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Stephen Layton|Cecilia McDowall: Sacred Choral Music

Cecilia McDowall: Sacred Choral Music

Stephen Layton, The Choir of Trinity College Cambridge

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This release marks the 70th birthday of composer Cecilia McDowall, whose music has always been difficult to classify. Is it neotraditional English cathedral music in the classic mode? A modern adaptation of Renaissance styles? A carrying forward of the English pastoral style? Yes, to all, but there is always something in her works that goes beyond such parameters. Perhaps the best way to approach her music is through the varied texts she sets, and this is no less true of this collection of sacred choral pieces than in any of her other works. Here, she uses not just traditional liturgical texts but, in the highly effective Standing as I do before God, the last words of British nurse and World War I POW Edith Cavell before her execution in Germany. McDowall often begins a piece with pure consonance that leads listeners to expect a more traditional sound than they end up getting. She inflects the harmony according to the text, producing a musical language that is both flexible and highly accessible; there is also an organ work about which a similar point could be made even though there is no text. McDowall is not much known outside Britain, and this release is particularly to be commended to U.S. collegiate choirs and their directors. The Choir of Trinity College Cambridge was recorded on two separate occasions two years apart, with presumably completely different undergraduate singers, but it would be difficult or impossible for even a hearer who knows the choir well to distinguish between the two sessions. This is a testament to the consistency of sound achieved by director Stephen Layton and Hyperion's engineers, familiar indeed with the Trinity College Chapel (the organ music was recorded elsewhere), deliver similar consistency.

© TiVo

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Cecilia McDowall: Sacred Choral Music

Stephen Layton

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1
Alma redemptoris mater (2010)
Stephen Layton
00:04:51

Anonymous, Author - Stephen Layton, Conductor, MainArtist - Cecilia McDowall, Composer - The Choir of Trinity College Cambridge, Choir, MainArtist

℗ 2021 Hyperion Records Limited

2
O Oriens (2012)
Stephen Layton
00:04:30

Anonymous, Author - Stephen Layton, Conductor, MainArtist - Cecilia McDowall, Composer - The Choir of Trinity College Cambridge, Choir, MainArtist

℗ 2021 Hyperion Records Limited

3
Standing as I Do Before God (2013)
The Choir of Trinity College Cambridge
00:06:21

Stephen Layton, Conductor, MainArtist - Cecilia McDowall, Composer - Sean Street, Author - Anita Monserrat, Soprano, MainArtist, AssociatedPerformer - The Choir of Trinity College Cambridge, Choir, MainArtist

℗ 2021 Hyperion Records Limited

4
Adoro te devote (2015)
The Choir of Trinity College Cambridge
00:04:13

Stephen Layton, Conductor, MainArtist - St. Thomas Aquinas, Author - Cecilia McDowall, Composer - Annabel Green, Soprano, AssociatedPerformer - Edward Cunningham, Tenor, AssociatedPerformer - The Choir of Trinity College Cambridge, Choir, MainArtist - Susannah Hill, Soprano, AssociatedPerformer - Lucy Sun, Soprano, AssociatedPerformer

℗ 2021 Hyperion Records Limited

5
Deus, portus pacis (2009)
The Choir of Trinity College Cambridge
00:05:56

Stephen Layton, Conductor, MainArtist - Cecilia McDowall, Composer - John Walton, Author - The Choir of Trinity College Cambridge, Choir, MainArtist

℗ 2021 Hyperion Records Limited

6
God Is Light (2017)
The Choir of Trinity College Cambridge
00:05:48

Anonymous, Author - Stephen Layton, Conductor, MainArtist - Cecilia McDowall, Composer - The Choir of Trinity College Cambridge, Choir, MainArtist

℗ 2021 Hyperion Records Limited

7
Love Incorruptible (2017)
The Choir of Trinity College Cambridge
00:04:49

Anonymous, Author - Stephen Layton, Conductor, MainArtist - Cecilia McDowall, Composer - The Choir of Trinity College Cambridge, Choir, MainArtist

℗ 2021 Hyperion Records Limited

8
3 Latin Motets (2004): I. Ave regina
Stephen Layton
00:02:46

Anonymous, Author - Stephen Layton, Conductor, MainArtist - Cecilia McDowall, Composer - The Choir of Trinity College Cambridge, Choir, MainArtist - Molly Noon, Soprano, AssociatedPerformer - Nina Vinther, Alto, AssociatedPerformer - Susannah Hill, Soprano, AssociatedPerformer - Joseph Deery, Tenor, AssociatedPerformer - Benjamin Thurlow, AssociatedPerformer, Bass (Vocal)

