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Barney Kessel|Feeling Free (Digitally Remastered)

Feeling Free (Digitally Remastered)

Barney Kessel

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Guitarist Barney Kessel recorded regularly for the Contemporary label during 1953-1961, one gem after another. In 1969 he returned to Lester Koenig's label for this lone effort, a quartet set with vibraphonist Bobby Hutcherson, bassist Chuck Domanico, and drummer Elvin Jones. The music is fairly free, particularly Kessel's four originals (which include "Blues, Up, Down & All Around" and "Two Note Samba"). Even Paul Simon's "The Sounds of Silence" and "This Guy's in Love With You" are turned into reasonably creative jazz by the all-star group. Although none of the musicians was associated exclusively with the avant-garde (Elvin Jones came the closest but never quite embraced free jazz), they show the influence of the explorations of the era, using aspects of the innovations as a logical way to stretch the jazz mainstream. Fascinating music.

© Scott Yanow /TiVo

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Feeling Free (Digitally Remastered)

Barney Kessel

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1
Moving Up
00:05:13

Barney Kessel, Composer, Performer, Writer

Alpharecord/Fonotil Alpharecord/Fonotil

2
Blue Grass
00:09:22

Barney Kessel, Composer, Performer, Writer

Alpharecord/Fonotil Alpharecord/Fonotil

3
This Guy's in Love with You
00:08:20

Barney Kessel, Composer, Performer, Writer

Alpharecord/Fonotil Alpharecord/Fonotil

4
Blues up, Down, and All Around
00:07:37

Barney Kessel, Composer, Performer, Writer

Alpharecord/Fonotil Alpharecord/Fonotil

5
The Sounds of Silence
00:04:57

Barney Kessel, Composer, Performer, Writer

Alpharecord/Fonotil Alpharecord/Fonotil

6
Two Note Samba
00:05:11

Barney Kessel, Composer, Performer, Writer

Alpharecord/Fonotil Alpharecord/Fonotil

Album review

Guitarist Barney Kessel recorded regularly for the Contemporary label during 1953-1961, one gem after another. In 1969 he returned to Lester Koenig's label for this lone effort, a quartet set with vibraphonist Bobby Hutcherson, bassist Chuck Domanico, and drummer Elvin Jones. The music is fairly free, particularly Kessel's four originals (which include "Blues, Up, Down & All Around" and "Two Note Samba"). Even Paul Simon's "The Sounds of Silence" and "This Guy's in Love With You" are turned into reasonably creative jazz by the all-star group. Although none of the musicians was associated exclusively with the avant-garde (Elvin Jones came the closest but never quite embraced free jazz), they show the influence of the explorations of the era, using aspects of the innovations as a logical way to stretch the jazz mainstream. Fascinating music.

© Scott Yanow /TiVo

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