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Blind Willie Johnson|Dark Was The Night  (Mojo Workin'- Blues For The Next Generation)

Dark Was The Night (Mojo Workin'- Blues For The Next Generation)

Blind Willie Johnson

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Even in the blues, a style capable of wrenching unexplainable emotions from its audience, Blind Willie Johnson has few equals. With a voice capable of alternating effortlessly between sublime, trembling tenor and the sound of pure gravel, and unparalleled skill with the bottleneck (and knife), Johnson recorded 30 sides for Columbia (1927-1930) that stand as a high-water mark for both country blues and raw gospel. Given the fact that his entire output has been issued by both Yazoo and Columbia, it's difficult to imagine opting for this single disc. Anyone looking for more material will be forced to purchase sets with redundant selections. Still, if you are only seeking one collection, you cannot go wrong with Dark Was the Night. Included are both "God Moves on the Water" and "Dark Was the Night, Cold Was the Ground," which are both utterly necessary, along with the classics "Praise God I'm Satisfied," "Jesus Make Up My Dying Bed," "John the Revelator," and 11 others. "God Moves" is a slide masterpiece in which Johnson's guitar interjections and responses become as captivating as his voice and a tale of the Titanic sinking at the will of God. "Dark Was the Night" is an otherworldly performance of gorgeously spun slide lines and Johnson's wordless moaning, aimed straight at the heart. Everything else on hand is nothing less than emotionally rich, consummately executed and spiritually charged blues at its very best.

© Nathan Bush /TiVo

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Dark Was The Night (Mojo Workin'- Blues For The Next Generation)

Blind Willie Johnson

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1
If I Had My Way I'd Tear the Building Down (Album Version)
Various Interprets
00:03:07

Unknown, Producer - W. Johnson, Composer - W. Johnson, Lyricist - Blind Willie Johnson, Vocal - Blind Willie Johnson, Guitar - Blind Willie Johnson, Performer

Originally released 1927. All rights reserved by Columbia Records, a division of Sony Music Entertainment

2
Dark Was the Night, Cold Was the Ground (Album Version)
Various Interprets
00:03:18

Unknown, Producer - W. Johnson, Composer - W. Johnson, Lyricist - Blind Willie Johnson, Vocal - Blind Willie Johnson, Guitar - Blind Willie Johnson, Performer

Originally released 1927. All rights reserved by Sony Music Entertainment

3
Lord I Just Can't Keep From Crying (Album Version)
Various Interprets
00:03:00

Unknown, Producer - Willie B. Harris, Vocal - W. Johnson, Composer - W. Johnson, Lyricist - Blind Willie Johnson, Vocal - Blind Willie Johnson, Guitar - Blind Willie Johnson, Performer

Originally Released 1929 Sony Music Entertainment Inc.

4
Church, I'm Fully Saved Today (Album Version)
Various Interprets
00:03:06

Label Copy Conversion/Legacy Unknown, Performer - Michael Brooks, Producer - W. Johnson, Composer - W. Johnson, Lyricist - Angeline Johnson, Vocal - Blind Willie Johnson, Vocal - Blind Willie Johnson, Guitar - Nedra Olds-Neal, Producer

(P) Originally Released 1930 Sony Music Entertainment Inc.

5
Jesus Make Up My Dying Bed (Album Version)
Various Interprets
00:03:10

Unknown, Producer - W. Johnson, Composer - W. Johnson, Lyricist - Blind Willie Johnson, Vocal - Blind Willie Johnson, Guitar - Blind Willie Johnson, Performer

Originally released 1927. All rights reserved by Columbia Records, a division of Sony Music Entertainment

6
Bye and Bye I'm Goin' to See the King (Album Version)
Various Interprets
00:02:51

Unknown, Producer - W. Johnson, Composer - W. Johnson, Lyricist - Blind Willie Johnson, Vocal - Blind Willie Johnson, Guitar - Blind Willie Johnson, Performer

Originally released 1929. All rights reserved by Columbia Records, a division of Sony Music Entertainment

7
Let Your Light Shine on Me (Album Version)
Various Interprets
00:03:08

Unknown, Producer - W. Johnson, Arranger - Blind Willie Johnson, Vocal - Blind Willie Johnson, Guitar - Blind Willie Johnson, Performer

Originally released 1929. All rights reserved by Columbia Records, a division of Sony Music Entertainment

8
John the Revelator (Album Version)
Various Interprets
00:03:16

DIRTY DOZEN BRASS BAND, Arranger - DIRTY DOZEN BRASS BAND, Adaptor - Unknown, Producer - Willie B. Harris, Vocal - Traditional, Composer - Traditional, Lyricist - Blind Willie Johnson, Vocal - Blind Willie Johnson, Guitar - Blind Willie Johnson, Performer

Originally Released 1930 Sony Music Entertainment Inc.

