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Skinny Puppy|Bites

Bites

Skinny Puppy

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There's much to like about Skinny Puppy's first album. Right away, it's clear that Nivek Ogre, cEvin Key, and producer Dave Ogilvie are surfing through a sea of influences, demonic as their own take on these influences might be. Key member R. Dwayne Goettel wouldn't be joining the band until their next album, so his trademark demented keyboards and effects are absent, and in their place is a kind of film score minimalism. Indeed, many of the songs are reminiscent of the more mysterious cinematic moments of Popul Vuh and Jack Nitzsche. Hints of Depeche Mode and the Human League are all over "Assimilate," unmistakable Joy Division/New Order rhythm motifs crop up on "Dead Lines" and "Icebreaker," and fragmented and flanged Cabaret Voltaire experimentation is everywhere. But the band's sinister signature underbelly is already fully intact. Splattering sound effects, gurling gushing synths, piercing keyboards, and loads of spooky samples from The Legend of Hell House paint the songs in the traditional industrial horror fashion for which the band is known. "The Choke" is perhaps most indicative of the band's later sound, with its creepy samples from Roman Polanski's "The Tenant" (a source the band would return to on VIVISect VI) and Ogre's gruff vocals mingling under an abrasive chug of machine-gun guitar dynamics. "Social Deception," another standout, is an artsy collage that sees the band twiddling with distorted electronics. Wicked, deviant voices and a twitchy electro pulse make for a frightening experience. Most surprising about this early peek into the band's bag of tricks is how delicate and pristine they sound without the more elaborate layers of samples and effects that would become their bread and butter. Bites is a fascinating look at Skinny Puppy in embryonic form, full of beautiful keyboard sounds and brimming with youthful experimentation.

© Tim DiGravina /TiVo

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Bites

Skinny Puppy

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1
Assimilate
00:06:56

Skinny Puppy, MainArtist - Dig It Music, MusicPublisher - sony/ATV EMI, MusicPublisher

1985 Nettwerk Productions 1999 Nettwerk Productions

2
Blood On The Wall
00:02:58

Skinny Puppy, MainArtist - Chrysalis, MusicPublisher - Kobalt Music, MusicPublisher - Dig It Music, MusicPublisher

1985 Nettwerk Productions 1985 Nettwerk Productions

3
Dead Lines
00:06:13

Skinny Puppy, MainArtist - Dig It Music, MusicPublisher

1985 Nettwerk Productions 1985 Nettwerk Productions

4
Church
00:03:16

Skinny Puppy, MainArtist - Dig It Music, MusicPublisher

1985 Nettwerk Productions 1985 Nettwerk Productions

5
Icebreaker
00:03:14

Skinny Puppy, MainArtist - Chrysalis, MusicPublisher - Kobalt Music, MusicPublisher - Dig It Music, MusicPublisher

1985 Nettwerk Productions 1984 Nettwerk Productions

6
Tomorrow
00:04:53

Skinny Puppy, MainArtist - Dig It Music, MusicPublisher - Dwayne Goettel Publishing Designee, MusicPublisher

1985 Nettwerk Productions 1985 Nettwerk Productions

7
Dead Doll
00:02:28

Skinny Puppy, MainArtist - Dig It Music, MusicPublisher

1985 Nettwerk Productions 1985 Nettwerk Productions

8
Film
00:02:18

Skinny Puppy, MainArtist - Dig It Music, MusicPublisher

1985 Nettwerk Productions 1984 Nettwerk Productions

9
Love
00:01:51

Skinny Puppy, MainArtist, ComposerLyricist - Dig It Music, MusicPublisher

1985 Nettwerk Productions 1985 Nettwerk Productions

10
The Choke
00:06:29

Skinny Puppy, MainArtist - Chrysalis, MusicPublisher - Kobalt Music, MusicPublisher - Dig It Music, MusicPublisher

1985 Nettwerk Productions 1985 Nettwerk Productions

11
Social Deception
00:02:57

Skinny Puppy, MainArtist - Dig It Music, MusicPublisher

1985 Nettwerk Productions 1985 Nettwerk Productions

12
Christianity
00:01:32

Skinny Puppy, MainArtist - Dig It Music, MusicPublisher

1985 Nettwerk Productions 1985 Nettwerk Productions

13
Basement
00:03:25

Skinny Puppy, MainArtist - Dig It Music, MusicPublisher

1985 Nettwerk Productions 1985 Nettwerk Productions

14
Last Call
00:05:54

Skinny Puppy, MainArtist - Dig It Music, MusicPublisher

1985 Nettwerk Productions 1985 Nettwerk Productions

15
Falling
00:04:20

Skinny Puppy, MainArtist - Dig It Music, MusicPublisher

1985 Nettwerk Productions 1985 Nettwerk Productions

16
The Centre Bullet
00:09:42

Skinny Puppy, MainArtist - Dig It Music, MusicPublisher

1985 Nettwerk Productions 1985 Nettwerk Productions

17
One Day
00:04:20

Skinny Puppy, MainArtist - Dig It Music, MusicPublisher

1985 Nettwerk Productions 1985 Nettwerk Productions

Album review

There's much to like about Skinny Puppy's first album. Right away, it's clear that Nivek Ogre, cEvin Key, and producer Dave Ogilvie are surfing through a sea of influences, demonic as their own take on these influences might be. Key member R. Dwayne Goettel wouldn't be joining the band until their next album, so his trademark demented keyboards and effects are absent, and in their place is a kind of film score minimalism. Indeed, many of the songs are reminiscent of the more mysterious cinematic moments of Popul Vuh and Jack Nitzsche. Hints of Depeche Mode and the Human League are all over "Assimilate," unmistakable Joy Division/New Order rhythm motifs crop up on "Dead Lines" and "Icebreaker," and fragmented and flanged Cabaret Voltaire experimentation is everywhere. But the band's sinister signature underbelly is already fully intact. Splattering sound effects, gurling gushing synths, piercing keyboards, and loads of spooky samples from The Legend of Hell House paint the songs in the traditional industrial horror fashion for which the band is known. "The Choke" is perhaps most indicative of the band's later sound, with its creepy samples from Roman Polanski's "The Tenant" (a source the band would return to on VIVISect VI) and Ogre's gruff vocals mingling under an abrasive chug of machine-gun guitar dynamics. "Social Deception," another standout, is an artsy collage that sees the band twiddling with distorted electronics. Wicked, deviant voices and a twitchy electro pulse make for a frightening experience. Most surprising about this early peek into the band's bag of tricks is how delicate and pristine they sound without the more elaborate layers of samples and effects that would become their bread and butter. Bites is a fascinating look at Skinny Puppy in embryonic form, full of beautiful keyboard sounds and brimming with youthful experimentation.

© Tim DiGravina /TiVo

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