Alfred Deller, contre-ténor Intégrale des enregistrements Vanguard - Volume 2
Musique de Henry Purcell / Alfred Deller, contre-ténor - Accompagné par Gustav Leonhardt, Nikolaus Harnoncourt, Michael Tippett, Mark Deller, G. Malcolm, N. Marriner, Oriana Concert Choir and Orchestra, Concentus Musicus Wien & Kalmar Orchestra of London
Compositeur :
Henry Purcell
Artiste principal :
Alfred Deller
34.99
€
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Fantasia upon a Ground in D minor for three violins and Continuo, Z 731 (Henry Purcell)
1 Fantasia upon a Ground in D minor for three violins and Continuo, Z 731 Neville Marriner, Peter Gibbs & Granville Jones, violin - Desmond Dupré, viola da gamba - George Malcolm, harpsichord -
Oedipus, Z. 583
2 Song: Music for awhile Alfred Deller, counter-tenor - Walter Bergman, harpsichord -
I love and I must, Z. 382
3 I love and I must, Z. 382 April Cantelo, soprano - Alfred Deller, counter-tenor - George Malcolm, harpsichord -
The Comical History of Don Quixote, Z. 578
4 Part I: Let the Dreadful Engines Alfred Deller, counter-tenor - Maurice Bevan, baritone - George Malcolm, harpsichord -
The Fairy Queen
5 Epithalamium "Thrice happy lovers" Alfred Deller, counter-tenor - Walter Bergman, harpsichord -
If music be the food of love, Z 379a
6 If music be the food of love, Z 379a Alfred Deller, counter-tenor - Walter Bergman, harpsichord -
The Blessed Virgin's Expostulation "Tell Me, Some Pitying Angel", Z. 186
7 The Blessed Virgin's Expostulation "Tell Me, Some Pitying Angel", Z. 186 April Cantelo, soprano - Alfred Deller, counter-tenor - George Malcolm, harpsichord -
Not All My Torments, Z. 400
8 Not All My Torments, Z. 400 Alfred Deller, counter-tenor - Walter Bergman, harpsichord -
Upon a Quiet Conscience "Close Thine Eyes", Z. 184
9 Upon a Quiet Conscience "Close Thine Eyes", Z. 184 April Cantelo, soprano - Alfred Deller, counter-tenor - Maurice Bevan, baritone - George Malcolm, harpsichord -
King Arthur, Z. 628
10 Venus's Song "Fairest Isle, all isles excelling" Alfred Deller, counter-tenor - Walter Bergman, harpsichord -
Pausanias, Z. 585
11 Sweeter than roses Alfred Deller, counter-tenor - Walter Bergman, harpsichord -
The Fatal Hour Comes Apace, Z. 421
12 The Fatal Hour Comes Apace, Z. 421 Alfred Deller, counter-tenor - Walter Bergman, harpsichord -
Ode on Queen Mary's Birthday, Z. 321
13 Crown the Altar Alfred Deller, counter-tenor - Walter Bergman, harpsichord -
The Indian Queen, Z. 630
14 I attempt from Love’s Sickness to Fly Alfred Deller, counter-tenor - Walter Bergman, harpsichord -
Bonduca, Z. 574
15 Bonduca’s Song "Oh! lead me to some peaceful gloom" Alfred Deller, counter-tenor - Walter Bergman, harpsichord -
Dioclesian, Z. 627
16 What Shall I Do to Show All Much I Love Her? Alfred Deller, counter-tenor - Walter Bergman, harpsichord -
The Comical History of Don Quixote, Z. 578
17 Part III: From rosy bow’rs Alfred Deller, counter-tenor - Walter Bergman, harpsichord -
The Fairy Queen, Z. 629
1 Secrecie’s Song Alfred Deller, counter-tenor - Leonhardt Baroque Ensemble - Gustav Leonhardt, conductor & harpsichord - 2 Mystery’s Song Alfred Deller, counter-tenor - Leonhardt Baroque Ensemble - Gustav Leonhardt, conductor & harpsichord
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Cantata: "If ever I more riches did desire ", Z. 544
3 Here let my life Alfred Deller, counter-tenor - Leonhardt Baroque Ensemble - Gustav Leonhardt, conductor & harpsichord -
Welcome to all the pleasures, Z 339
4 Here the Deities approve Alfred Deller, counter-tenor - Leonhardt Baroque Ensemble - Gustav Leonhardt, conductor & harpsichord -
Dioclesian, Z. 627
5 Since from my dear Astrea’s sight Alfred Deller, counter-tenor - Leonhardt Baroque Ensemble - Gustav Leonhardt, conductor & harpsichord -
The Fairy Queen, Z. 629
6 The Plaint Alfred Deller, counter-tenor - Leonhardt Baroque Ensemble - Gustav Leonhardt, conductor & harpsichord -
Ten Sonatas in Four Parts
7 Sonata No. 9 in F (Golden Sonata), Z. 810 : Allegro Granville Jones & Peter Gibbs, violin - Desmond Dupré, viola da gamba - George Malcolm, harpsichord - 8 Sonata No. 9 in F (Golden Sonata), Z. 810 : Adagio Granville Jones & Peter Gibbs, violin - Desmond Dupré, viola da gamba - George Malcolm, harpsichord
- 9 Sonata No. 9 in F (Golden Sonata), Z. 810 : Canzona Allegro Granville Jones & Peter Gibbs, violin - Desmond Dupré, viola da gamba - George Malcolm, harpsichord
- 10 Sonata No. 9 in F (Golden Sonata), Z. 810 : Grave Granville Jones & Peter Gibbs, violin - Desmond Dupré, viola da gamba - George Malcolm, harpsichord
- 11 Sonata No. 9 in F (Golden Sonata), Z. 810 : Allegro Granville Jones & Peter Gibbs, violin - Desmond Dupré, viola da gamba - George Malcolm, harpsichord
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Musick's Hand-made (Part II)
12 Music Lessons 1-6 : Song Tune in C, Z. T694 Neville Marriner, violin - George Malcolm, harpsichord -
Con Spirito, Z. 647
13 Con Spirito, Z. 647 Neville Marriner, violin - George Malcolm, harpsichord -
March in C, Z. 648
14 March in C, Z. 648 Neville Marriner, violin - George Malcolm, harpsichord -
New Minuet in D Minor, ZT. 689
15 New Minuet in D Minor, ZT. 689 Neville Marriner, violin - George Malcolm, harpsichord -
