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The Wombats|Fix Yourself, Not the World

Fix Yourself, Not the World

The Wombats

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Dropped by a major label in 2018, The Wombats could have sunk like a stone. Instead, the Liverpool-formed trio has come out of that dilemma as energized as ever on their last two albums, including the new Fix Yourself, Not the World. In fact, they seem to take the title to heart: The record is the sound of a pessimist becoming a realist and trying to make the best of what they have (not exactly optimism, but baby steps). Which is pretty impressive considering the members were in three different countries during the recording sessions. "Ready for the High" starts off as a bottom-heavy monster, with dark-cloud, give-up lyrics about feeling stuck. "You can scream like a banshee and still nothing comes/ You can buy a heart balloon and watch the sky grow dull," Matt "Murph" Murphy sings. But then the whole thing opens up at the bridge, giving way to a sea of swaying trumpets symbolizing the true meaning: "The song is about being engulfed in a bad place, but rather than accepting this as immutable, acknowledging that it is only temporary and that better times are closer than they (currently) appear," Murph has said. "People Don't Change People, Time Does" sends a similar message, even if it's from a skewed perspective. "Everything I love is going to die/ So baby keep your big mouth shut and stop wasting my time," go the lyrics, reminding you to hold tight onto the raft you have. Sometimes, though, that cling wrap can look a bit like desperation. Depending on your view, bop "If You Ever Leave, I'm Coming With You" either promises or threatens, "I'm forever locking myself in the glass of your rearview." Throughout, the muscular synth comes on like, well, not quite Duran Duran—maybe more like the ⅗ Duran side project Arcadia—with exuberant, dancefloor-ready pop beats. "Wildfire" has a mid-tempo swagger that cruises on a funk groove and finds Murph putting his falsetto to good use. "Work Is Easy, Life Is Hard" shimmies and shakes. "Flip Me Upside Down" is as frenetic as Friday rush-hour city traffic. And "Don't Poke the Bear" could be a Parklife-era Blur melody. Sometimes songs sound so alike as to blend one into the other, but it's a good schtick—even when the outlook slips back into old habits: "it's not paranoia if it's really there," Murph frets on "Worry," its chorus like careening on a rain-slick road. © Shelly Ridenour/Qobuz

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Fix Yourself, Not the World

The Wombats

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1
Flip Me Upside Down Explicit
00:03:13

Copyright Control, MusicPublisher - The Wombats, MainArtist - matthew murphy, Composer - Mark Crew, Producer - Gabe Simon, Producer - Gabriel Edward Simon, Composer - KOBALT MUSIC PUB AMERICA I OBO KOBALT MUSIC SERVICES LTD KMS, MusicPublisher - CONCORD MUSIC GROUP, INC. OBO THESE ARE SONGS OF PULSE, MusicPublisher - CONCORD MUSIC GROUP, INC. OBO GABE SIMON MUSIC PUBLISHING, MusicPublisher

(C) 2022 The Wombats under exclusive license to AWAL Recordings Ltd (P) 2022 The Wombats under exclusive license to AWAL Recordings Ltd

2
This Car Drives All by Itself
00:04:45

The Wombats, MainArtist - matthew murphy, Composer - Jacknife Lee, Producer - Garret “Jacknife” Lee, Composer - KOBALT MUSIC PUB AMERICA I OBO KOBALT MUSIC SERVICES LTD KMS, MusicPublisher - KOBALT MUSIC PUB AMERICA I OBO BESME, MusicPublisher - KOBALT MUSIC PUB AMERICA I OBO SOKEM BEBER, MusicPublisher

(C) 2022 The Wombats under exclusive license to AWAL Recordings Ltd (P) 2022 The Wombats under exclusive license to AWAL Recordings Ltd

