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Deborah York|Alessandro Grandi: Vespro della Beata Vergine

Alessandro Grandi: Vespro della Beata Vergine

Peter Harvey, Matthew Halls, Gaechinger Cantorey, Bach-Collegium Stuttgart, Deborah York, Ed Lyon, Daniel Taylor

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Monteverdi's brilliant sunshine cast a shadow over many of the composers of his time, especially those who hadn’t even written operas, as was the case for Alessandro Grandi. For a while Grandi worked with Monteverdi in Venice as Vice Maestro di Cappella, around 1620. He then settled down in Bergamo in 1627 where he held the position of Chapel Master but died from the plague soon after. Unlike Monteverdi, who published the Vespers as one complete work, Grandi published isolated editions in various collections. It must have taken angelic patience for the musicologist Rudolf Ewerhart to gather all the sources and to reconstitute a coherent work in honour of the Virgin Mary. As the various publications span from 1610 to 1630, these Vespers cover Grandi's entire creative period. However, many other composers who published complete works did not hesitate to recycle previous materials, even very old ones, so the principle is by no means dishonourable, nor is it musicologically questionable. Quite the contrary! The result of this admirable collation is a work of great stylistic cohesion, proving that Grandi developed his own writing style throughout his life. The Gächinger Kantorei Stuttgart (founded in 1954 by Helmut Rilling) and the Bach-Collegium Stuttgart (founded by the same man a decade later to serve as the instrumental accompaniment for the choir) are brilliantly conducted here by Matthew Halls. © SM/Qobuz

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Alessandro Grandi: Vespro della Beata Vergine

Deborah York

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Vespro della Beata Vergine (Alessandro Grandi)

1
I. Deus in adjutorium meum intende
Deborah York
00:00:58

Traditional, Author - Daniel Taylor, Counter-Tenor, MainArtist, AssociatedPerformer - Bach-Collegium Stuttgart, Orchestra, MainArtist - Alessandro Grandi, Composer - Peter Harvey, MainArtist, AssociatedPerformer, Bass (Vocal) - Deborah York, Soprano, MainArtist, AssociatedPerformer - Matthew Halls, Conductor, MainArtist - Ed Lyon, Tenor, MainArtist, AssociatedPerformer - Gaechinger Cantorey, Choir, MainArtist

℗ 2011 Carus

2
II. O quam suave est nomen tuum
Deborah York
00:03:11

Traditional, Author - Bach-Collegium Stuttgart, Orchestra, MainArtist - Alessandro Grandi, Composer - Deborah York, Soprano, MainArtist, AssociatedPerformer - Matthew Halls, Conductor, MainArtist - Ed Lyon, Tenor, MainArtist, AssociatedPerformer

℗ 2011 Carus

3
III. Dixit Dominus
Deborah York
00:06:59

Traditional, Author - Daniel Taylor, Counter-Tenor, MainArtist, AssociatedPerformer - Bach-Collegium Stuttgart, Orchestra, MainArtist - Alessandro Grandi, Composer - Peter Harvey, MainArtist, AssociatedPerformer, Bass (Vocal) - Deborah York, Soprano, MainArtist, AssociatedPerformer - Matthew Halls, Conductor, MainArtist - Ed Lyon, Tenor, MainArtist, AssociatedPerformer - Gaechinger Cantorey, Choir, MainArtist

℗ 2011 Carus

4
IV. O quam tu pulchra es
Ed Lyon
00:03:20

Traditional, Author - Bach-Collegium Stuttgart, Orchestra, MainArtist - Alessandro Grandi, Composer - Peter Harvey, MainArtist, AssociatedPerformer, Bass (Vocal) - Matthew Halls, Conductor, MainArtist - Ed Lyon, Tenor, MainArtist, AssociatedPerformer

℗ 2011 Carus

5
V. Laudate pueri
Deborah York
00:02:22

Traditional, Author - Daniel Taylor, Counter-Tenor, MainArtist, AssociatedPerformer - Bach-Collegium Stuttgart, Orchestra, MainArtist - Alessandro Grandi, Composer - Peter Harvey, MainArtist, AssociatedPerformer, Bass (Vocal) - Deborah York, Soprano, MainArtist, AssociatedPerformer - Matthew Halls, Conductor, MainArtist - Ed Lyon, Tenor, MainArtist, AssociatedPerformer - Gaechinger Cantorey, Choir, MainArtist

℗ 2011 Carus

6
VI. Vulnerasti cor meum
Deborah York
00:03:59

Traditional, Author - Bach-Collegium Stuttgart, Orchestra, MainArtist - Alessandro Grandi, Composer - Deborah York, Soprano, MainArtist, AssociatedPerformer - Matthew Halls, Conductor, MainArtist

℗ 2011 Carus

7
VII. Laetatus sum
Deborah York
00:03:05

Traditional, Author - Daniel Taylor, Counter-Tenor, MainArtist, AssociatedPerformer - Bach-Collegium Stuttgart, Orchestra, MainArtist - Alessandro Grandi, Composer - Peter Harvey, MainArtist, AssociatedPerformer, Bass (Vocal) - Deborah York, Soprano, MainArtist, AssociatedPerformer - Matthew Halls, Conductor, MainArtist - Ed Lyon, Tenor, MainArtist, AssociatedPerformer - Gaechinger Cantorey, Choir, MainArtist