Minuet in A Minor, Z. 649
16 Minuet in A Minor, Z. 649 Neville Marriner, violin - George Malcolm, harpsichord -
Minuet in A Minor, Z. 650
17 Minuet in A Minor, Z. 650 Neville Marriner, violin - George Malcolm, harpsichord -
Musick's Hand-made (Part II)
18 Music Lessons 7-12 : A New Scotch Tune in G, Z. 655 Neville Marriner, violin - George Malcolm, harpsichord -
New Ground in E Minor, ZT. 682
19 New Ground in E Minor, ZT. 682 Neville Marriner, violin - George Malcolm, harpsichord -
A New Irish Tune, Z. 646
20 A New Irish Tune, Z. 646 Neville Marriner, violin - George Malcolm, harpsichord -
Rigadoon in C, Z. 653
21 Rigadoon in C, Z. 653 Neville Marriner, violin - George Malcolm, harpsichord -
Sefauchi’s Farewell, in D Minor, Z. 656
22 Sefauchi’s Farewell, in D Minor, Z. 656 Neville Marriner, violin - George Malcolm, harpsichord -
Minuet in D Minor, ZT. 688
23 Minuet in D Minor, ZT. 688 Neville Marriner, violin - George Malcolm, harpsichord -
Sonata in G Minor for Violin and Continuo, Z. 780
24 Adagio-Moderato Neville Marriner, violin - George Malcolm, harpsichord - 25 Adagio con espressione Neville Marriner, violin - George Malcolm, harpsichord
- 26 Vivace Neville Marriner, violin - George Malcolm, harpsichord
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Suite in D for Harpsichord, Z. 667
27 Prelude George Malcolm, harpsichord - 28 Almand George Malcolm, harpsichord
- 29 Hornpipe George Malcolm, harpsichord
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Dido and Aeneas
1 Overture George Malcolm, harpsichord - 2 Act I: Shake the cloud from off your brow Honor Sheppard, soprano (Belinda) - Oriana Concert Choir and Orchestra - Alfred Deller, conductor - Harold Lester, harpsichord
- 3 Act I: Ah! Belinda, I am press’d with torment Mary Thomas, soprano (Dido) - Harold Lester, harpsichord - Oriana Concert Orchestra - Alfred Deller, conductor
- 4 Act I: Grief increases by concealing ... Mary Thomas, soprano (Dido) - Honor Sheppard, soprano (Belinda) - Harold Lester, harpsichord - Oriana Concert Orchestra - Alfred Deller, conductor
- 5 Act I: When monarchs unite, how happy their state Harold Lester, harpsichord - Oriana Concert Choir and Orchestra - Alfred Deller, conductor
- 6 Act I: Whence could so much virtue spring Mary Thomas, soprano (Dido) - Honor Sheppard, soprano (Belinda) - Harold Lester, harpsichord - Oriana Concert Orchestra - Alfred Deller, conductor
- 7 Act I: Fear no danger to ensue Honor Sheppard, soprano (Belinda) - Ellen Dales, soprano (2nd Attendant Woman) - Harold Lester, harpsichord - Oriana Concert Choir and Orchestra - Alfred Deller, conductor
- 8 Act I: See, your royal guest appears Honor Sheppard, soprano (Belinda) - Maurice Bevan, baritone (Aeneas) - Mary Thomas, soprano (Dido) - Harold Lester, harpsichord - Oriana Concert Orchestra - Alfred Deller, conductor
- 9 Act I: Cupid only throws the dart Harold Lester, harpsichord - Oriana Concert Choir and Orchestra - Alfred Deller, conductor
- 10 Act I: If not for mine, for empire’s sake Maurice Bevan, baritone (Aeneas) - Harold Lester, harpsichord - Oriana Concert Orchestra - Alfred Deller, conductor
- 11 Act I: Pursue thy conquest, Love Honor Sheppard, soprano (Belinda) - Harold Lester, harpsichord - Oriana Concert Orchestra - Alfred Deller, conductor
- 12 Act I: To the hills and the vales Harold Lester, harpsichord - Oriana Concert Choir and Orchestra - Alfred Deller, conductor
- 13 Act II: The Triumphing Dance Harold Lester, harpsichord - Oriana Concert Orchestra - Alfred Deller, conductor
- 14 Act II: Prelude for the Witches Harold Lester, harpsichord - Oriana Concert Orchestra - Alfred Deller, conductor
- 15 Act II: Wayward sisters, you that fright Helen Watts, contralto (Sorceress) - Honor Sheppard, soprano (First Witch) - Harold Lester, harpsichord - Oriana Concert Orchestra - Alfred Deller, conductor
- 16 Act II: Harm’s our delight and mischief all our skill Harold Lester, harpsichord - Oriana Concert Choir and Orchestra - Alfred Deller, conductor
- 17 Act II: The Queen of Carthage, whom we hate Helen Watts, contralto (Sorceress) - Harold Lester, harpsichord - Oriana Concert Orchestra - Alfred Deller, conductor
- 18 Act II: Ha, ha, ha Harold Lester, harpsichord - Oriana Concert Choir and Orchestra - Alfred Deller, conductor
- 19 Act II: Ruin’d ere the set of sun Honor Sheppard, soprano (First Witch) - Ellen Dales, soprano (2nd Witch) - Helen Watts, contralto (Sorceress) - Harold Lester, harpsichord - Oriana Concert Orchestra - Alfred Deller, conductor
- 20 Act II: Ha, ha, ha Harold Lester, harpsichord - Oriana Concert Choir and Orchestra - Alfred Deller, conductor
- 21 Act II: But ere we this perform Honor Sheppard, soprano (First Witch) - Ellen Dales, soprano (2nd Witch) - Harold Lester, harpsichord - Oriana Concert Orchestra - Alfred Deller, conductor
- 22 Act II: In our deep vaulted cell Harold Lester, harpsichord - Oriana Concert Choir and Orchestra - Alfred Deller, conductor
- 23 Act II: Echo Dance of the Furies Harold Lester, harpsichord - Oriana Concert Orchestra - Alfred Deller, conductor
- 24 Act II: Ritornello Harold Lester, harpsichord - Oriana Concert Orchestra - Alfred Deller, conductor
- 25 Act II: Thanks to these lonesome vales Honor Sheppard, soprano (Belinda) - Harold Lester, harpsichord - Oriana Concert Choir and Orchestra - Alfred Deller, conductor
