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Miley Cyrus|Can't Be Tamed

Can't Be Tamed

Miley Cyrus

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Miley Cyrus' Time of Our Lives EP spawned the carefree mega-hit “Party in the U.S.A.,” but on her second album, she does just about everything she can to distance herself from that look and sound to announce that she has grown up. On Can’t Be Tamed’s cover, she’s clad in black from her heavily lined eyes to the tips of her toes, sporting pale skin and chestnut hair several shades darker than Hannah Montana blonde. The album’s sound is several shades darker too, but within reason; while none of these songs sounds like it belongs on one of her alter ego’s albums, Can’t Be Tamed was released by Hollywood Records, Disney’s more mature imprint. So while “Liberty Walk”'s bold synths and beats and rapped verses sound edgier than any of Cyrus' previous work, upbeat lyrics like “Don’t live a lie/This is your life” keep the song Radio Disney-friendly. She also tries this dancefloor-ready sound out for size on “Who Owns My Heart,” the stomping title track, and “Permanent December,” which apes the Auto-Tuned rapping of Kesha's “Tik Tok” minus that song’s mindless fun, which is actually a recurring problem on Can’t Be Tamed: too often, Cyrus equates grown-up with joyless, and songs like “Scars” reach for an emotional depth that isn’t there. Though pop was Cyrus' bread and butter during her Hannah years, the album’s synth-dominated tunes don’t jell with her voice; she sounds more natural and more grown-up on the songs that straddle rock and country, including the revved-up cover of Poison's “Every Rose Has Its Thorn” and the anthemic “Two More Lonely People,” which makes the most of her voice and appeal as they are. Even occasionally overwrought ballads like “Stay” and “Take Me Along” are a more organic fit for the singer she has been and could become. At times Can’t Be Tamed feels perfunctory, doing the job of showing Cyrus is growing up without making her too mature for her still-young fan base and little else. She’s taken another step away from Hannah here, but there should be room for fun even in more adult musical territory.

© Heather Phares /TiVo

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Can't Be Tamed

Miley Cyrus

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1
Liberty Walk
00:04:06

Antonina Armato, ComposerLyricist - Sean Hurley, Alto, AssociatedPerformer, Bass (Vocal) - Tim James, ComposerLyricist - Devrim Karaoglu, Producer, Co-Producer, Unknown, Other - Robert Vosgien, Mastering Engineer, Unknown, Other, StudioPersonnel - Nigel Lundemo, Editor, Unknown, Other, StudioPersonnel - Steve Hammons, Engineer, Unknown, Other, StudioPersonnel - Adam Comstock, Engineer, Unknown, Other, StudioPersonnel - Miley Cyrus, MainArtist, ComposerLyricist - Paul Palmer, Mixer, Unknown, Other, StudioPersonnel - Rock Mafia, Mixer, Unknown, Other, StudioPersonnel - John Read Fasse, ComposerLyricist - Michael McGinnis, ComposerLyricist - Nicholas J. Scapa, ComposerLyricist - Brooke Adams, Unknown, Background Vocalist, Other, AssociatedPerformer

℗ 2010 Hollywood Records, Inc.

2
Who Owns My Heart
00:03:34

Antonina Armato, ComposerLyricist - Sean Hurley, Alto, AssociatedPerformer, Bass (Vocal) - Marek Pompetzki, ComposerLyricist - Paul NZA, ComposerLyricist - Tim James, ComposerLyricist - Dorian Crozier, Drums, Unknown, Other, AssociatedPerformer - Robert Vosgien, Mastering Engineer, Unknown, Other, StudioPersonnel - Nigel Lundemo, Unknown, Other, Sound Editor, StudioPersonnel - Steve Hammons, Engineer, Unknown, Other, StudioPersonnel - Adam Comstock, Engineer, Unknown, Other, StudioPersonnel - Miley Cyrus, MainArtist, ComposerLyricist - Paul Palmer, Mixer, Unknown, Other, StudioPersonnel - Rock Mafia, Mixer, Unknown, Other, StudioPersonnel - Brooke Adams, Unknown, Background Vocalist, Other, AssociatedPerformer

℗ 2010 Hollywood Records, Inc.

