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Thomas Morell - George Frideric Handel HANDEL, G.F.: Jephtha [Oratorio] (Ainsley)
Note des internautes :
1 2 3 4 5
Paru le 1 janvier 1994 chez Berlin Classics
Artiste principal : John Mark Ainsley
Genre : Classique
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ALBUM : 3 disques - 66 pistes - Durée totale : 02:39:35
    DISQUE 1
    Jephtha, HWV 70 (Georg Friedrich Händel)
  1. 1 Overture John Mark Ainsley, tenor - Axel Kohler, counter-tenor - Christiane Oelze, soprano - Michael George, bass - Marcus Creed, Conductor - Catherine Denley, mezzo-soprano - RIAS Chamber Chorus, Choir - Academy for Ancient Music Berlin, Orchestra - Julia Gooding, soprano
  2. 2 Menuet John Mark Ainsley, tenor - Axel Kohler, counter-tenor - Christiane Oelze, soprano - Michael George, bass - Marcus Creed, Conductor - Catherine Denley, mezzo-soprano - RIAS Chamber Chorus, Choir - Academy for Ancient Music Berlin, Orchestra - Julia Gooding, soprano
  3. 3 Act I Scene 1: Accompagnato: It must be so (Zebul) John Mark Ainsley, tenor - Axel Kohler, counter-tenor - Christiane Oelze, soprano - Michael George, bass - Marcus Creed, Conductor - Catherine Denley, mezzo-soprano - RIAS Chamber Chorus, Choir - Academy for Ancient Music Berlin, Orchestra - Julia Gooding, soprano
  4. 4 Act I Scene 1: Air: Pour forth no more unheeded prayr's (Zebul) John Mark Ainsley, tenor - Axel Kohler, counter-tenor - Christiane Oelze, soprano - Michael George, bass - Marcus Creed, Conductor - Catherine Denley, mezzo-soprano - RIAS Chamber Chorus, Choir - Academy for Ancient Music Berlin, Orchestra - Julia Gooding, soprano
  5. 5 Act I Scene 1: No more to Ammon's god and king (Chorus) John Mark Ainsley, tenor - Axel Kohler, counter-tenor - Christiane Oelze, soprano - Michael George, bass - Marcus Creed, Conductor - Catherine Denley, mezzo-soprano - RIAS Chamber Chorus, Choir - Academy for Ancient Music Berlin, Orchestra - Julia Gooding, soprano
  6. 6 Act I Scene 2: Recitative: But Jephtha comes (Zebul, Jephtha) John Mark Ainsley, tenor - Axel Kohler, counter-tenor - Christiane Oelze, soprano - Michael George, bass - Marcus Creed, Conductor - Catherine Denley, mezzo-soprano - RIAS Chamber Chorus, Choir - Academy for Ancient Music Berlin, Orchestra - Julia Gooding, soprano
  7. 7 Act I Scene 2: Air: Virtue my soul shall still embrace (Jephtha) John Mark Ainsley, tenor - Axel Kohler, counter-tenor - Christiane Oelze, soprano - Michael George, bass - Marcus Creed, Conductor - Catherine Denley, mezzo-soprano - RIAS Chamber Chorus, Choir - Academy for Ancient Music Berlin, Orchestra - Julia Gooding, soprano
  8. 8 Act I Scene 2: Recitative: Twill be a painful separation (Storge) John Mark Ainsley, tenor - Axel Kohler, counter-tenor - Christiane Oelze, soprano - Michael George, bass - Marcus Creed, Conductor - Catherine Denley, mezzo-soprano - RIAS Chamber Chorus, Choir - Academy for Ancient Music Berlin, Orchestra - Julia Gooding, soprano
  9. 9 Act I Scene 2: Air: In gentle murmurs will I mourn (Storge) John Mark Ainsley, tenor - Axel Kohler, counter-tenor - Christiane Oelze, soprano - Michael George, bass - Marcus Creed, Conductor - Catherine Denley, mezzo-soprano - RIAS Chamber Chorus, Choir - Academy for Ancient Music Berlin, Orchestra - Julia Gooding, soprano
