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Elis Regina|Falso Brilhante

Falso Brilhante

Elis Regina

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In 1975, Elis Regina opened her solo show, Falso Brilhante, where she launched the career of another new composer: Belchior. One year after she recorded the repertoire of the show on an LP; this is the CD reissue. The album opens with the two Belchior tunes made hits: "Como Nossos Pais" and "Velha Roupa Colorida," both being folk-influenced rock tunes, dealing with the post-hippie delusion face to the abandonment of the peace and love values in favor of the old bourgeois way. The album also has two Spanish songs, "Los Hermanos," a milonga by Atahualpa Yupanqui, ode to fraternity and freedom with an implying urge for Latin American union, and "Gracias a la Vida," the old chamamé composed by Violeta Parra and made famous for younger generations (at the time) by Joan Baez; the hit "O Cavaleiro E Os Moinhos," "Um Por Todos," and "Jardins de Infância," all by the duo also discovered by her, João Bosco/Aldir Blanc, delivered as fusion rock; "Fascinação," an old romantic valse that, depending on the subject, can bring one to tears or to dismiss it as corny; "Tatuagem," with a strong melody and lyrics, of a dramatic romanticism, by Chico Buarque and Ruy Guerra, already made famous by Maria Bethânia; and "Quero" (Thomas Roth).

© Alvaro Neder /TiVo

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Falso Brilhante

Elis Regina

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1
Como Nossos Pais
00:04:21

Belchior, ComposerLyricist - Elis Regina, Vocalist, MainArtist, AssociatedPerformer - Mazzola, Producer

℗ 1976 Universal Music Ltda

2
Velha Roupa Colorida
00:04:14

Belchior, ComposerLyricist - Elis Regina, MainArtist - Mazzola, Producer

℗ 1976 Universal Music Ltda

3
Los Hermanos
00:03:35

Atahualpa Yupanqui, ComposerLyricist - Elis Regina, MainArtist - Mazzola, Producer

℗ 1976 Universal Music Ltda

4
Um Por Todos
00:02:24

Aldir Blanc, ComposerLyricist - João Bosco, ComposerLyricist - Elis Regina, MainArtist - Mazzola, Producer

℗ 1976 Universal Music Ltda

5
Fascinaçao
00:03:01

Armando Louzada, Translator - M. De Feraudy, ComposerLyricist - F.D. Marchetti, ComposerLyricist - Elis Regina, MainArtist - Mazzola, Producer

℗ 1976 Universal Music Ltda

6
Jardins De Infância
00:02:50

Aldir Blanc, ComposerLyricist - João Bosco, ComposerLyricist - Elis Regina, MainArtist - Mazzola, Producer

℗ 1976 Universal Music Ltda

7
Quero
00:03:44

Thomas Roth, ComposerLyricist - Elis Regina, MainArtist - Mazzola, Producer

℗ 1976 Universal Music Ltda

8
Gracias A La Vida
00:04:23

Violeta Parra, ComposerLyricist - Elis Regina, MainArtist - Mazzola, Producer

℗ 1976 Universal Music Ltda

9
O Cavaleiro E Os Moinhos
00:02:07

Aldir Blanc, ComposerLyricist - João Bosco, ComposerLyricist - Elis Regina, MainArtist - Mazzola, Producer

℗ 1976 Universal Music Ltda

10
Tatuagem
00:04:22

Ruy Guerra, ComposerLyricist - Chico Buarque, ComposerLyricist - Elis Regina, Vocalist, MainArtist, AssociatedPerformer - Mazzola, Producer

℗ 1976 Universal Music Ltda

Album review

In 1975, Elis Regina opened her solo show, Falso Brilhante, where she launched the career of another new composer: Belchior. One year after she recorded the repertoire of the show on an LP; this is the CD reissue. The album opens with the two Belchior tunes made hits: "Como Nossos Pais" and "Velha Roupa Colorida," both being folk-influenced rock tunes, dealing with the post-hippie delusion face to the abandonment of the peace and love values in favor of the old bourgeois way. The album also has two Spanish songs, "Los Hermanos," a milonga by Atahualpa Yupanqui, ode to fraternity and freedom with an implying urge for Latin American union, and "Gracias a la Vida," the old chamamé composed by Violeta Parra and made famous for younger generations (at the time) by Joan Baez; the hit "O Cavaleiro E Os Moinhos," "Um Por Todos," and "Jardins de Infância," all by the duo also discovered by her, João Bosco/Aldir Blanc, delivered as fusion rock; "Fascinação," an old romantic valse that, depending on the subject, can bring one to tears or to dismiss it as corny; "Tatuagem," with a strong melody and lyrics, of a dramatic romanticism, by Chico Buarque and Ruy Guerra, already made famous by Maria Bethânia; and "Quero" (Thomas Roth).

© Alvaro Neder /TiVo

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