3
Can't Be Tamed
00:02:48

Antonina Armato, ComposerLyricist - Jon Lind, Unknown, Other, A&R - Marek Pompetzki, ComposerLyricist - Paul NZA, ComposerLyricist - Tim James, ComposerLyricist - Devrim Karaoglu, Producer, Co-Producer, Unknown, Other - Robert Vosgien, Mastering Engineer, Unknown, Other, StudioPersonnel - Miley Cyrus, MainArtist, ComposerLyricist - Rock Mafia, Mixer, Unknown, Other, StudioPersonnel

℗ 2010 Hollywood Records, Inc.

4
Every Rose Has Its Thorn
00:03:48

Tim Pierce, Guitar, AssociatedPerformer - Bobby Dall, ComposerLyricist - Bret Michaels, ComposerLyricist - C.C. DeVille, ComposerLyricist - Rikki Rockett, ComposerLyricist - Jim McGorman, Piano, AssociatedPerformer - Robert Vosgien, Editor, Unknown, Other, StudioPersonnel - Nigel Lundemo, Unknown, Other, Sound Editor, StudioPersonnel - Steve Hammons, Engineer, Unknown, Other, StudioPersonnel - Adam Comstock, Engineer, Unknown, Other, StudioPersonnel - Miley Cyrus, MainArtist - Paul Palmer, Unknown, Other - Rock Mafia, Mixer, Unknown, Other, StudioPersonnel

℗ 2010 Hollywood Records, Inc.

5
Two More Lonely People
00:03:09

Antonina Armato, ComposerLyricist - Tim Pierce, Guitar, AssociatedPerformer - Sean Hurley, Alto, AssociatedPerformer, Bass (Vocal) - Kevin Kadish, Acoustic Guitar, Unknown, Background Vocalist, Other, AssociatedPerformer, ComposerLyricist - Nigel Lundemo, Unknown, Other, Sound Editor, StudioPersonnel - Steve Hammons, Engineer, Unknown, Other, StudioPersonnel - Adam Comstock, Engineer, Unknown, Other, StudioPersonnel - Miley Cyrus, MainArtist, ComposerLyricist - Angie Aparo, ComposerLyricist - Paul Palmer, Mixer, Unknown, Other, StudioPersonnel - Rock Mafia, Mixer, Unknown, Other, StudioPersonnel - Brandon Jane, Unknown, Background Vocalist, Other, AssociatedPerformer, ComposerLyricist

℗ 2010 Hollywood Records, Inc.

6
Forgiveness And Love
00:03:28

Antonina Armato, ComposerLyricist - Tim Pierce, Guitar, AssociatedPerformer - Sean Hurley, Alto, AssociatedPerformer, Bass (Vocal) - Tim James, ComposerLyricist - PATRICK LEONARD, Piano, Unknown, Other, AssociatedPerformer - Ross Hogarth, Engineer, Unknown, Other, StudioPersonnel - Robert Vosgien, Mastering Engineer, Unknown, Other, StudioPersonnel - Nigel Lundemo, Editor, Unknown, Other, StudioPersonnel - Steve Hammons, Engineer, Unknown, Other, StudioPersonnel - Adam Comstock, Engineer, Unknown, Other, StudioPersonnel - Miley Cyrus, MainArtist, ComposerLyricist - Paul Palmer, Mixer, Unknown, Other, StudioPersonnel - Adam Schmalholz, ComposerLyricist - Rock Mafia, Mixer, Unknown, Other, StudioPersonnel

℗ 2010 Hollywood Records, Inc.