  10. 10 Act I Scene 3: Recitative: Happy this embassy, my charming Iphis (Hamor) John Mark Ainsley, tenor - Axel Kohler, counter-tenor - Christiane Oelze, soprano - Michael George, bass - Marcus Creed, Conductor - Catherine Denley, mezzo-soprano - RIAS Chamber Chorus, Choir - Academy for Ancient Music Berlin, Orchestra - Julia Gooding, soprano
  11. 11 Act I Scene 3: Air: Dull delay, in piercing anguish (Hamor) John Mark Ainsley, tenor - Axel Kohler, counter-tenor - Christiane Oelze, soprano - Michael George, bass - Marcus Creed, Conductor - Catherine Denley, mezzo-soprano - RIAS Chamber Chorus, Choir - Academy for Ancient Music Berlin, Orchestra - Julia Gooding, soprano
  12. 12 Act I Scene 3: Recitative: Ill suits the voice of love (Iphis) John Mark Ainsley, tenor - Axel Kohler, counter-tenor - Christiane Oelze, soprano - Michael George, bass - Marcus Creed, Conductor - Catherine Denley, mezzo-soprano - RIAS Chamber Chorus, Choir - Academy for Ancient Music Berlin, Orchestra - Julia Gooding, soprano
  13. 13 Act I Scene 3: Air: Take the heart you fondly gave (Iphis) John Mark Ainsley, tenor - Axel Kohler, counter-tenor - Christiane Oelze, soprano - Michael George, bass - Marcus Creed, Conductor - Catherine Denley, mezzo-soprano - RIAS Chamber Chorus, Choir - Academy for Ancient Music Berlin, Orchestra - Julia Gooding, soprano
  14. 14 Act I Scene 3: Recitative: I go, my soul (Hamor) John Mark Ainsley, tenor - Axel Kohler, counter-tenor - Christiane Oelze, soprano - Michael George, bass - Marcus Creed, Conductor - Catherine Denley, mezzo-soprano - RIAS Chamber Chorus, Choir - Academy for Ancient Music Berlin, Orchestra - Julia Gooding, soprano
  15. 15 Act I Scene 3: Duet: These labours past, how happy we (Iphis, Hamor) John Mark Ainsley, tenor - Axel Kohler, counter-tenor - Christiane Oelze, soprano - Michael George, bass - Marcus Creed, Conductor - Catherine Denley, mezzo-soprano - RIAS Chamber Chorus, Choir - Academy for Ancient Music Berlin, Orchestra - Julia Gooding, soprano
  16. 16 Act I Scene 4: Recitative: What mean these doubtful fancies (Jephtha) John Mark Ainsley, tenor - Axel Kohler, counter-tenor - Christiane Oelze, soprano - Michael George, bass - Marcus Creed, Conductor - Catherine Denley, mezzo-soprano - RIAS Chamber Chorus, Choir - Academy for Ancient Music Berlin, Orchestra - Julia Gooding, soprano
  17. 17 Act I Scene 4: Accompagnato: If, Lord, sustain'd by thy almighty pow'r - Tis said. John Mark Ainsley, tenor - Axel Kohler, counter-tenor - Christiane Oelze, soprano - Michael George, bass - Marcus Creed, Conductor - Catherine Denley, mezzo-soprano - RIAS Chamber Chorus, Choir - Academy for Ancient Music Berlin, Orchestra - Julia Gooding, soprano
  18. 18 Act I Scene 4: O God, behold our sore distress (Chorus) John Mark Ainsley, tenor - Axel Kohler, counter-tenor - Christiane Oelze, soprano - Michael George, bass - Marcus Creed, Conductor - Catherine Denley, mezzo-soprano - RIAS Chamber Chorus, Choir - Academy for Ancient Music Berlin, Orchestra - Julia Gooding, soprano
