer

(P) 2001 RCA/JIVE Label Group, a unit of Sony Music Entertainment

11
Sometimes
Britney Spears
00:04:05

Britney Spears, Performer - David Kreuger, Producer - Jörgen Elofsson, Co-Producer - Jörgen Elofsson, Composer - Jörgen Elofsson, Lyricist - Per Magnusson, Producer - Per Merguson, Producer - Tom Coyne, Mastering Engineer

(P) 1999 RCA Records, a division of Sony Music Entertainment

12
Overprotected (Darkchild Remix Edit)
Britney Spears
00:03:06

Britney Spears, Performer - Max Martin, Composer - Max Martin, Lyricist - Max Martin, Mixing Engineer - Max Martin, Producer - Max Martin, Recording Engineer - Rami, Composer - Rami, Lyricist - Rami, Mixing Engineer - Rami, Producer - Rami, Recording Engineer - Rodney Jerkins, Re-Mixer

(P) 2001 RCA/JIVE Label Group, a unit of Sony Music Entertainment

13
Lucky (Album Version)
Britney Spears
00:03:25

Alexander Kronlund, Composer - Alexander Kronlund, Lyricist - Britney Spears, Performer - John Amatiello, Engineer - Max Martin, Composer - Max Martin, Lyricist - Max Martin, Mixing Engineer - Max Martin, Producer - Rami, Composer - Rami, Lyricist - Rami, Mixing Engineer - Rami, Producer

(P) 2000 RCA Records, a division of Sony Music Entertainment

14
Outrageous
Britney Spears
00:03:26

Abel Garibaldi, Programmer - Abel Garibaldi, Recording Engineer - Andy Gallas, Recording Engineer - Brian "B. Luv" Thomas, Edited By - Brian "B. Luv" Thomas, Recording Engineer - Britney Spears, Background Vocal - Britney Spears, Performer - Donnie Lyle, Guitar - Ian Mereness, Programmer - Ian Mereness, Recording Engineer - Jason Mlodzinski, 2nd Engineer - John Hanes, Edited By - Kendall Nesbitt, Keyboards - Nathan Wheeler, 2nd Engineer - Penelope Magnet, Background Vocal - Penelope Magnet, Vocal Arranger - R. Kelly, Background Vocal - R. Kelly, Composer - R. Kelly, Lyricist - R. Kelly, Mixing Engineer - R. Kelly, Producer - Rich Tapper, 2nd Engineer - Roxanne Estrada, Background Vocal - Serban Ghenea, Mixing Engineer - Steve Bearsley, 2nd Engineer - Tim Roberts, 2nd Engineer - Trixster, Vocal Arranger

(P) 2003 RCA Records, a division of Sony Music Entertainment

15
I'm Not a Girl, Not Yet a Woman (Album Version)
Britney Spears
00:03:51

Britney Spears, Performer - Dido, Composer - Dido, Lyricist - John Amatiello, Engineer - Max Martin, Composer - Max Martin, Lyricist - Max Martin, Mixing Engineer - Max Martin, Producer - Max Martin, Recording Engineer - Michael Thomas Tucker, Recording Engineer - Rami, Composer - Rami, Lyricist - Rami, Mixing Engineer - Rami, Producer - Rami, Recording Engineer

(P) 2001 RCA Records, a division of Sony Music Entertainment

16
(I've Just Begun) Having My Fun (Non-Album Bonus Track)
Britney Spears
00:03:22

