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Sanguineus und Melancholicus What comprises good performance? The ability through singing or playing to make the ear conscious of the true content and affect of the composition. Any passage can be so radically changed by modifying its performance that it will be scarcely recognisable... Good performance, then, occurs when one hears all notes and their embellishments played in correct time with fitting volume produced by a touch which is related to the true content of the piece (Versuch ber die wahre Art das Clavier zu spielen). C.P.E. Bachs instructions illustrates the aestheticism of the era. In his eyes good performance is a matter of portraying rage, anger, and other passions or the briskness of allegros... the tenderness of adagios. Much of Bachs music has a strong improvisatory character, with large dynamic ranges, dramatic changes of mood, and sudden textural contrasts (The Empfindsamkeit style). These are the affects that the performer must understand and identify in Bachs music. One of C.P.E. Bachs most programmatic chamber pieces is entitled a Conversation between a Sanguineus and a Melancholicus.
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Quartet in D Major, Wq. 94, H. 505 (Carl Philipp Emanuel Bach)
Copyright Control, MusicPublisher - Carl Philipp Emanuel Bach, Composer - Florilegium, Ensemble, MainArtist
1997 Channel Classics Records 1997 Channel Classics Records
Copyright Control, MusicPublisher - Carl Philipp Emanuel Bach, Composer - Florilegium, Ensemble, MainArtist
1997 Channel Classics Records 1997 Channel Classics Records
Copyright Control, MusicPublisher - Carl Philipp Emanuel Bach, Composer - Florilegium, Ensemble, MainArtist
1997 Channel Classics Records 1997 Channel Classics Records
Copyright Control, MusicPublisher - Carl Philipp Emanuel Bach, Composer - Florilegium, Ensemble, MainArtist
1997 Channel Classics Records 1997 Channel Classics Records
Trio Sonata in C Minor, Wq. 161/1, H. 579 "Sanguineus et Melancholicus" (Carl Philipp Emanuel Bach)
Copyright Control, MusicPublisher - Carl Philipp Emanuel Bach, Composer - Florilegium, Ensemble, MainArtist
1997 Channel Classics Records 1997 Channel Classics Records
Copyright Control, MusicPublisher - Carl Philipp Emanuel Bach, Composer - Florilegium, Ensemble, MainArtist
1997 Channel Classics Records 1997 Channel Classics Records
Copyright Control, MusicPublisher - Carl Philipp Emanuel Bach, Composer - Florilegium, Ensemble, MainArtist
1997 Channel Classics Records 1997 Channel Classics Records
Flute Sonata in A minor, Wq. 132, H. 562 (Carl Philipp Emanuel Bach)
Copyright Control, MusicPublisher - Carl Philipp Emanuel Bach, Composer - Ashley Solomon, Conductor, MainArtist
1997 Channel Classics Records 1997 Channel Classics Records
Copyright Control, MusicPublisher - Carl Philipp Emanuel Bach, Composer - Ashley Solomon, Conductor, MainArtist
1997 Channel Classics Records 1997 Channel Classics Records
Copyright Control, MusicPublisher - Carl Philipp Emanuel Bach, Composer - Ashley Solomon, Conductor, MainArtist
1997 Channel Classics Records 1997 Channel Classics Records
Trio Sonata in C Major, Wq. 147, H. 571 (Carl Philipp Emanuel Bach)
Copyright Control, MusicPublisher - Carl Philipp Emanuel Bach, Composer - Florilegium, Ensemble, MainArtist
1997 Channel Classics Records 1997 Channel Classics Records
Copyright Control, MusicPublisher - Carl Philipp Emanuel Bach, Composer - Florilegium, Ensemble, MainArtist
1997 Channel Classics Records 1997 Channel Classics Records
Copyright Control, MusicPublisher - Carl Philipp Emanuel Bach, Composer - Florilegium, Ensemble, MainArtist
1997 Channel Classics Records 1997 Channel Classics Records
Georg Philipp Telemann, Composer - Florilegium, Ensemble, MainArtist
1997 Channel Classics Records 1997 Channel Classics Records
Copyright Control, MusicPublisher - Joseph Bodin De Boismortier, Composer - Florilegium, Ensemble, MainArtist
1997 Channel Classics Records 1997 Channel Classics Records
Antonio Vivaldi, Composer - Florilegium, Ensemble, MainArtist
1997 Channel Classics Records 1997 Channel Classics Records
Florilegium, Ensemble, MainArtist - Johann Bernhard Bach, Composer
1997 Channel Classics Records 1997 Channel Classics Records
Album review
Sanguineus und Melancholicus What comprises good performance? The ability through singing or playing to make the ear conscious of the true content and affect of the composition. Any passage can be so radically changed by modifying its performance that it will be scarcely recognisable... Good performance, then, occurs when one hears all notes and their embellishments played in correct time with fitting volume produced by a touch which is related to the true content of the piece (Versuch ber die wahre Art das Clavier zu spielen). C.P.E. Bachs instructions illustrates the aestheticism of the era. In his eyes good performance is a matter of portraying rage, anger, and other passions or the briskness of allegros... the tenderness of adagios. Much of Bachs music has a strong improvisatory character, with large dynamic ranges, dramatic changes of mood, and sudden textural contrasts (The Empfindsamkeit style). These are the affects that the performer must understand and identify in Bachs music. One of C.P.E. Bachs most programmatic chamber pieces is entitled a Conversation between a Sanguineus and a Melancholicus.
About the album
- 1 disc(s) - 17 track(s)
- Total length: 01:08:21
- 1 Digital booklet
- Main artists: Florilegium
- Composer: Various Composers
- Label: Channel Classics
- Genre: Classical
1997 Channel Classics Records 1997 Channel Classics Records
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