  19. 19 Act I Scene 5: Recitative: Some dire event hangs o'er our heads (Storge) John Mark Ainsley, tenor - Axel Kohler, counter-tenor - Christiane Oelze, soprano - Michael George, bass - Marcus Creed, Conductor - Catherine Denley, mezzo-soprano - RIAS Chamber Chorus, Choir - Academy for Ancient Music Berlin, Orchestra - Julia Gooding, soprano
  20. 20 Act I Scene 5: Air: Scenes of horror, scenes of woe (Storge) John Mark Ainsley, tenor - Axel Kohler, counter-tenor - Christiane Oelze, soprano - Michael George, bass - Marcus Creed, Conductor - Catherine Denley, mezzo-soprano - RIAS Chamber Chorus, Choir - Academy for Ancient Music Berlin, Orchestra - Julia Gooding, soprano
  21. 21 Act I Scene 6: Recitative: Say, my dear mother (Iphis, Storge) John Mark Ainsley, tenor - Axel Kohler, counter-tenor - Christiane Oelze, soprano - Michael George, bass - Marcus Creed, Conductor - Catherine Denley, mezzo-soprano - RIAS Chamber Chorus, Choir - Academy for Ancient Music Berlin, Orchestra - Julia Gooding, soprano
  22. 22 Act I Scene 6: Air: The smiling dawn of happy days (Iphis) John Mark Ainsley, tenor - Axel Kohler, counter-tenor - Christiane Oelze, soprano - Michael George, bass - Marcus Creed, Conductor - Catherine Denley, mezzo-soprano - RIAS Chamber Chorus, Choir - Academy for Ancient Music Berlin, Orchestra - Julia Gooding, soprano
  23. 23 Act I Scene 7: Recitative: Such, Jephtha, was the haughty king's reply (Zebul, Jeph John Mark Ainsley, tenor - Axel Kohler, counter-tenor - Christiane Oelze, soprano - Michael George, bass - Marcus Creed, Conductor - Catherine Denley, mezzo-soprano - RIAS Chamber Chorus, Choir - Academy for Ancient Music Berlin, Orchestra - Julia Gooding, soprano
  24. 24 Act I Scene 7: When his loud voice in thunder spoke (Chorus) John Mark Ainsley, tenor - Axel Kohler, counter-tenor - Christiane Oelze, soprano - Michael George, bass - Marcus Creed, Conductor - Catherine Denley, mezzo-soprano - RIAS Chamber Chorus, Choir - Academy for Ancient Music Berlin, Orchestra - Julia Gooding, soprano
  25. DISQUE 2
  26. 1 Act II Scene 1: Recitative: Glad tidings of great joy (Hamor) John Mark Ainsley, tenor - Axel Kohler, counter-tenor - Christiane Oelze, soprano - Michael George, bass - Marcus Creed, Conductor - Catherine Denley, mezzo-soprano - RIAS Chamber Chorus, Choir - Academy for Ancient Music Berlin, Orchestra - Julia Gooding, soprano
  27. 2 Act II Scene 1: Cherub and Seraphim, unbodied forms (Chorus) John Mark Ainsley, tenor - Axel Kohler, counter-tenor - Christiane Oelze, soprano - Michael George, bass - Marcus Creed, Conductor - Catherine Denley, mezzo-soprano - RIAS Chamber Chorus, Choir - Academy for Ancient Music Berlin, Orchestra - Julia Gooding, soprano
  28. 3 Act II Scene 1: Air: Up the dreadful steep ascending (Hamor) John Mark Ainsley, tenor - Axel Kohler, counter-tenor - Christiane Oelze, soprano - Michael George, bass - Marcus Creed, Conductor - Catherine Denley, mezzo-soprano - RIAS Chamber Chorus, Choir - Academy for Ancient Music Berlin, Orchestra - Julia Gooding, soprano
  29. 4 Act II Scene 1: Recitative: Tis well. Haste, haste, ye maidens (Iphis) John Mark Ainsley, tenor - Axel Kohler, counter-tenor - Christiane Oelze, soprano - Michael George, bass - Marcus Creed, Conductor - Catherine Denley, mezzo-soprano - RIAS Chamber Chorus, Choir - Academy for Ancient Music Berlin, Orchestra - Julia Gooding, soprano