Avant, Arranger - Avant, Edited By - Avant, Producer - Avant, Programmer - Avant, Recording Engineer - BlackCell, Background Vocal - Bloodshy, Arranger - Bloodshy, Edited By - Bloodshy, Producer - Bloodshy, Programmer - Bloodshy, Recording Engineer - Britney Spears, Background Vocal - Britney Spears, Composer - Britney Spears, Lyricist - Britney Spears, Performer - Charles McCrorey, 2nd Engineer - Christian Karlsson, Composer - Christian Karlsson, Lyricist - Henrik Jonback, Composer - Henrik Jonback, Guitar - Henrik Jonback, Lyricist - Janson & Janson, Arranger - Janson & Janson, Conductor - Jeanette Olsson, Background Vocal - Jonas Ostman, 2nd Engineer - Michelle Bell, Background Vocal - Michelle Bell, Composer - Michelle Bell, Lyricist - Niklas Flyckt, Mixing Engineer - Pontus Winnberg, Composer - Pontus Winnberg, Lyricist - Steve Lunt, Arranger - Steve Wolf, Drums - Stockholm Session Strings, Strings - Thomas Lindberg, Acoustic Bass - Tom Soares, Recording Engineer

(P) 2003 RCA/JIVE Label Group, a unit of Sony Music Entertainment

17
Do Somethin'
Britney Spears
00:03:22

Angela Hunte, Background Vocal - Angela Hunte, Composer - Angela Hunte, Lyricist - Avant, Arranger - Avant, Edited By - Avant, Performer - Avant, Producer - Avant, Recording Engineer - BlackCell, Background Vocal - Bloodshy, Arranger - Bloodshy, Edited By - Bloodshy, Performer - Bloodshy, Producer - Bloodshy, Recording Engineer - Britney Spears, Background Vocal - Britney Spears, Performer - Charles McCrorey, 2nd Engineer - Christian Karlsson, Composer - Christian Karlsson, Lyricist - Henrik Jonback, Composer - Henrik Jonback, Guitar - Henrik Jonback, Lyricist - Jonas Ostman, 2nd Engineer - Niklas Flyckt, Mixing Engineer - Pontus Winnberg, Composer - Pontus Winnberg, Lyricist - Steve Lunt, Arranger

(P) 2004 RCA/JIVE Label Group, a unit of Sony Music Entertainment

DISC 2

1
Toxic (Armand Van Helden Remix - Edit)
Britney Spears
00:06:24

Armand Van Helden, Producer - Armand Van Helden, Re-Mixer - Avant, Arranger - Avant, Edited By - Avant, Performer - Avant, Producer - Avant, Recording Engineer - Bloodshy, Arranger - Bloodshy, Edited By - Bloodshy, Performer - Bloodshy, Producer - Bloodshy, Recording Engineer - Britney Spears, Performer - Cathy Dennis, Composer - Cathy Dennis, Lyricist - Christian Karlsson, Composer - Christian Karlsson, Lyricist - Henrik Jonback, Composer - Henrik Jonback, Guitar - Henrik Jonback, Lyricist - JD Andrew, 2nd Engineer - Janson & Janson, Conductor - Jonas Ostman, 2nd Engineer - Niklas Flyckt, Mixing Engineer - Pontus Winnberg, Composer - Pontus Winnberg, Lyricist - Steve Lunt, Arranger - Stockholm Session Strings, Strings - Thomas Lindberg, Acoustic Bass

(P) 2004 Zomba Recording LLC

2
Everytime (Hi-Bias Radio Remix)
Britney Spears
00:03:26

A. Stamatelatos, Composer - A. Stamatelatos, Lyricist - Britney Spears, Composer - Britney Spears, Lyricist - Britney Spears, Performer - Chaz Harper, Mastering Engineer - Guy Sigsworth, Performer - Guy Sigsworth, Producer - Nick Fiorucci, Re-Mixer - Sean McGhee, Edited By - Sean McGhee, Engineer - Sean McGhee, Mixing Engineer - Seth Waldman, 2nd Engineer - Taras, Re-Mixer

(P) 2004 Zomba Recording LLC

3
Breathe On Me (Jacques Lu Cont Mix)
Britney Spears
00:08:08

Britney Spears, Background Vocal - Britney Spears, Performer - Jong Uk Yoon, 2nd Engineer - Lisa Greene, Background Vocal - Lisa Greene, Composer - Lisa Greene, Lyricist - Mark Taylor, Mixing Engineer - Mark Taylor, Producer - Mark Taylor, Recording Engineer - Matt Furmidge, 2nd Engineer - Pablos Munguia, Recording Engineer - Rich Tapper, 2nd Engineer - Steve Anderson, Composer - Steve Anderson, Keyboards - Steve Anderson, Lyricist - Steve Lee, Composer - Steve Lee, Lyricist - Vanessa Letocq, Coordinator