3
If You Ever Leave, I'm Coming with You
00:02:49

Copyright Control, MusicPublisher - The Wombats, MainArtist - matthew murphy, Composer - Mark Crew, Producer - Songs Of Universal, Inc., MusicPublisher - Timothy Randolph Edgar, Composer - KOBALT MUSIC PUB AMERICA I OBO KOBALT MUSIC SERVICES LTD KMS, MusicPublisher - SONGS OF UNIVERSAL, INC. OBO PW BALLADS, MusicPublisher - SONGS OF UNIVERSAL, INC. OBO VARI MU, MusicPublisher

(C) 2022 The Wombats under exclusive license to AWAL Recordings Ltd (P) 2022 The Wombats under exclusive license to AWAL Recordings Ltd

4
Ready for the High
00:04:05

The Wombats, Producer, MainArtist - matthew murphy, Composer - Mark Crew, Producer - Tord Øverland Knudsen, Composer - Dan Haggis, Composer - KOBALT MUSIC PUB AMERICA I OBO KOBALT MUSIC SERVICES LTD KMS, MusicPublisher

(C) 2022 The Wombats under exclusive license to AWAL Recordings Ltd (P) 2022 The Wombats under exclusive license to AWAL Recordings Ltd

5
Method to the Madness Explicit
00:04:33

The Wombats, Producer, MainArtist - matthew murphy, Composer - Mark Crew, Producer - Tord Øverland Knudsen, Composer - Dan Haggis, Composer - KOBALT MUSIC PUB AMERICA I OBO KOBALT MUSIC SERVICES LTD KMS, MusicPublisher

(C) 2022 The Wombats under exclusive license to AWAL Recordings Ltd (P) 2021 The Wombats under exclusive license to AWAL Recordings Ltd

6
People Don't Change People, Time Does
00:03:01

The Wombats, Producer, MainArtist - matthew murphy, Composer - Mark Crew, Producer - Tord Øverland Knudsen, Composer - Dan Haggis, Composer - KOBALT MUSIC PUB AMERICA I OBO KOBALT MUSIC SERVICES LTD KMS, MusicPublisher

(C) 2022 The Wombats under exclusive license to AWAL Recordings Ltd (P) 2022 The Wombats under exclusive license to AWAL Recordings Ltd

7
Everything I Love Is Going to Die
00:03:20

Copyright Control, MusicPublisher - The Wombats, MainArtist - matthew murphy, Composer - Mark Crew, Producer - Micah Premnath, Composer - Luke Niccoli, Composer - KOBALT MUSIC PUB AMERICA I OBO WHERE DA KASZ AT?, MusicPublisher - KOBALT MUSIC PUB AMERICA I OBO KOBALT MUSIC SERVICES LTD KMS, MusicPublisher - KOBALT MUSIC PUB AMERICA I OBO AND THE MELODY IS, MusicPublisher - KOBALT MUSIC PUB AMERICA I OBO BASEMENT KIDS MUSIC, MusicPublisher

(C) 2022 The Wombats under exclusive license to AWAL Recordings Ltd (P) 2022 The Wombats under exclusive license to AWAL Recordings Ltd

8
Work Is Easy, Life Is Hard
00:03:16

Paul Meany, Composer, Producer - The Wombats, MainArtist - matthew murphy, Composer - KOBALT MUSIC PUB AMERICA I OBO KOBALT MUSIC SERVICES LTD KMS, MusicPublisher - KOBALT MUSIC PUB AMERICA I OBO MARIGNY MUSIC, MusicPublisher

(C) 2022 The Wombats under exclusive license to AWAL Recordings Ltd (P) 2022 The Wombats under exclusive license to AWAL Recordings Ltd

9
Wildfire
00:03:29

The Wombats, Producer, MainArtist - matthew murphy, Composer - Mark Crew, Producer - Tord Øverland Knudsen, Composer - Dan Haggis, Composer - KOBALT MUSIC PUB AMERICA I OBO KOBALT MUSIC SERVICES LTD KMS, MusicPublisher