  30. 5 Act II Scene 1: Air: Tune the soft melodious lute (Iphis) John Mark Ainsley, tenor - Axel Kohler, counter-tenor - Christiane Oelze, soprano - Michael George, bass - Marcus Creed, Conductor - Catherine Denley, mezzo-soprano - RIAS Chamber Chorus, Choir - Academy for Ancient Music Berlin, Orchestra - Julia Gooding, soprano
  31. 6 Act II Scene 2: Recitative: Heav'n smiles once more (Jephtha) John Mark Ainsley, tenor - Axel Kohler, counter-tenor - Christiane Oelze, soprano - Michael George, bass - Marcus Creed, Conductor - Catherine Denley, mezzo-soprano - RIAS Chamber Chorus, Choir - Academy for Ancient Music Berlin, Orchestra - Julia Gooding, soprano
  32. 7 Act II Scene 2: Air: His mighty arm (Jephtha) John Mark Ainsley, tenor - Axel Kohler, counter-tenor - Christiane Oelze, soprano - Michael George, bass - Marcus Creed, Conductor - Catherine Denley, mezzo-soprano - RIAS Chamber Chorus, Choir - Academy for Ancient Music Berlin, Orchestra - Julia Gooding, soprano
  33. 8 Act II Scene 2: In glory high (Chorus) John Mark Ainsley, tenor - Axel Kohler, counter-tenor - Christiane Oelze, soprano - Michael George, bass - Marcus Creed, Conductor - Catherine Denley, mezzo-soprano - RIAS Chamber Chorus, Choir - Academy for Ancient Music Berlin, Orchestra - Julia Gooding, soprano
  34. 9 Act II Scene 3: Symphony John Mark Ainsley, tenor - Axel Kohler, counter-tenor - Christiane Oelze, soprano - Michael George, bass - Marcus Creed, Conductor - Catherine Denley, mezzo-soprano - RIAS Chamber Chorus, Choir - Academy for Ancient Music Berlin, Orchestra - Julia Gooding, soprano
  35. 10 Act II Scene 3: Hail, glorious conqueror! (Iphis) John Mark Ainsley, tenor - Axel Kohler, counter-tenor - Christiane Oelze, soprano - Michael George, bass - Marcus Creed, Conductor - Catherine Denley, mezzo-soprano - RIAS Chamber Chorus, Choir - Academy for Ancient Music Berlin, Orchestra - Julia Gooding, soprano
  36. 11 Act II Scene 3: Air and Chorus: Welcome, as the cheerful light . Welcome thou, whos John Mark Ainsley, tenor - Axel Kohler, counter-tenor - Christiane Oelze, soprano - Michael George, bass - Marcus Creed, Conductor - Catherine Denley, mezzo-soprano - RIAS Chamber Chorus, Choir - Academy for Ancient Music Berlin, Orchestra - Julia Gooding, soprano
  37. 12 Act II Scene 3: Recitative: Horror! Confusion! (Jephtha) John Mark Ainsley, tenor - Axel Kohler, counter-tenor - Christiane Oelze, soprano - Michael George, bass - Marcus Creed, Conductor - Catherine Denley, mezzo-soprano - RIAS Chamber Chorus, Choir - Academy for Ancient Music Berlin, Orchestra - Julia Gooding, soprano
  38. 13 Act II Scene 3: Air: Open thy marble jaws, O tomb (Jephtha) John Mark Ainsley, tenor - Axel Kohler, counter-tenor - Christiane Oelze, soprano - Michael George, bass - Marcus Creed, Conductor - Catherine Denley, mezzo-soprano - RIAS Chamber Chorus, Choir - Academy for Ancient Music Berlin, Orchestra - Julia Gooding, soprano
  39. 14 Act II Scene 3: Recitative: Why is my brother thus afflicted? (Zebul, Jephtha) John Mark Ainsley, tenor - Axel Kohler, counter-tenor - Christiane Oelze, soprano - Michael George, bass - Marcus Creed, Conductor - Catherine Denley, mezzo-soprano - RIAS Chamber Chorus, Choir - Academy for Ancient Music Berlin, Orchestra - Julia Gooding, soprano