- 26 Act II: Oft she visits this lov’d mountain Ellen Dales, soprano (2nd Attendant Woman) - Harold Lester, harpsichord - Oriana Concert Orchestra - Alfred Deller, conductor
- 27 Act II: Behold, upon my bending spear Mary Thomas, soprano (Dido) - Maurice Bevan, baritone (Aeneas) - Harold Lester, harpsichord - Oriana Concert Orchestra - Alfred Deller, conductor
- 28 Act II: Haste, haste to town Honor Sheppard, soprano (Belinda) - Harold Lester, harpsichord - Oriana Concert Choir and Orchestra - Alfred Deller, conductor
- 29 Act II: Stay, Prince, and hear great Jove’s command Robert Tear, tenor (Spirit) - Maurice Bevan, baritone (Aeneas) - Harold Lester, harpsichord - Oriana Concert Orchestra - Alfred Deller, conductor
- 30 Act III: Prelude for the sailors Harold Lester, harpsichord - Oriana Concert Orchestra - Alfred Deller, conductor
- 31 Act III: Come away, fellow sailors Robert Tear, tenor (Sailor) - Harold Lester, harpsichord - Oriana Concert Choir and Orchestra - Alfred Deller, conductor
- 32 Act III: The Sailors’ Dance Harold Lester, harpsichord - Oriana Concert Orchestra - Alfred Deller, conductor
- 33 Act III: See the flags and streamers curling Helen Watts, contralto (Sorceress) - Honor Sheppard, soprano (First Witch) - Ellen Dales, soprano (2nd Witch) - Harold Lester, harpsichord - Oriana Concert Orchestra - Alfred Deller, conductor
- 34 Act III: Our next motion Helen Watts, contralto (Sorceress) - Harold Lester, harpsichord - Oriana Concert Orchestra - Alfred Deller, conductor
- 35 Act III: Destruction’s our delight Harold Lester, harpsichord - Oriana Concert Choir and Orchestra - Alfred Deller, conductor
- 36 Act III: The Witches’ Dance Harold Lester, harpsichord - Oriana Concert Orchestra - Alfred Deller, conductor
- 37 Act III: Your counsel all is urg’d in vain Mary Thomas, soprano (Dido) - Honor Sheppard, soprano (Belinda) - Maurice Bevan, baritone (Aeneas) - Harold Lester, harpsichord - Oriana Concert Orchestra - Alfred Deller, conductor
- 38 Act III: Great minds against themselves conspire Harold Lester, harpsichord - Oriana Concert Choir and Orchestra - Alfred Deller, conductor
- 39 Act III: Thy hand, Belinda Mary Thomas, soprano (Dido) - Harold Lester, harpsichord - Oriana Concert Orchestra - Alfred Deller, conductor
- 40 Act III: When I am laid in earth Mary Thomas, soprano (Dido) - Harold Lester, harpsichord - Oriana Concert Orchestra - Alfred Deller, conductor
- 41 Act III: With drooping wings ye Cupids come Harold Lester, harpsichord - Oriana Concert Choir and Orchestra - Alfred Deller, conductor
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Hail! Bright Cecilia, Z 328
1 Symphony April Cantelo, soprano - Alfred Deller & Peter Salmon, counter-tenor - Wilfred Brown, tenor - Maurice Bevan, baritone - John Frost, bass - George Eskdale, solo trumpet - Leonard Friedman & Eli Goren, violins - Richard Taylor & Stanley Taylor, treble recorder - Peter Graeme & Edward Selwyn, oboe - Philip Jones & Denis Clift, trumpet - Alan Taylor, tympani - Anna Shuttleworth & Francis Baines, cello , basso continuo - Denis Vaughan, harpsichord - Ambrosian Singers - Kalmar Chamber Orchestra of London - Michael Tippett, conductor - 2 Hail! Bright Cecilia April Cantelo, soprano - Alfred Deller & Peter Salmon, counter-tenor - Wilfred Brown, tenor - Maurice Bevan, baritone - John Frost, bass - George Eskdale, solo trumpet - Leonard Friedman & Eli Goren, violins - Richard Taylor & Stanley Taylor, treble recorder - Peter Graeme & Edward Selwyn, oboe - Philip Jones & Denis Clift, trumpet - Alan Taylor, tympani - Anna Shuttleworth & Francis Baines, cello , basso continuo - Denis Vaughan, harpsichord - Ambrosian Singers - Kalmar Chamber Orchestra of London - Michael Tippett, conductor
- 3 Hark, each tree April Cantelo, soprano - Alfred Deller & Peter Salmon, counter-tenor - Wilfred Brown, tenor - Maurice Bevan, baritone - John Frost, bass - George Eskdale, solo trumpet - Leonard Friedman & Eli Goren, violins - Richard Taylor & Stanley Taylor, treble recorder - Peter Graeme & Edward Selwyn, oboe - Philip Jones & Denis Clift, trumpet - Alan Taylor, tympani - Anna Shuttleworth & Francis Baines, cello , basso continuo - Denis Vaughan, harpsichord - Ambrosian Singers - Kalmar Chamber Orchestra of London - Michael Tippett, conductor
- 4 ‘Tis nature’s voice April Cantelo, soprano - Alfred Deller & Peter Salmon, counter-tenor - Wilfred Brown, tenor - Maurice Bevan, baritone - John Frost, bass - George Eskdale, solo trumpet - Leonard Friedman & Eli Goren, violins - Richard Taylor & Stanley Taylor, treble recorder - Peter Graeme & Edward Selwyn, oboe - Philip Jones & Denis Clift, trumpet - Alan Taylor, tympani - Anna Shuttleworth & Francis Baines, cello , basso continuo - Denis Vaughan, harpsichord - Ambrosian Singers - Kalmar Chamber Orchestra of London - Michael Tippett, conductor
- 5 Soul of the world April Cantelo, soprano - Alfred Deller & Peter Salmon, counter-tenor - Wilfred Brown, tenor - Maurice Bevan, baritone - John Frost, bass - George Eskdale, solo trumpet - Leonard Friedman & Eli Goren, violins - Richard Taylor & Stanley Taylor, treble recorder - Peter Graeme & Edward Selwyn, oboe - Philip Jones & Denis Clift, trumpet - Alan Taylor, tympani - Anna Shuttleworth & Francis Baines, cello , basso continuo - Denis Vaughan, harpsichord - Ambrosian Singers - Kalmar Chamber Orchestra of London - Michael Tippett, conductor