℗ 2021 Hyperion Records Limited

9
3 Latin Motets (2004): II. Ave Maria
Stephen Layton
00:03:31

Anonymous, Author - Stephen Layton, Conductor, MainArtist - Cecilia McDowall, Composer - The Choir of Trinity College Cambridge, Choir, MainArtist

℗ 2021 Hyperion Records Limited

10
3 Latin Motets (2004): III. Regina caeli
The Choir of Trinity College Cambridge
00:03:05

Anonymous, Author - Stephen Layton, Conductor, MainArtist - Cecilia McDowall, Composer - The Choir of Trinity College Cambridge, Choir, MainArtist

℗ 2021 Hyperion Records Limited

11
O Antiphon Sequence (2018): I. O Sapientia
Alexander Hamilton
00:02:31

Alexander Hamilton, Organ, MainArtist, AssociatedPerformer - Cecilia McDowall, Composer

℗ 2021 Hyperion Records Limited

12
O Antiphon Sequence (2018): II. O Adonai
Alexander Hamilton
00:01:38

Alexander Hamilton, Organ, MainArtist, AssociatedPerformer - Cecilia McDowall, Composer

℗ 2021 Hyperion Records Limited

13
O Antiphon Sequence (2018): III. O Radix Jesse
Alexander Hamilton
00:02:42

Alexander Hamilton, Organ, MainArtist, AssociatedPerformer - Cecilia McDowall, Composer

℗ 2021 Hyperion Records Limited

14
O Antiphon Sequence (2018): IV. O Clavis David
Alexander Hamilton
00:01:30

Alexander Hamilton, Organ, MainArtist, AssociatedPerformer - Cecilia McDowall, Composer

℗ 2021 Hyperion Records Limited

15
O Antiphon Sequence (2018): V. O Oriens
Alexander Hamilton
00:04:31

Alexander Hamilton, Organ, MainArtist, AssociatedPerformer - Cecilia McDowall, Composer

℗ 2021 Hyperion Records Limited

16
O Antiphon Sequence (2018): VI. O Rex gentium
Alexander Hamilton
00:02:31

Alexander Hamilton, Organ, MainArtist, AssociatedPerformer - Cecilia McDowall, Composer

℗ 2021 Hyperion Records Limited

17
O Antiphon Sequence (2018): VII. O Emmanuel
Alexander Hamilton
00:02:43

Alexander Hamilton, Organ, MainArtist, AssociatedPerformer - Cecilia McDowall, Composer

℗ 2021 Hyperion Records Limited

18
The Lord Is Good (2012)
The Choir of Trinity College Cambridge
00:05:50

Anonymous, Author - Stephen Layton, Conductor, MainArtist - Cecilia McDowall, Composer - Madeleine Todd, Soprano, MainArtist, AssociatedPerformer - Anita Monserrat, Soprano, MainArtist, AssociatedPerformer - The Choir of Trinity College Cambridge, Choir, MainArtist

℗ 2021 Hyperion Records Limited

Album review

This release marks the 70th birthday of composer Cecilia McDowall, whose music has always been difficult to classify. Is it neotraditional English cathedral music in the classic mode? A modern adaptation of Renaissance styles? A carrying forward of the English pastoral style? Yes, to all, but there is always something in her works that goes beyond such parameters. Perhaps the best way to approach her music is through the varied texts she sets, and this is no less true of this collection of sacred choral pieces than in any of her other works. Here, she uses not just traditional liturgical texts but, in the highly effective Standing as I do before God, the last words of British nurse and World War I POW Edith Cavell before her execution in Germany. McDowall often begins a piece with pure consonance that leads listeners to expect a more traditional sound than they end up getting. She inflects the harmony according to the text, producing a musical language that is both flexible and highly accessible; there is also an organ work about which a similar point could be made even though there is no text. McDowall is not much known outside Britain, and this release is particularly to be commended to U.S. collegiate choirs and their directors. The Choir of Trinity College Cambridge was recorded on two separate occasions two years apart, with presumably completely different undergraduate singers, but it would be difficult or impossible for even a hearer who knows the choir well to distinguish between the two sessions. This is a testament to the consistency of sound achieved by director Stephen Layton and Hyperion's engineers, familiar indeed with the Trinity College Chapel (the organ music was recorded elsewhere), deliver similar consistency.

© TiVo

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