  40. 15 Act II Scene 3: Accompagnato and Arioso: First perish thou - Let other creatures (S John Mark Ainsley, tenor - Axel Kohler, counter-tenor - Christiane Oelze, soprano - Michael George, bass - Marcus Creed, Conductor - Catherine Denley, mezzo-soprano - RIAS Chamber Chorus, Choir - Academy for Ancient Music Berlin, Orchestra - Julia Gooding, soprano
  41. 16 Act II Scene 3: Recitative: If such thy cruel purpose (Hamor) John Mark Ainsley, tenor - Axel Kohler, counter-tenor - Christiane Oelze, soprano - Michael George, bass - Marcus Creed, Conductor - Catherine Denley, mezzo-soprano - RIAS Chamber Chorus, Choir - Academy for Ancient Music Berlin, Orchestra - Julia Gooding, soprano
  42. 17 Act II Scene 3: Air: On me let blind mistaken zeal (Hamor) John Mark Ainsley, tenor - Axel Kohler, counter-tenor - Christiane Oelze, soprano - Michael George, bass - Marcus Creed, Conductor - Catherine Denley, mezzo-soprano - RIAS Chamber Chorus, Choir - Academy for Ancient Music Berlin, Orchestra - Julia Gooding, soprano
  43. 18 Act II Scene 3: Quartet: O spare your daughter! (Storge, Hamor, Jephtha, Zebul) John Mark Ainsley, tenor - Axel Kohler, counter-tenor - Christiane Oelze, soprano - Michael George, bass - Marcus Creed, Conductor - Catherine Denley, mezzo-soprano - RIAS Chamber Chorus, Choir - Academy for Ancient Music Berlin, Orchestra - Julia Gooding, soprano
  44. 19 Act II Scene 4: Recitative: Such news flies swift (Iphis) John Mark Ainsley, tenor - Axel Kohler, counter-tenor - Christiane Oelze, soprano - Michael George, bass - Marcus Creed, Conductor - Catherine Denley, mezzo-soprano - RIAS Chamber Chorus, Choir - Academy for Ancient Music Berlin, Orchestra - Julia Gooding, soprano
  45. 20 Act II Scene 4: Accompagnato: For joys so vast (Iphis) John Mark Ainsley, tenor - Axel Kohler, counter-tenor - Christiane Oelze, soprano - Michael George, bass - Marcus Creed, Conductor - Catherine Denley, mezzo-soprano - RIAS Chamber Chorus, Choir - Academy for Ancient Music Berlin, Orchestra - Julia Gooding, soprano
  46. 21 Act II Scene 4: Air: Happy they! (Iphis) John Mark Ainsley, tenor - Axel Kohler, counter-tenor - Christiane Oelze, soprano - Michael George, bass - Marcus Creed, Conductor - Catherine Denley, mezzo-soprano - RIAS Chamber Chorus, Choir - Academy for Ancient Music Berlin, Orchestra - Julia Gooding, soprano
  47. 22 Act II Scene 4: Accompagnato: Deeper and deeper still (Jephtha) John Mark Ainsley, tenor - Axel Kohler, counter-tenor - Christiane Oelze, soprano - Michael George, bass - Marcus Creed, Conductor - Catherine Denley, mezzo-soprano - RIAS Chamber Chorus, Choir - Academy for Ancient Music Berlin, Orchestra - Julia Gooding, soprano
  48. 23 Act II Scene 4: How dark, O Lord, are thy decrees! (Chorus) John Mark Ainsley, tenor - Axel Kohler, counter-tenor - Christiane Oelze, soprano - Michael George, bass - Marcus Creed, Conductor - Catherine Denley, mezzo-soprano - RIAS Chamber Chorus, Choir - Academy for Ancient Music Berlin, Orchestra - Julia Gooding, soprano
  49. DISQUE 3