- 6 Thou tun’st this world April Cantelo, soprano - Alfred Deller & Peter Salmon, counter-tenor - Wilfred Brown, tenor - Maurice Bevan, baritone - John Frost, bass - George Eskdale, solo trumpet - Leonard Friedman & Eli Goren, violins - Richard Taylor & Stanley Taylor, treble recorder - Peter Graeme & Edward Selwyn, oboe - Philip Jones & Denis Clift, trumpet - Alan Taylor, tympani - Anna Shuttleworth & Francis Baines, cello , basso continuo - Denis Vaughan, harpsichord - Ambrosian Singers - Kalmar Chamber Orchestra of London - Michael Tippett, conductor
- 7 With that sublime celestial lay April Cantelo, soprano - Alfred Deller & Peter Salmon, counter-tenor - Wilfred Brown, tenor - Maurice Bevan, baritone - John Frost, bass - George Eskdale, solo trumpet - Leonard Friedman & Eli Goren, violins - Richard Taylor & Stanley Taylor, treble recorder - Peter Graeme & Edward Selwyn, oboe - Philip Jones & Denis Clift, trumpet - Alan Taylor, tympani - Anna Shuttleworth & Francis Baines, cello , basso continuo - Denis Vaughan, harpsichord - Ambrosian Singers - Kalmar Chamber Orchestra of London - Michael Tippett, conductor
- 8 Wond’rous machine April Cantelo, soprano - Alfred Deller & Peter Salmon, counter-tenor - Wilfred Brown, tenor - Maurice Bevan, baritone - John Frost, bass - George Eskdale, solo trumpet - Leonard Friedman & Eli Goren, violins - Richard Taylor & Stanley Taylor, treble recorder - Peter Graeme & Edward Selwyn, oboe - Philip Jones & Denis Clift, trumpet - Alan Taylor, tympani - Anna Shuttleworth & Francis Baines, cello , basso continuo - Denis Vaughan, harpsichord - Ambrosian Singers - Kalmar Chamber Orchestra of London - Michael Tippett, conductor
- 9 The airy violin April Cantelo, soprano - Alfred Deller & Peter Salmon, counter-tenor - Wilfred Brown, tenor - Maurice Bevan, baritone - John Frost, bass - George Eskdale, solo trumpet - Leonard Friedman & Eli Goren, violins - Richard Taylor & Stanley Taylor, treble recorder - Peter Graeme & Edward Selwyn, oboe - Philip Jones & Denis Clift, trumpet - Alan Taylor, tympani - Anna Shuttleworth & Francis Baines, cello , basso continuo - Denis Vaughan, harpsichord - Ambrosian Singers - Kalmar Chamber Orchestra of London - Michael Tippett, conductor
- 10 In vain the am’rous flute April Cantelo, soprano - Alfred Deller & Peter Salmon, counter-tenor - Wilfred Brown, tenor - Maurice Bevan, baritone - John Frost, bass - George Eskdale, solo trumpet - Leonard Friedman & Eli Goren, violins - Richard Taylor & Stanley Taylor, treble recorder - Peter Graeme & Edward Selwyn, oboe - Philip Jones & Denis Clift, trumpet - Alan Taylor, tympani - Anna Shuttleworth & Francis Baines, cello , basso continuo - Denis Vaughan, harpsichord - Ambrosian Singers - Kalmar Chamber Orchestra of London - Michael Tippett, conductor
- 11 The Fife and all the Harmony of war April Cantelo, soprano - Alfred Deller & Peter Salmon, counter-tenor - Wilfred Brown, tenor - Maurice Bevan, baritone - John Frost, bass - George Eskdale, solo trumpet - Leonard Friedman & Eli Goren, violins - Richard Taylor & Stanley Taylor, treble recorder - Peter Graeme & Edward Selwyn, oboe - Philip Jones & Denis Clift, trumpet - Alan Taylor, tympani - Anna Shuttleworth & Francis Baines, cello , basso continuo - Denis Vaughan, harpsichord - Ambrosian Singers - Kalmar Chamber Orchestra of London - Michael Tippett, conductor
- 12 Let these among themselves contest April Cantelo, soprano - Alfred Deller & Peter Salmon, counter-tenor - Wilfred Brown, tenor - Maurice Bevan, baritone - John Frost, bass - George Eskdale, solo trumpet - Leonard Friedman & Eli Goren, violins - Richard Taylor & Stanley Taylor, treble recorder - Peter Graeme & Edward Selwyn, oboe - Philip Jones & Denis Clift, trumpet - Alan Taylor, tympani - Anna Shuttleworth & Francis Baines, cello , basso continuo - Denis Vaughan, harpsichord - Ambrosian Singers - Kalmar Chamber Orchestra of London - Michael Tippett, conductor
- 13 Hail! Bright Cecilia April Cantelo, soprano - Alfred Deller & Peter Salmon, counter-tenor - Wilfred Brown, tenor - Maurice Bevan, baritone - John Frost, bass - George Eskdale, solo trumpet - Leonard Friedman & Eli Goren, violins - Richard Taylor & Stanley Taylor, treble recorder - Peter Graeme & Edward Selwyn, oboe - Philip Jones & Denis Clift, trumpet - Alan Taylor, tympani - Anna Shuttleworth & Francis Baines, cello , basso continuo - Denis Vaughan, harpsichord - Ambrosian Singers - Kalmar Chamber Orchestra of London - Michael Tippett, conductor
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Welcome to all the pleasures, Z 339
14 Ouverture (Sinfonia) The Deller Consort - Alfred Deller, counter-tenor - April Cantelo, soprano - Eileen McLoughlin, soprano - Gerald English, tenor - Owen Grundy, baritone - Maurice Bevan, baritone - Walter Bergmann, harpsichord - Kalmar Chamber Orchestra - Alfred Deller, conductor - 15 Welcome to All the Pleasures The Deller Consort - Alfred Deller, counter-tenor - April Cantelo, soprano - Eileen McLoughlin, soprano - Gerald English, tenor - Owen Grundy, baritone - Maurice Bevan, baritone - Walter Bergmann, harpsichord - Kalmar Chamber Orchestra - Alfred Deller, conductor