(P) 2004 Zomba Recording LLC

4
Outrageous (Junkie XL's Dancehall Mix)
Britney Spears
00:02:56

Abel Garibaldi, Programmer - Abel Garibaldi, Recording Engineer - Andy Gallas, Recording Engineer - Brian "B. Luv" Thomas, Recording Engineer - Britney Spears, Background Vocal - Britney Spears, Performer - Donnie Lyle, Guitar - Ian Mereness, Mixing Engineer - Ian Mereness, Programmer - Ian Mereness, Recording Engineer - Jason Mlodzinski, 2nd Engineer - Kendall Nesbitt, Keyboards - Nathan Wheeler, 2nd Engineer - Penelope Magnet, Background Vocal - Penelope Magnet, Producer - R. Kelly, Composer - R. Kelly, Lyricist - R. Kelly, Mixing Engineer - R. Kelly, Producer - Roxanne Estrada, Background Vocal - Steve Bearsley, 2nd Engineer - Trixster, Producer

(P) 2004 Zomba Recording LLC

5
Chris Cox Megamix
Britney Spears
00:04:57

A. Stamatelatos, Composer - A. Stamatelatos, Lyricist - Andrew Coleman, Recording Engineer - Avant, Arranger - Avant, Edited By - Avant, Performer - Avant, Producer - Avant, Recording Engineer - BlackCell, Background Vocal - Bloodshy, Arranger - Bloodshy, Edited By - Bloodshy, Performer - Bloodshy, Producer - Bloodshy, Recording Engineer - Brian Garten, Recording Engineer - Britney Spears, Background Vocal - Britney Spears, Composer - Britney Spears, Lyricist - Britney Spears, Performer - Britney Spears, Speaker - Britney Spears, Vocal - Cathy Dennis, Background Vocal - Cathy Dennis, Composer - Cathy Dennis, Lyricist - Chad Hugo, Performer - Charles Edward Hugo, Composer - Charles Edward Hugo, Lyricist - Chaz Harper, Mastering Engineer - Chris Cox, Engineer - Chris Cox, Mixing Engineer - Chris Cox, Producer - Christian Karlsson, Composer - Christian Karlsson, Lyricist - David Kreuger, Composer - David Kreuger, Lyricist - Emma Holmgren, Background Vocal - Esbjörn Öhrwall, Guitar - Guy Sigsworth, Performer - Guy Sigsworth, Producer - Henrik Jonback, Composer - Henrik Jonback, Guitar - Henrik Jonback, Lyricist - JD Andrew, 2nd Engineer - Janson & Janson, Conductor - Jeanette Söderholm, Background Vocal - Johan Carlberg, Guitar - John Amatiello, Engineer - Jonas Ostman, 2nd Engineer - Jörgen Elofsson, Composer - Jörgen Elofsson, Lyricist - Larry "Rock" Campbell, Programmer - Max Martin, Background Vocal - Max Martin, Composer - Max Martin, Lyricist - Max Martin, Mixing Engineer - Max Martin, Producer - Max Martin, Recording Engineer - Max Martin, Speaker - Nana Hedin, Background Vocal - Niklas Flyckt, Mixing Engineer - Per Magnusson, Composer - Per Magnusson, Lyricist - Pharrell Williams, Composer - Pharrell Williams, Lyricist - Pharrell Williams, Performer - Pontus Winnberg, Composer - Pontus Winnberg, Lyricist - Rami, Background Vocal - Rami, Composer - Rami, Lyricist - Rami, Mixing Engineer - Rami, Producer - Rami, Recording Engineer - Sean McGhee, Edited By - Sean McGhee, Engineer - Sean McGhee, Mixing Engineer - Serban Ghenea, Mixing Engineer - Seth Waldman, 2nd Engineer - Stephen George, Engineer - Steve Lunt, Arranger - Stockholm Session Strings, Strings - The Fanchoir, Background Vocal - The Neptunes, Producer - Thomas Lindberg, Acoustic Bass - Tom Coyne, Mastering Engineer - Tomas Lindberg, Acoustic Bass - Tomas Lindberg, Bass