(C) 2022 The Wombats under exclusive license to AWAL Recordings Ltd (P) 2022 The Wombats under exclusive license to AWAL Recordings Ltd

10
Don't Poke the Bear
00:03:07

The Wombats, Producer, MainArtist - matthew murphy, Composer - Mark Crew, Producer - Tord Øverland Knudsen, Composer - Dan Haggis, Composer - KOBALT MUSIC PUB AMERICA I OBO KOBALT MUSIC SERVICES LTD KMS, MusicPublisher

(C) 2022 The Wombats under exclusive license to AWAL Recordings Ltd (P) 2022 The Wombats under exclusive license to AWAL Recordings Ltd

11
Worry
00:03:10

The Wombats, MainArtist - matthew murphy, Composer - Jacknife Lee, Producer - Garret “Jacknife” Lee, Composer - KOBALT MUSIC PUB AMERICA I OBO KOBALT MUSIC SERVICES LTD KMS, MusicPublisher - KOBALT MUSIC PUB AMERICA I OBO BESME, MusicPublisher - KOBALT MUSIC PUB AMERICA I OBO SOKEM BEBER, MusicPublisher

(C) 2022 The Wombats under exclusive license to AWAL Recordings Ltd (P) 2022 The Wombats under exclusive license to AWAL Recordings Ltd

12
Fix Yourself, Then the World (Reach Beyond Your Fingers)
00:01:43

The Wombats, Producer, MainArtist - matthew murphy, Composer - Mark Crew, Producer - Tord Øverland Knudsen, Composer - Dan Haggis, Composer

(C) 2022 The Wombats under exclusive license to AWAL Recordings Ltd (P) 2022 The Wombats under exclusive license to AWAL Recordings Ltd

Album review

Dropped by a major label in 2018, The Wombats could have sunk like a stone. Instead, the Liverpool-formed trio has come out of that dilemma as energized as ever on their last two albums, including the new Fix Yourself, Not the World. In fact, they seem to take the title to heart: The record is the sound of a pessimist becoming a realist and trying to make the best of what they have (not exactly optimism, but baby steps). Which is pretty impressive considering the members were in three different countries during the recording sessions. "Ready for the High" starts off as a bottom-heavy monster, with dark-cloud, give-up lyrics about feeling stuck. "You can scream like a banshee and still nothing comes/ You can buy a heart balloon and watch the sky grow dull," Matt "Murph" Murphy sings. But then the whole thing opens up at the bridge, giving way to a sea of swaying trumpets symbolizing the true meaning: "The song is about being engulfed in a bad place, but rather than accepting this as immutable, acknowledging that it is only temporary and that better times are closer than they (currently) appear," Murph has said. "People Don't Change People, Time Does" sends a similar message, even if it's from a skewed perspective. "Everything I love is going to die/ So baby keep your big mouth shut and stop wasting my time," go the lyrics, reminding you to hold tight onto the raft you have. Sometimes, though, that cling wrap can look a bit like desperation. Depending on your view, bop "If You Ever Leave, I'm Coming With You" either promises or threatens, "I'm forever locking myself in the glass of your rearview." Throughout, the muscular synth comes on like, well, not quite Duran Duran—maybe more like the ⅗ Duran side project Arcadia—with exuberant, dancefloor-ready pop beats. "Wildfire" has a mid-tempo swagger that cruises on a funk groove and finds Murph putting his falsetto to good use. "Work Is Easy, Life Is Hard" shimmies and shakes. "Flip Me Upside Down" is as frenetic as Friday rush-hour city traffic. And "Don't Poke the Bear" could be a Parklife-era Blur melody. Sometimes songs sound so alike as to blend one into the other, but it's a good schtick—even when the outlook slips back into old habits: "it's not paranoia if it's really there," Murph frets on "Worry," its chorus like careening on a rain-slick road. © Shelly Ridenour/Qobuz

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