7
Permanent December
00:03:37

Claude Kelly, ComposerLyricist - John Shanks, Guitar, Alto, Unknown, Background Vocalist, Other, AssociatedPerformer, ComposerLyricist, Bass (Vocal) - Lars Fox, Editor, Unknown, Other, StudioPersonnel - Dan Chase, Keyboards, Unknown, Programming, Other, AssociatedPerformer - Aaron Kasdorf, Editor, Unknown, Other, StudioPersonnel - Shari Sutcliffe, Conductor, Unknown, Other - Robert Vosgien, Mastering Engineer, Unknown, Other, StudioPersonnel - Jeff Rothschild, Mixer, Drums, Unknown, Programming, Other, AssociatedPerformer, StudioPersonnel - Miley Cyrus, Background Vocalist, Vocalist, MainArtist, AssociatedPerformer, ComposerLyricist - Akihiro Nishimura, Asst. Recording Engineer, StudioPersonnel - Rich Ramsey, Asst. Recording Engineer, StudioPersonnel

℗ 2010 Hollywood Records, Inc.

8
Stay
00:04:21

John Shanks, Unknown, Other, AssociatedPerformer, ComposerLyricist, Bass (Vocal) - Lars Fox, Editor, Unknown, Other, StudioPersonnel - Aaron Kasdorf, Editor, Unknown, Other, StudioPersonnel - Shari Sutcliffe, Conductor, Unknown, Other - Ryan Carline, Engineer, Unknown, Programming, Other, AssociatedPerformer, StudioPersonnel - Robert Vosgien, Mastering Engineer, Unknown, Other, StudioPersonnel - Jeff Rothschild, Mixer, Unknown, Programming, Other, AssociatedPerformer, StudioPersonnel - Miley Cyrus, Background Vocalist, Vocalist, MainArtist, AssociatedPerformer, ComposerLyricist - Akihiro Nishimura, Asst. Recording Engineer, StudioPersonnel - Rich Ramsey, Asst. Recording Engineer, StudioPersonnel

℗ 2010 Hollywood Records, Inc.

9
Scars
00:03:42

John Shanks, Guitar, Alto, Unknown, Background Vocalist, Other, AssociatedPerformer, ComposerLyricist - Lars Fox, Editor, Unknown, Other, StudioPersonnel - Dan Chase, Keyboards, Unknown, Programming, Other, AssociatedPerformer - Aaron Kasdorf, Editor, Unknown, Other, StudioPersonnel - Shari Sutcliffe, Conductor, Unknown, Other - Robert Vosgien, Mastering Engineer, Unknown, Other, StudioPersonnel - Jeff Rothschild, Mixer, Drums, Unknown, Programming, Other, AssociatedPerformer, StudioPersonnel - Miley Cyrus, Background Vocalist, Vocalist, MainArtist, AssociatedPerformer, ComposerLyricist - Akihiro Nishimura, Asst. Recording Engineer, StudioPersonnel - Rich Ramsey, Asst. Recording Engineer, StudioPersonnel

℗ 2010 Hollywood Records, Inc.

10
Take Me Along
00:04:08

John Shanks, Producer, Guitar, Alto, Unknown, Other, AssociatedPerformer, ComposerLyricist, Bass (Vocal) - Lars Fox, Editor, Unknown, Other, StudioPersonnel - Aaron Kasdorf, Editor, Unknown, Other, StudioPersonnel - Shari Sutcliffe, Conductor, Unknown, Other - Robert Vosgien, Mastering Engineer, Unknown, Other, StudioPersonnel - Jeff Rothschild, Mixer, Drums, Unknown, Programming, Other, AssociatedPerformer, StudioPersonnel - Miley Cyrus, Background Vocalist, Vocalist, MainArtist, AssociatedPerformer, ComposerLyricist - Akihiro Nishimura, Asst. Recording Engineer, StudioPersonnel - Rich Ramsey, Asst. Recording Engineer, StudioPersonnel

℗ 2010 Hollywood Records, Inc.