- 16 Here the Deities approve The Deller Consort - Alfred Deller, counter-tenor - April Cantelo, soprano - Eileen McLoughlin, soprano - Gerald English, tenor - Owen Grundy, baritone - Maurice Bevan, baritone - Walter Bergmann, harpsichord - Kalmar Chamber Orchestra - Alfred Deller, conductor
- 17 While joys celestial The Deller Consort - Alfred Deller, counter-tenor - April Cantelo, soprano - Eileen McLoughlin, soprano - Gerald English, tenor - Owen Grundy, baritone - Maurice Bevan, baritone - Walter Bergmann, harpsichord - Kalmar Chamber Orchestra - Alfred Deller, conductor
- 18 Then lift up your voices The Deller Consort - Alfred Deller, counter-tenor - April Cantelo, soprano - Eileen McLoughlin, soprano - Gerald English, tenor - Owen Grundy, baritone - Maurice Bevan, baritone - Walter Bergmann, harpsichord - Kalmar Chamber Orchestra - Alfred Deller, conductor
- 19 Adagio The Deller Consort - Alfred Deller, counter-tenor - April Cantelo, soprano - Eileen McLoughlin, soprano - Gerald English, tenor - Owen Grundy, baritone - Maurice Bevan, baritone - Walter Bergmann, harpsichord - Kalmar Chamber Orchestra - Alfred Deller, conductor
- 20 Beauty thou scene of love The Deller Consort - Alfred Deller, counter-tenor - April Cantelo, soprano - Eileen McLoughlin, soprano - Gerald English, tenor - Owen Grundy, baritone - Maurice Bevan, baritone - Walter Bergmann, harpsichord - Kalmar Chamber Orchestra - Alfred Deller, conductor
- 21 In a consort of voices The Deller Consort - Alfred Deller, counter-tenor - April Cantelo, soprano - Eileen McLoughlin, soprano - Gerald English, tenor - Owen Grundy, baritone - Maurice Bevan, baritone - Walter Bergmann, harpsichord - Kalmar Chamber Orchestra - Alfred Deller, conductor
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Dioclesian, Z. 627
1 Act V: I. Solo (soprano) & Chorus: Call the Nymphs and the Fauns from woods Alfred Deller, counter-tenor - Honor Sheppard & Sally Le Sage, sopranos - Max Worthley & Philip Todd, tenors - Maurice Bevan, baritone - Chor und Orchester des Concentus Musicus Wien - Nikolaus Harnoncourt & Alfred Deller, conductors - 2 Act V: II. Air (soprano): Let the Graces and Pleasures repair Alfred Deller, counter-tenor - Honor Sheppard & Sally Le Sage, sopranos - Max Worthley & Philip Todd, tenors - Maurice Bevan, baritone - Chor und Orchester des Concentus Musicus Wien - Nikolaus Harnoncourt & Alfred Deller, conductors
- 3 Act V: III. Duet (basses): Come, come away, no delay Alfred Deller, counter-tenor - Honor Sheppard & Sally Le Sage, sopranos - Max Worthley & Philip Todd, tenors - Maurice Bevan, baritone - Chor und Orchester des Concentus Musicus Wien - Nikolaus Harnoncourt & Alfred Deller, conductors
- 4 Act V: IV. Chorus: Behold, O mighty’st of gods Alfred Deller, counter-tenor - Honor Sheppard & Sally Le Sage, sopranos - Max Worthley & Philip Todd, tenors - Maurice Bevan, baritone - Chor und Orchester des Concentus Musicus Wien - Nikolaus Harnoncourt & Alfred Deller, conductors
- 5 Act V: V. Paspe (passepied) Alfred Deller, counter-tenor - Honor Sheppard & Sally Le Sage, sopranos - Max Worthley & Philip Todd, tenors - Maurice Bevan, baritone - Chor und Orchester des Concentus Musicus Wien - Nikolaus Harnoncourt & Alfred Deller, conductors
- 6 Act V: 6. VI. Duet (sopranos): Oh the sweet delights of love Alfred Deller, counter-tenor - Honor Sheppard & Sally Le Sage, sopranos - Max Worthley & Philip Todd, tenors - Maurice Bevan, baritone - Chor und Orchester des Concentus Musicus Wien - Nikolaus Harnoncourt & Alfred Deller, conductors
- 7 Act V: 7. VII. Air (soprano) & Chorus: Let monarchs fight for power and fame Alfred Deller, counter-tenor - Honor Sheppard & Sally Le Sage, sopranos - Max Worthley & Philip Todd, tenors - Maurice Bevan, baritone - Chor und Orchester des Concentus Musicus Wien - Nikolaus Harnoncourt & Alfred Deller, conductors
- 8 Act V: 8. VIII. Duet (tenor and baritone): Make room for the great God Alfred Deller, counter-tenor - Honor Sheppard & Sally Le Sage, sopranos - Max Worthley & Philip Todd, tenors - Maurice Bevan, baritone - Chor und Orchester des Concentus Musicus Wien - Nikolaus Harnoncourt & Alfred Deller, conductors
- 9 Act V: IX. Solo (Bacchus) Trio & Chorus: I’m here with my jolly crew Alfred Deller, counter-tenor - Honor Sheppard & Sally Le Sage, sopranos - Max Worthley & Philip Todd, tenors - Maurice Bevan, baritone - Chor und Orchester des Concentus Musicus Wien - Nikolaus Harnoncourt & Alfred Deller, conductors
- 10 Act V: X. Dance of Bacchanals - Instrumental Alfred Deller, counter-tenor - Honor Sheppard & Sally Le Sage, sopranos - Max Worthley & Philip Todd, tenors - Maurice Bevan, baritone - Chor und Orchester des Concentus Musicus Wien - Nikolaus Harnoncourt & Alfred Deller, conductors
- 11 Act V: XI. Air (counter-tenor): Still I’m wishing, still desiring Alfred Deller, counter-tenor - Honor Sheppard & Sally Le Sage, sopranos - Max Worthley & Philip Todd, tenors - Maurice Bevan, baritone - Chor und Orchester des Concentus Musicus Wien - Nikolaus Harnoncourt & Alfred Deller, conductors