  50. 1 Act III Scene 1: Arioso: Hide thou thy hated beams (Jephtha) John Mark Ainsley, tenor - Axel Kohler, counter-tenor - Christiane Oelze, soprano - Michael George, bass - Marcus Creed, Conductor - Catherine Denley, mezzo-soprano - RIAS Chamber Chorus, Choir - Academy for Ancient Music Berlin, Orchestra - Julia Gooding, soprano
  51. 2 Act III Scene 1: Accompagnato: A father, off'ring up (Jephtha) John Mark Ainsley, tenor - Axel Kohler, counter-tenor - Christiane Oelze, soprano - Michael George, bass - Marcus Creed, Conductor - Catherine Denley, mezzo-soprano - RIAS Chamber Chorus, Choir - Academy for Ancient Music Berlin, Orchestra - Julia Gooding, soprano
  52. 3 Act III Scene 1: Air: Waft her, angels (Jephtha) John Mark Ainsley, tenor - Axel Kohler, counter-tenor - Christiane Oelze, soprano - Michael George, bass - Marcus Creed, Conductor - Catherine Denley, mezzo-soprano - RIAS Chamber Chorus, Choir - Academy for Ancient Music Berlin, Orchestra - Julia Gooding, soprano
  53. 4 Act III Scene 1: Accompagnato: Ye sacred priests (Iphis) John Mark Ainsley, tenor - Axel Kohler, counter-tenor - Christiane Oelze, soprano - Michael George, bass - Marcus Creed, Conductor - Catherine Denley, mezzo-soprano - RIAS Chamber Chorus, Choir - Academy for Ancient Music Berlin, Orchestra - Julia Gooding, soprano
  54. 5 Act III Scene 1: Air: Farewell, ye limpid springs (Iphis) John Mark Ainsley, tenor - Axel Kohler, counter-tenor - Christiane Oelze, soprano - Michael George, bass - Marcus Creed, Conductor - Catherine Denley, mezzo-soprano - RIAS Chamber Chorus, Choir - Academy for Ancient Music Berlin, Orchestra - Julia Gooding, soprano
  55. 6 Act III Scene 1: Doubtful fear and reverend awe (Chorus) John Mark Ainsley, tenor - Axel Kohler, counter-tenor - Christiane Oelze, soprano - Michael George, bass - Marcus Creed, Conductor - Catherine Denley, mezzo-soprano - RIAS Chamber Chorus, Choir - Academy for Ancient Music Berlin, Orchestra - Julia Gooding, soprano
  56. 7 Act III Scene 1: Symphony John Mark Ainsley, tenor - Axel Kohler, counter-tenor - Christiane Oelze, soprano - Michael George, bass - Marcus Creed, Conductor - Catherine Denley, mezzo-soprano - RIAS Chamber Chorus, Choir - Academy for Ancient Music Berlin, Orchestra - Julia Gooding, soprano
  57. 8 Act III Scene 1: Recitative: Rise, Jephtha (Angel) John Mark Ainsley, tenor - Axel Kohler, counter-tenor - Christiane Oelze, soprano - Michael George, bass - Marcus Creed, Conductor - Catherine Denley, mezzo-soprano - RIAS Chamber Chorus, Choir - Academy for Ancient Music Berlin, Orchestra - Julia Gooding, soprano
  58. 9 Act III Scene 1: Air: Happy, Iphis, shalt thou live (Angel) John Mark Ainsley, tenor - Axel Kohler, counter-tenor - Christiane Oelze, soprano - Michael George, bass - Marcus Creed, Conductor - Catherine Denley, mezzo-soprano - RIAS Chamber Chorus, Choir - Academy for Ancient Music Berlin, Orchestra - Julia Gooding, soprano
  59. 10 Act III Scene 1: Arioso: For ever blessed be (Jephtha) John Mark Ainsley, tenor - Axel Kohler, counter-tenor - Christiane Oelze, soprano - Michael George, bass - Marcus Creed, Conductor - Catherine Denley, mezzo-soprano - RIAS Chamber Chorus, Choir - Academy for Ancient Music Berlin, Orchestra - Julia Gooding, soprano