℗ 2011 Carus

8
VIII. Laetamini vos, o caeli
Deborah York
00:03:19

Traditional, Author - Bach-Collegium Stuttgart, Orchestra, MainArtist - Alessandro Grandi, Composer - Peter Harvey, MainArtist, AssociatedPerformer, Bass (Vocal) - Deborah York, Soprano, MainArtist, AssociatedPerformer - Matthew Halls, Conductor, MainArtist - Ed Lyon, Tenor, MainArtist, AssociatedPerformer - Gaechinger Cantorey, Choir, MainArtist

℗ 2011 Carus

9
IX. Nisi dominus
Deborah York
00:05:58

Traditional, Author - Daniel Taylor, Counter-Tenor, MainArtist, AssociatedPerformer - Bach-Collegium Stuttgart, Orchestra, MainArtist - Alessandro Grandi, Composer - Peter Harvey, MainArtist, AssociatedPerformer, Bass (Vocal) - Deborah York, Soprano, MainArtist, AssociatedPerformer - Matthew Halls, Conductor, MainArtist - Ed Lyon, Tenor, MainArtist, AssociatedPerformer - Gaechinger Cantorey, Choir, MainArtist

℗ 2011 Carus

10
X. O quam tu pulchra es
Ed Lyon
00:03:39

Traditional, Author - Bach-Collegium Stuttgart, Orchestra, MainArtist - Alessandro Grandi, Composer - Matthew Halls, Conductor, MainArtist - Ed Lyon, Tenor, MainArtist, AssociatedPerformer

℗ 2011 Carus

11
XI. Lauda Jerusalem, Dominum
Deborah York
00:05:09

Traditional, Author - Daniel Taylor, Counter-Tenor, MainArtist, AssociatedPerformer - Bach-Collegium Stuttgart, Orchestra, MainArtist - Alessandro Grandi, Composer - Peter Harvey, MainArtist, AssociatedPerformer, Bass (Vocal) - Deborah York, Soprano, MainArtist, AssociatedPerformer - Matthew Halls, Conductor, MainArtist - Ed Lyon, Tenor, MainArtist, AssociatedPerformer - Gaechinger Cantorey, Choir, MainArtist

℗ 2011 Carus

12
XII. Ave maris stella
Daniel Taylor
00:04:35

Traditional, Author - Daniel Taylor, Counter-Tenor, MainArtist, AssociatedPerformer - Bach-Collegium Stuttgart, Orchestra, MainArtist - Alessandro Grandi, Composer - Matthew Halls, Conductor, MainArtist - Gaechinger Cantorey, Choir, MainArtist

℗ 2011 Carus

13
XIII. O speciosa inter filias Jerusalem
Deborah York
00:04:16

Traditional, Author - Bach-Collegium Stuttgart, Orchestra, MainArtist - Alessandro Grandi, Composer - Peter Harvey, MainArtist, AssociatedPerformer, Bass (Vocal) - Deborah York, Soprano, MainArtist, AssociatedPerformer - Matthew Halls, Conductor, MainArtist - Ed Lyon, Tenor, MainArtist, AssociatedPerformer - Gaechinger Cantorey, Choir, MainArtist

℗ 2011 Carus

14
XIV. Magnificat
Deborah York
00:06:54

Traditional, Author - Daniel Taylor, Counter-Tenor, MainArtist, AssociatedPerformer - Bach-Collegium Stuttgart, Orchestra, MainArtist - Alessandro Grandi, Composer - Peter Harvey, MainArtist, AssociatedPerformer, Bass (Vocal) - Deborah York, Soprano, MainArtist, AssociatedPerformer - Matthew Halls, Conductor, MainArtist - Ed Lyon, Tenor, MainArtist, AssociatedPerformer - Gaechinger Cantorey, Choir, MainArtist

℗ 2011 Carus

Album review

Monteverdi's brilliant sunshine cast a shadow over many of the composers of his time, especially those who hadn’t even written operas, as was the case for Alessandro Grandi. For a while Grandi worked with Monteverdi in Venice as Vice Maestro di Cappella, around 1620. He then settled down in Bergamo in 1627 where he held the position of Chapel Master but died from the plague soon after. Unlike Monteverdi, who published the Vespers as one complete work, Grandi published isolated editions in various collections. It must have taken angelic patience for the musicologist Rudolf Ewerhart to gather all the sources and to reconstitute a coherent work in honour of the Virgin Mary. As the various publications span from 1610 to 1630, these Vespers cover Grandi's entire creative period. However, many other composers who published complete works did not hesitate to recycle previous materials, even very old ones, so the principle is by no means dishonourable, nor is it musicologically questionable. Quite the contrary! The result of this admirable collation is a work of great stylistic cohesion, proving that Grandi developed his own writing style throughout his life. The Gächinger Kantorei Stuttgart (founded in 1954 by Helmut Rilling) and the Bach-Collegium Stuttgart (founded by the same man a decade later to serve as the instrumental accompaniment for the choir) are brilliantly conducted here by Matthew Halls. © SM/Qobuz

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