- 12 Act V: (Ritornello - XII): Can Drusilla give no more ? Alfred Deller, counter-tenor - Honor Sheppard & Sally Le Sage, sopranos - Max Worthley & Philip Todd, tenors - Maurice Bevan, baritone - Chor und Orchester des Concentus Musicus Wien - Nikolaus Harnoncourt & Alfred Deller, conductors
- 13 Act V: XIII. Canaries - Instrumental Alfred Deller, counter-tenor - Honor Sheppard & Sally Le Sage, sopranos - Max Worthley & Philip Todd, tenors - Maurice Bevan, baritone - Chor und Orchester des Concentus Musicus Wien - Nikolaus Harnoncourt & Alfred Deller, conductors
- 14 Act V: XIV. Dialogue (soprano and baritone): Tell me why, my charming fair Alfred Deller, counter-tenor - Honor Sheppard & Sally Le Sage, sopranos - Max Worthley & Philip Todd, tenors - Maurice Bevan, baritone - Chor und Orchester des Concentus Musicus Wien - Nikolaus Harnoncourt & Alfred Deller, conductors
- 15 Act V: XV. Dance - Instrumental Alfred Deller, counter-tenor - Honor Sheppard & Sally Le Sage, sopranos - Max Worthley & Philip Todd, tenors - Maurice Bevan, baritone - Chor und Orchester des Concentus Musicus Wien - Nikolaus Harnoncourt & Alfred Deller, conductors
- 16 Act V: XVI. Air (tenor) & Chorus: All our days and our nights Alfred Deller, counter-tenor - Honor Sheppard & Sally Le Sage, sopranos - Max Worthley & Philip Todd, tenors - Maurice Bevan, baritone - Chor und Orchester des Concentus Musicus Wien - Nikolaus Harnoncourt & Alfred Deller, conductors
- 17 Act V: XVII. Dance - Instrumental Alfred Deller, counter-tenor - Honor Sheppard & Sally Le Sage, sopranos - Max Worthley & Philip Todd, tenors - Maurice Bevan, baritone - Chor und Orchester des Concentus Musicus Wien - Nikolaus Harnoncourt & Alfred Deller, conductors
- 18 Act V: XVIII. Trio & Chorus: Triumph victorious love Alfred Deller, counter-tenor - Honor Sheppard & Sally Le Sage, sopranos - Max Worthley & Philip Todd, tenors - Maurice Bevan, baritone - Chor und Orchester des Concentus Musicus Wien - Nikolaus Harnoncourt & Alfred Deller, conductors
- 19 Act I: First Music Alfred Deller, counter-tenor - Honor Sheppard & Sally Le Sage, sopranos - Max Worthley & Philip Todd, tenors - Maurice Bevan, baritone - Chor und Orchester des Concentus Musicus Wien - Nikolaus Harnoncourt & Alfred Deller, conductors
- 20 Act I: First Act Tune or Hornpipe Alfred Deller, counter-tenor - Honor Sheppard & Sally Le Sage, sopranos - Max Worthley & Philip Todd, tenors - Maurice Bevan, baritone - Chor und Orchester des Concentus Musicus Wien - Nikolaus Harnoncourt & Alfred Deller, conductors
- 21 Act I: Instrumental Interlude Alfred Deller, counter-tenor - Honor Sheppard & Sally Le Sage, sopranos - Max Worthley & Philip Todd, tenors - Maurice Bevan, baritone - Chor und Orchester des Concentus Musicus Wien - Nikolaus Harnoncourt & Alfred Deller, conductors
- 22 Act I: Dance of the Furies Alfred Deller, counter-tenor - Honor Sheppard & Sally Le Sage, sopranos - Max Worthley & Philip Todd, tenors - Maurice Bevan, baritone - Chor und Orchester des Concentus Musicus Wien - Nikolaus Harnoncourt & Alfred Deller, conductors
- 23 Act II: Second Act Tune Alfred Deller, counter-tenor - Honor Sheppard & Sally Le Sage, sopranos - Max Worthley & Philip Todd, tenors - Maurice Bevan, baritone - Chor und Orchester des Concentus Musicus Wien - Nikolaus Harnoncourt & Alfred Deller, conductors
- 24 Act III: The Chair Dance Alfred Deller, counter-tenor - Honor Sheppard & Sally Le Sage, sopranos - Max Worthley & Philip Todd, tenors - Maurice Bevan, baritone - Chor und Orchester des Concentus Musicus Wien - Nikolaus Harnoncourt & Alfred Deller, conductors
- 25 Act III: Third Act Tune Alfred Deller, counter-tenor - Honor Sheppard & Sally Le Sage, sopranos - Max Worthley & Philip Todd, tenors - Maurice Bevan, baritone - Chor und Orchester des Concentus Musicus Wien - Nikolaus Harnoncourt & Alfred Deller, conductors
- 26 Act III: Instrumental Interlude Alfred Deller, counter-tenor - Honor Sheppard & Sally Le Sage, sopranos - Max Worthley & Philip Todd, tenors - Maurice Bevan, baritone - Chor und Orchester des Concentus Musicus Wien - Nikolaus Harnoncourt & Alfred Deller, conductors
- 27 Act IV: Butterfly Dance Alfred Deller, counter-tenor - Honor Sheppard & Sally Le Sage, sopranos - Max Worthley & Philip Todd, tenors - Maurice Bevan, baritone - Chor und Orchester des Concentus Musicus Wien - Nikolaus Harnoncourt & Alfred Deller, conductors
- 28 Act V: Country Dance Alfred Deller, counter-tenor - Honor Sheppard & Sally Le Sage, sopranos - Max Worthley & Philip Todd, tenors - Maurice Bevan, baritone - Chor und Orchester des Concentus Musicus Wien - Nikolaus Harnoncourt & Alfred Deller, conductors
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Come ye sons of art away, Z 323
1 Ouverture (Sinfonia) The Deller Consort - Alfred Deller & Mark Deller, counter-tenors - Mary Thomas, soprano - Maurice Bevan, baritone - Oriana Concert Choir and Orchestra - Alfred Deller,conductor - 2 Come, come, ye Sons of Art The Deller Consort - Alfred Deller & Mark Deller, counter-tenors - Mary Thomas, soprano - Maurice Bevan, baritone - Oriana Concert Choir and Orchestra - Alfred Deller,conductor
- 3 Sound the trumpet till around The Deller Consort - Alfred Deller & Mark Deller, counter-tenors - Mary Thomas, soprano - Maurice Bevan, baritone - Oriana Concert Choir and Orchestra - Alfred Deller,conductor