11
Robot
00:03:42

John Shanks, Producer, Guitar, Alto, Unknown, Other, AssociatedPerformer, ComposerLyricist, Bass (Vocal) - Lars Fox, Editor, Unknown, Other, StudioPersonnel - Dan Chase, Keyboards, Unknown, Programming, Other, AssociatedPerformer - Aaron Kasdorf, Editor, Unknown, Other, StudioPersonnel - Shari Sutcliffe, Conductor, Unknown, Other - Ryan Carline, Keyboards, Unknown, Other, AssociatedPerformer - Robert Vosgien, Mastering Engineer, Unknown, Other, StudioPersonnel - Jeff Rothschild, Mixer, Drums, Unknown, Programming, Other, AssociatedPerformer, StudioPersonnel - Miley Cyrus, Background Vocalist, Vocalist, MainArtist, AssociatedPerformer, ComposerLyricist - Akihiro Nishimura, Asst. Recording Engineer, StudioPersonnel - Rich Ramsey, Asst. Recording Engineer, StudioPersonnel

℗ 2010 Hollywood Records, Inc.

12
My Heart Beats For Love
00:03:42

Hillary Lindsey, Background Vocalist, AssociatedPerformer, ComposerLyricist - John Shanks, Producer, Guitar, Alto, Unknown, Background Vocalist, Other, AssociatedPerformer, ComposerLyricist, Bass (Vocal) - Lars Fox, Editor, Unknown, Other, StudioPersonnel - Dan Chase, Programming, AssociatedPerformer - Aaron Kasdorf, Editor, Unknown, Other, StudioPersonnel - Shari Sutcliffe, Conductor, Unknown, Other - Gordie Sampson, Additional Keyboards, AssociatedPerformer, ComposerLyricist - Robert Vosgien, Mastering Engineer, Unknown, Other, StudioPersonnel - Jeff Rothschild, Mixer, Unknown, Programming, Other, AssociatedPerformer, StudioPersonnel - Charles Judge, Keyboards, Strings, Unknown, Other, AssociatedPerformer - Miley Cyrus, Vocalist, MainArtist, AssociatedPerformer, ComposerLyricist - Akihiro Nishimura, Asst. Recording Engineer, StudioPersonnel - Rich Ramsey, Asst. Recording Engineer, StudioPersonnel

℗ 2010 Hollywood Records, Inc.

Album review

Miley Cyrus' Time of Our Lives EP spawned the carefree mega-hit “Party in the U.S.A.,” but on her second album, she does just about everything she can to distance herself from that look and sound to announce that she has grown up. On Can’t Be Tamed’s cover, she’s clad in black from her heavily lined eyes to the tips of her toes, sporting pale skin and chestnut hair several shades darker than Hannah Montana blonde. The album’s sound is several shades darker too, but within reason; while none of these songs sounds like it belongs on one of her alter ego’s albums, Can’t Be Tamed was released by Hollywood Records, Disney’s more mature imprint. So while “Liberty Walk”'s bold synths and beats and rapped verses sound edgier than any of Cyrus' previous work, upbeat lyrics like “Don’t live a lie/This is your life” keep the song Radio Disney-friendly. She also tries this dancefloor-ready sound out for size on “Who Owns My Heart,” the stomping title track, and “Permanent December,” which apes the Auto-Tuned rapping of Kesha's “Tik Tok” minus that song’s mindless fun, which is actually a recurring problem on Can’t Be Tamed: too often, Cyrus equates grown-up with joyless, and songs like “Scars” reach for an emotional depth that isn’t there. Though pop was Cyrus' bread and butter during her Hannah years, the album’s synth-dominated tunes don’t jell with her voice; she sounds more natural and more grown-up on the songs that straddle rock and country, including the revved-up cover of Poison's “Every Rose Has Its Thorn” and the anthemic “Two More Lonely People,” which makes the most of her voice and appeal as they are. Even occasionally overwrought ballads like “Stay” and “Take Me Along” are a more organic fit for the singer she has been and could become. At times Can’t Be Tamed feels perfunctory, doing the job of showing Cyrus is growing up without making her too mature for her still-young fan base and little else. She’s taken another step away from Hannah here, but there should be room for fun even in more adult musical territory.

© Heather Phares /TiVo

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