9
I Know His Blood Can Make Me Whole (Album Version)
Various Interprets
00:03:02

Unknown, Producer - W. Johnson, Composer - W. Johnson, Lyricist - Blind Willie Johnson, Vocal - Blind Willie Johnson, Guitar - Blind Willie Johnson, Performer

Originally released 1927. All rights reserved by Columbia Records, a division of Sony Music Entertainment

10
God Moves on the Water (Album Version)
Various Interprets
00:02:59

Unknown, Producer - W. Johnson, Composer - W. Johnson, Lyricist - Blind Willie Johnson, Vocal - Blind Willie Johnson, Guitar - Blind Willie Johnson, Performer

Originally Released 1930 Sony Music Entertainment Inc.

11
Trouble Will Soon Be Over (Album Version)
Various Interprets
00:03:06

Unknown, Producer - W. Johnson, Composer - W. Johnson, Lyricist - Blind Willie Johnson, Vocal - Blind Willie Johnson, Guitar - Blind Willie Johnson, Performer

Originally Released 1930 Sony Music Entertainment Inc.

12
Praise God I'm Satisfied (Album Version)
Various Interprets
00:03:10

Unknown, Producer - W. Johnson, Composer - W. Johnson, Lyricist - Blind Willie Johnson, Vocal - Blind Willie Johnson, Guitar - Blind Willie Johnson, Performer

Originally Released 1930 Sony Music Entertainment Inc.

13
Mother's Children Have a Hard Time (Album Version)
Various Interprets
00:03:21

Willie Johnson, Composer - Willie Johnson, Lyricist - Unknown, Producer - Blind Willie Johnson, Vocal - Blind Willie Johnson, Guitar - Blind Willie Johnson, Performer

Originally released 1927. All rights reserved by Columbia Records, a division of Sony Music Entertainment

14
It's Nobody's Fault but Mine (Album Version)
Various Interprets
00:03:08

Unknown, Producer - W. Johnson, Composer - W. Johnson, Lyricist - Blind Willie Johnson, Vocal - Blind Willie Johnson, Guitar - Blind Willie Johnson, Performer

Originally released 1927. Columbia Records, a division of Sony Music Entertainment

15
The Soul of a Man (Album Version)
Various Interprets
00:03:12

Unknown, Producer - W. Johnson, Composer - W. Johnson, Lyricist - Blind Willie Johnson, Vocal - Blind Willie Johnson, Guitar - Blind Willie Johnson, Performer

Originally Released 1931 Sony Music Entertainment Inc.

16
Keep Your Lamp Trimmed And Burning (Album Version)
Various Interprets
00:03:02

Unknown, Producer - Blind Willie Johnson, Vocal - Blind Willie Johnson, Composer - Blind Willie Johnson, Guitar - Blind Willie Johnson, Lyricist - Blind Willie Johnson, Performer

Originally Released 1929 Sony Music Entertainment Inc.

Album review

Even in the blues, a style capable of wrenching unexplainable emotions from its audience, Blind Willie Johnson has few equals. With a voice capable of alternating effortlessly between sublime, trembling tenor and the sound of pure gravel, and unparalleled skill with the bottleneck (and knife), Johnson recorded 30 sides for Columbia (1927-1930) that stand as a high-water mark for both country blues and raw gospel. Given the fact that his entire output has been issued by both Yazoo and Columbia, it's difficult to imagine opting for this single disc. Anyone looking for more material will be forced to purchase sets with redundant selections. Still, if you are only seeking one collection, you cannot go wrong with Dark Was the Night. Included are both "God Moves on the Water" and "Dark Was the Night, Cold Was the Ground," which are both utterly necessary, along with the classics "Praise God I'm Satisfied," "Jesus Make Up My Dying Bed," "John the Revelator," and 11 others. "God Moves" is a slide masterpiece in which Johnson's guitar interjections and responses become as captivating as his voice and a tale of the Titanic sinking at the will of God. "Dark Was the Night" is an otherworldly performance of gorgeously spun slide lines and Johnson's wordless moaning, aimed straight at the heart. Everything else on hand is nothing less than emotionally rich, consummately executed and spiritually charged blues at its very best.

© Nathan Bush /TiVo

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