- 4 Come, come, ye Sons of Art The Deller Consort - Alfred Deller & Mark Deller, counter-tenors - Mary Thomas, soprano - Maurice Bevan, baritone - Oriana Concert Choir and Orchestra - Alfred Deller,conductor
- 5 Strike the viol The Deller Consort - Alfred Deller & Mark Deller, counter-tenors - Mary Thomas, soprano - Maurice Bevan, baritone - Oriana Concert Choir and Orchestra - Alfred Deller,conductor
- 6 The day that such a blessing gave The Deller Consort - Alfred Deller & Mark Deller, counter-tenors - Mary Thomas, soprano - Maurice Bevan, baritone - Oriana Concert Choir and Orchestra - Alfred Deller,conductor
- 7 Bid the Virtues The Deller Consort - Alfred Deller & Mark Deller, counter-tenors - Mary Thomas, soprano - Maurice Bevan, baritone - Oriana Concert Choir and Orchestra - Alfred Deller,conductor
- 8 These are the sacred charms that shield The Deller Consort - Alfred Deller & Mark Deller, counter-tenors - Mary Thomas, soprano - Maurice Bevan, baritone - Oriana Concert Choir and Orchestra - Alfred Deller,conductor
- 9 See Nature, rejoicing The Deller Consort - Alfred Deller & Mark Deller, counter-tenors - Mary Thomas, soprano - Maurice Bevan, baritone - Oriana Concert Choir and Orchestra - Alfred Deller,conductor
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Rejoice in the Lord Alway (The Bell Anthem), Z 49
10 Rejoice in the Lord Alway (The Bell Anthem), Z 49 The Deller Consort - Alfred Deller, counter-tenor - Mary Thomas, soprano - Honor Shephard, soprano - Robert Tear, tenor - Max Worthley, tenor - Maurice Bevan, baritone - Oriana Concert Orchestra - Alfred Deller, conductor -
My beloved spake, Z. 23
11 Ouverture (Sinfonia) The Deller Consort - Alfred Deller, counter-tenor - April Cantelo, soprano - Gerald English, tenor - Maurice Bevan, baritone - Walter Bergmann, harpsichord - Kalmar Orchestra of London - Alfred Deller, conductor - 12 My beloved spake The Deller Consort - Alfred Deller, counter-tenor - April Cantelo, soprano - Gerald English, tenor - Maurice Bevan, baritone - Walter Bergmann, harpsichord - Kalmar Orchestra of London - Alfred Deller, conductor
- 13 For, lo, the winter is past The Deller Consort - Alfred Deller, counter-tenor - April Cantelo, soprano - Gerald English, tenor - Maurice Bevan, baritone - Walter Bergmann, harpsichord - Kalmar Orchestra of London - Alfred Deller, conductor
- 14 The time of the singing The Deller Consort - Alfred Deller, counter-tenor - April Cantelo, soprano - Gerald English, tenor - Maurice Bevan, baritone - Walter Bergmann, harpsichord - Kalmar Orchestra of London - Alfred Deller, conductor
- 15 And the voice of the turtle The Deller Consort - Alfred Deller, counter-tenor - April Cantelo, soprano - Gerald English, tenor - Maurice Bevan, baritone - Walter Bergmann, harpsichord - Kalmar Orchestra of London - Alfred Deller, conductor
- 16 The fig tree The Deller Consort - Alfred Deller, counter-tenor - April Cantelo, soprano - Gerald English, tenor - Maurice Bevan, baritone - Walter Bergmann, harpsichord - Kalmar Orchestra of London - Alfred Deller, conductor
- 17 Arise The Deller Consort - Alfred Deller, counter-tenor - April Cantelo, soprano - Gerald English, tenor - Maurice Bevan, baritone - Walter Bergmann, harpsichord - Kalmar Orchestra of London - Alfred Deller, conductor
- 18 My beloved is mine The Deller Consort - Alfred Deller, counter-tenor - April Cantelo, soprano - Gerald English, tenor - Maurice Bevan, baritone - Walter Bergmann, harpsichord - Kalmar Orchestra of London - Alfred Deller, conductor
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Ode on the death of Mr. Henry Purcell (John Blow)
19 Mark how the lark and linnet sing Alfred Deller, counter-tenor - John Whitworth, counter-tenor - Christopher Taylor, recorder - Richard Taylor, recorder - Anne Shuttleworth, cello - Walter Bergmann, harpsichord - 20 But in the close of the night Alfred Deller, counter-tenor - John Whitworth, counter-tenor - Christopher Taylor, recorder - Richard Taylor, recorder - Anne Shuttleworth, cello - Walter Bergmann, harpsichord
- 21 So ceas’d the rival crew Alfred Deller, counter-tenor - John Whitworth, counter-tenor - Christopher Taylor, recorder - Richard Taylor, recorder - Anne Shuttleworth, cello - Walter Bergmann, harpsichord
- 22 We beg not Hell Alfred Deller, counter-tenor - John Whitworth, counter-tenor - Christopher Taylor, recorder - Richard Taylor, recorder - Anne Shuttleworth, cello - Walter Bergmann, harpsichord
- 23 The pow’r of harmony too well they knew Alfred Deller, counter-tenor - John Whitworth, counter-tenor - Christopher Taylor, recorder - Richard Taylor, recorder - Anne Shuttleworth, cello - Walter Bergmann, harpsichord
- 24 The heav’nly choir Alfred Deller, counter-tenor - John Whitworth, counter-tenor - Christopher Taylor, recorder - Richard Taylor, recorder - Anne Shuttleworth, cello - Walter Bergmann, harpsichord
- 25 Ye brethren of the lyre Alfred Deller, counter-tenor - John Whitworth, counter-tenor - Christopher Taylor, recorder - Richard Taylor, recorder - Anne Shuttleworth, cello - Walter Bergmann, harpsichord
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Programme
À propos ...