  60. 11 Act III Scene 1: Theme sublime (Chorus) John Mark Ainsley, tenor - Axel Kohler, counter-tenor - Christiane Oelze, soprano - Michael George, bass - Marcus Creed, Conductor - Catherine Denley, mezzo-soprano - RIAS Chamber Chorus, Choir - Academy for Ancient Music Berlin, Orchestra - Julia Gooding, soprano
  61. 12 Act III Scene 2: Recitative: Let me congratulate (Zebul) John Mark Ainsley, tenor - Axel Kohler, counter-tenor - Christiane Oelze, soprano - Michael George, bass - Marcus Creed, Conductor - Catherine Denley, mezzo-soprano - RIAS Chamber Chorus, Choir - Academy for Ancient Music Berlin, Orchestra - Julia Gooding, soprano
  62. 13 Act III Scene 2: Air: Laud her, all ye virgin train (Zebul) John Mark Ainsley, tenor - Axel Kohler, counter-tenor - Christiane Oelze, soprano - Michael George, bass - Marcus Creed, Conductor - Catherine Denley, mezzo-soprano - RIAS Chamber Chorus, Choir - Academy for Ancient Music Berlin, Orchestra - Julia Gooding, soprano
  63. 14 Act III Scene 2: Recitative: O let me fold thee (Storge) John Mark Ainsley, tenor - Axel Kohler, counter-tenor - Christiane Oelze, soprano - Michael George, bass - Marcus Creed, Conductor - Catherine Denley, mezzo-soprano - RIAS Chamber Chorus, Choir - Academy for Ancient Music Berlin, Orchestra - Julia Gooding, soprano
  64. 15 Act III Scene 2: Air: Sweet as sight to the blind (Storge) John Mark Ainsley, tenor - Axel Kohler, counter-tenor - Christiane Oelze, soprano - Michael George, bass - Marcus Creed, Conductor - Catherine Denley, mezzo-soprano - RIAS Chamber Chorus, Choir - Academy for Ancient Music Berlin, Orchestra - Julia Gooding, soprano
  65. 16 Act III Scene 2: Recitative: With transport, Iphis (Hamor) John Mark Ainsley, tenor - Axel Kohler, counter-tenor - Christiane Oelze, soprano - Michael George, bass - Marcus Creed, Conductor - Catherine Denley, mezzo-soprano - RIAS Chamber Chorus, Choir - Academy for Ancient Music Berlin, Orchestra - Julia Gooding, soprano
  66. 17 Act III Scene 2: Recitative: My faithful Hamor (Iphis) John Mark Ainsley, tenor - Axel Kohler, counter-tenor - Christiane Oelze, soprano - Michael George, bass - Marcus Creed, Conductor - Catherine Denley, mezzo-soprano - RIAS Chamber Chorus, Choir - Academy for Ancient Music Berlin, Orchestra - Julia Gooding, soprano
  67. 18 Act III Scene 2: Quintet: All that is in Hamor mine (Iphis, Hamor, Storge, Jephtha John Mark Ainsley, tenor - Axel Kohler, counter-tenor - Christiane Oelze, soprano - Michael George, bass - Marcus Creed, Conductor - Catherine Denley, mezzo-soprano - RIAS Chamber Chorus, Choir - Academy for Ancient Music Berlin, Orchestra - Julia Gooding, soprano
  68. 19 Act III Scene 2: Ye house of Gilead (Chorus) John Mark Ainsley, tenor - Axel Kohler, counter-tenor - Christiane Oelze, soprano - Michael George, bass - Marcus Creed, Conductor - Catherine Denley, mezzo-soprano - RIAS Chamber Chorus, Choir - Academy for Ancient Music Berlin, Orchestra - Julia Gooding, soprano

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Berlin Classics
Eterna, label de la RDA A l'origine, Berlin Classics s'appelait Eterna, label de disques de la RDA, né d'une compagnie d'enregistrement appartenant au chanteur Ernst Busch. Il s'agissait du premier producteur du groupe VEB German Record, qui se consacrait à la musique classique, l'opéra, l'opére...

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