(P) 2004 Zomba Recording LLC

Album review

Greatest Hits: My Prerogative appeared at the tail end of a year where Britney Spears was married twice, canceled a tour, injured her knee, lost the movie role of Daisy Duke to rival teen pop diva Jessica Simpson, was a punch line in Fahrenheit 9/11, and had countless paparazzi shots of her drinking and making out in public. It was enough high-profile shenanigans for a career, and it was par for the course for Britney, who hadn't been out of the pop culture headlines since she released her debut album, ...Baby One More Time, in January 1999. In the nearly six years separating that debut album and the release of Greatest Hits in November 2004, Britney was omnipresent, representing both the entire teen pop phenomenon of the turn of the millennium, plus the teasing, Maxim-fueled sexuality of the time; it's not for nothing that Tom Wolfe name drops Britney Spears, not archrival Christina Aguilera, in his 2004 novel I Am Charlotte Simmons -- Britney alone captured the era, which in turn is captured on this 17-track hits collection. If Bob Dylan had a hard time being a voice of a generation (which he does acknowledge in his autobiography, Chronicles), imagine the weight put upon this simple Louisiana girl who just wanted to be famous and became a cultural icon instead! During those six years, she kept turning out product, selling herself with increasingly racy photographs, all the while being used as an example of everything that's wrong with pop culture, or even worse, as the subject of cultural theses explaining pop culture. No wonder that after six years of mind-boggling fame she wanted to abandon her career for motherhood -- it's exhausting being in the limelight, even for a shameless pop star! So, Greatest Hits arrived at a perfect time -- just as her star was fading, just as the teen pop era grew to a close, and just as she readied herself for retirement.
As a time capsule, Greatest Hits does its job well. It has all of her hits outside of "From the Bottom of My Broken Heart," a largely forgotten ballad from her debut released just before her second album, Oops!...I Did It Again, and it contains two very good previously unreleased tunes, including the In the Zone outtake "I've Just Begun (Having My Fun)," an infectious spin on No Doubt's "Hella Good" that betters most of the songs that were featured on the album (it also has a useless remake of Bobby Brown's "My Prerogative," which seems to exist solely for its video). Clearly, this is the album not just for the casual fan, but for any fan of Spears, because like most teen pop singers, her albums are notoriously spotty affairs, memorable largely for the singles themselves. What is surprising is that those singles -- all presented here in their hit forms, which means this has the "Stop Remix" of "(You Drive Me) Crazy," not the album version -- are somewhat less than the sum of their parts when collected together. The similarities in Max Martin's clanking, insistent writing and production become blindingly evident, and Britney's thin, squeaky voice wears thin over the course of 17 songs. Also, the song selection and sequencing emphasize keeping the perfect beat over chronology, which not only makes it a little harder to listen to as an album, it puts the focus on the individual songs, which seem neither as hooky or catchy as they did when they were initially on the radio. There are exceptions to the rule, of course -- "...Baby One More Time" still retains its punch, "Oops!...I Did It Again" is so silly it's hard to resist, "(You Drive Me) Crazy" is fluffy dance-pop at its best, and "Toxic" is a delirious, intoxicating rush -- but they're all better as individual moments, even if when taken together, they do illustrate the cacophonous monotony of her music and, yes, her time quite well. So, even if it isn't a great listen as a cohesive album, Greatest Hits does perform the valuable function of offering all of Britney's hits in one place, and it does work as a portrait of the time when Britney Spears was the defining figure of American pop culture. But if you compare it to The Immaculate Collection, which captured the time when Madonna was the defining figure of American pop culture and does work as an album, it's clear that a cultural artifact isn't necessarily the same thing as great music.

© Stephen Thomas Erlewine /TiVo

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