Les avis de la communauté
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|---|---|
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pbonis il y a environ 1 an
à l'heure où les contre ténors redeviennent à la mode, où Jarrousky est partout, on ne saurait trop recommander l'écoute du plus grand d'entre eux, qui fut également un grand musicien et chef d'orchestre, pavant la voie d'un trevor Pinnock et de sonincomparable english concert (plus qu' harnoncourt je trouve).
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10 messages |
Actualités
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Sur Alfred Deller
Une mine d'or de rééditions chez Harmonia Mundi
DISCOGRAPHIE - 22/07/2011 - 23h40
Chez Harmonia Mundi, splendides rééditions de luxe à prix moyen dans la collection hmGold, toutes disponibles en téléchargement.
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Sur Alfred Deller, contre-ténor
Neville Marriner Le chef aux six cents disques
RENCONTRES - 26/05/2011 - 22h09
Neville Marriner a fondé il y a plus d'un demi-siècle l'Academy of St. Martin-in-the-Fields, qui a exploré l'œuvre de Mozart et ouvert la voie aux baroqueux. L'entretien qu'il nous a accordé est un des rares qu'il donne aujourd'hui : merci, Maestro !
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Sur Henry Purcell
Henry Purcell La mélodie des rêves
COMPOSITEUR - 29/10/2010 - 20h11
Henry Purcell est une extraordinaire apparition dans l'histoire de la musique anglaise. Au XXe siècle, des interprètes comme Alfred Deller ont permis la redécouverte de ce génie mort à trente-six ans. Il est le choix de Philippe Jaroussky. (Lire "Philippe Jaroussky rédacteur en chef de Classica...
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Sur Henry Purcell
Ricercar Consort reveille Purcell
VIDÉO DU JOUR - 02/10/2010 - 00h15
Le Ricercar Consort et Philippe Pierlot viennent de publier un programme autour des plus belles pièces vocales et instrumentales de Purcell...
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Sur Alfred Deller
L'invité du mois
Marek HalterL'INVITÉ DU MOIS - 13/04/2010 - 20h19
Le grand écrivain français, d'origine juive polonaise, est l'un des artisans infatigables du dialogue au Proche-Orient. La musique est entrée dans sa vie de façon marquante.
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Sur Alfred Deller
Alfred Deller. Timbre de collection
(Classica n°61, avril 2004)ARCHIVES CLASSICA - 16/11/2009 - 12h04
Mort il y a tout juste vingt-cinq ans, le britannique Alfred Deller a remis à l’honneur la voix, alors très rare, de contre ténor. Pionnier il fut, modèle il demeure.
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Sur Alfred Deller
Alfred Deller
Phénomène naturelCHERS DISPARUS - 01/06/2009 - 16h30
En 1975, le réalisateur Benoît Jacquot rencontre l’immense Alfred Deller, premier contre-ténor de l’ère moderne, qu’il filme et interviewe. Voici quelques extraits de ce rare et précieux témoignage.
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Sur Henry Purcell
Henry Purcell
La dernière annéeBONNES FEUILLES - 17/02/2009 - 20h59
La vie de l'« Orphée britannique » reste en grande partie mystérieuse. Dans cet extrait de la nouvelle biographie de la collection Actes Sud/Classica, Claude Hermann revient sur les derniers mois vécus par le compositeur.
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Sur Henry Purcell
Alfred Deller chante Purcell
LES ENREGISTREMENTS MYTHIQUES - 09/12/2008 - 15h16
Treizième volet de notre série consacrée aux enregistrements légendaires.
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Sur Henry Purcell
Le bonjour d’Alfred…
VIDÉO DU JOUR - 01/11/2008 - 00h15
Alors que la réédition de ses enregistrements pour le label Vanguard fut un des temps fort de la rentrée, il est toujours vital d’écouter et de réécouter, encore et encore, Alfred Deller qui, malgré la modernité de son propos musical, débuta sa carrière dans les années 40 ! A cette époque, le pub...
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Sur Alfred Deller
Vox et Vanguard en coffrets
DISCOGRAPHIE - 10/09/2008 - 14h07
Des reparutions qui exhument de belles réussites : des enregistrements de deux célèbres Alfred : Deller et Brendel.
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Sur Henry Purcell
Alan Curtis, baroque et débonnaire
SUR SCÈNE - 09/04/2008 - 15h21
Retrouvailles franciliennes pour le chef d'orchestre, dans Purcell et Haendel.
