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Lotta Wennäkoski: Sigla
Finnish Radio Symphony Orchestra
Classical - Released February 3, 2023 | Ondine
Booklet
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Ram It Down
Judas Priest
Metal - Released January 7, 1988 | Columbia
After the failed experiment of Turbo, Judas Priest toned down the synths and returned to the basics, delivering a straight-ahead, much more typical Priest album with Ram It Down. The band's fan base was still devoted enough to consistently push each new album past the platinum sales mark, and perhaps that's part of the reason Ram It Down generally sounds like it's on autopilot. While there are some well-constructed songs, they tend toward the generic, and the songwriting is pretty lackluster overall, with the up-tempo title track easily standing out as the best tune here. And even though Ram It Down backed away from the territory explored on Turbo, much of the album still has a too-polished, mechanical-sounding production, especially the drums. Lyrically, Ram It Down is firmly entrenched in adolescent theatrics that lack the personality or toughness of Priest's best anthems, which -- coupled with the lack of much truly memorable music -- makes the record sound cynical and insincere, the lowest point in the Rob Halford era. Further debits are given for the cover of "Johnny B. Goode."© Steve Huey /TiVo
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Transformers: The Last Knight (Music from the Motion Picture)
Steve Jablonsky
Film Soundtracks - Released June 23, 2017 | Paramount Music
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Zone Black
Emil Amos
Hip-Hop/Rap - Released August 4, 2023 | Drag City
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The Continuing Story Of Radar Love
Golden Earring
Pop - Released January 1, 1989 | Red Bullet
The Continuing Story of Radar Love is a 12-song hits collection from Dutch rock band Golden Earring, containing both the chug-a-long rock staple "Radar Love" and the full eight-minute version of "Twilight Zone." These two songs are the most renowned on this compilation and both cracked the Top 20, with "Radar Love" hitting number 13 in 1974 and "Twilight Zone" peaking at number ten nine years later. The other ten songs on the album consist of long, heavy guitar-filled runs that surround obscure lyrics, sometimes sounding like modern psychedelia. Some of the songs, like "The Vanilla Queen" and "Mad Love's Comin'" harbor a distinguishable progressive edge, thanks to woven keyboard and guitar interplay. A mild blues and rock feel creep into such tunes as "Candy's Going Bad" and "Lost and Found" but fail to ignite any type of serious musical flare compared to their two singles. Much of Golden Earring's music consists of average rock riffs that are either sped up or slowed down by accompanying synthesizer, helped along by the mysteriousness of Barry Hay's voice. Even though this compilation is a dozen songs deep, it still holds as a worthy best-of.© Mike DeGagne /TiVo
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The Long Versions - Part One
Golden Earring
Pop - Released October 10, 2008 | Red Bullet
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Coma of Souls
Kreator
Rock - Released November 6, 1990 | Noise Records
Although they remained largely without peer when it came to pure Germanic thrash metal, by the time of 1990's Coma of Souls, Kreator's very successful formula had begun to grow a little tired. The fact that they were coming off perhaps their biggest album yet in 1989's Extreme Aggression didn't help matters, and despite its overwhelmingly solid songwriting, Coma of Souls still sounded somewhat repetitive to all but the most unquestioning of fans. Still, better too much of a good thing than nothing at all, and with their head-spinning musicianship and well-chosen stabs at melody, complex moshers like "When the Sun Burns Red," "Angels of Brutality," and the title song are guaranteed to thrill lovers of technically proficient thrash. Two tracks in particular stand out of the pack, namely the outstanding "People of the Lie," whose chorus is almost too groovy and memorable to be called thrash metal, and the expertly executed "Terror Zone," with its unnaturally measured pace and a melodic intro to die for. Also of note, the band hardly skips a beat with the arrival of former Sodom guitarist Frank "Blackfire" Gosdzik, who establishes an instant chemistry with vocalist and fellow six-stringer Mille Petrozza from the start, as they proceed to exchange lead after stinging lead like machine-gun fire.© Eduardo Rivadavia /TiVo
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Higher Than High
The Undisputed Truth
R&B - Released January 1, 1975 | UNI - MOTOWN
Higher Than High expands on the spacy vibes first exhibited on Down to Earth, expanded on via Cosmic Truth, and maximized on this, their exit album from the Gordy/Motown family of labels. Members, Joe Harris, Calvin Stevens, Tyrone Berkeley, Tyrone Douglas, and Virginia McDonald bend your mind on a set that's comparable to critically acclaimed Funkadelic albums of the same period. "Life Ain't So Easy," asung by Joe and Virginia, is a haunting ballad about the perils of big city life; "Poontang" probably shocked Berry Gordy Jr. out of his mansion -- the risqué chorus goes "I used to hate it, til I ate it." "Help Yourself" is the best rocker on the set; this version is different from an earlier version they recorded. And I can't imagine what type of dance you would do to "Boogie Bump Boogie," a psychedelic groover performed at laser speed. "I Saw You When You Met Her" is an eerie ballad about a woman who caught her man cheating; nice, but I like David Ruffin's version off the Me & Rock n Roll are Here to Stay album better. "I'm In the Red Zone" compares sexual frustration to a jonesing junkie. A nice parting shot for the group and Norman Whitfield.© Andrew Hamilton /TiVo
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Inner Thought Zone
Maurice Deebank
Alternative & Indie - Released April 30, 2024 | Cherry Red Records
Early Felt was always an uneasy compromise between Maurice Deebank's elegant, embellished guitar work and Lawrence Hayward's smart, caustic, Bob Dylan/Lou Reed-inspired art-rock leanings. It was little surprise, therefore, when Deebank bid Felt a bitter farewell following 1984's exquisite THE SPLENDOR OF FEAR, going on to record 1984's INNER THOUGHT ZONE, an understated solo masterpiece of multi-tracked composition where the creativity suppressed in Felt was finally given full rein.The album works the charms of early-'80s British indie rock to considerably artier ends, as layered electric and acoustic guitars meander in subdued splendor. Deebank's classical filigree, dazzling, Television-style chords, and spangled arpeggios entwine around Dave Elson's spidery bass lines on "The Watery Song," "Four Corners of the Earth," and "Dance of Deliverance," tracing the opulent textures of a singularly psychedelic tapestry. For this 1992 reissue, Deebank re-emerged to co-produce four new tracks with keyboardist Jon Cotton; "So Serene" and "A Tale from Scriabin's Lonely Trail" are intricate instrumentals every bit as scintillating as those presented on the album proper.© TiVo
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Don't Laugh: David Morales Red Zone Remixes
Winx
Dance - Released January 1, 1995 | Nervous Records
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A l'aube
Soso Maness
Hip-Hop/Rap - Released June 10, 2022 | RCA Group
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Red Zone
Fast Money Neph
Hip-Hop/Rap - Released April 1, 2023 | Trap Star Music Group ©
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Project Cars 2 (Original Soundtrack)
Stephen Baysted
Film Soundtracks - Released September 22, 2017 | Redrocca
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Red Zone
Peter Leitch
Jazz - Released January 1, 1987 | Peter Leitch Red Zone
This CD reissue not only brings back the six songs from the LP of the same name, but adds "It Came Upon a Midnight Clear," a previously unreleased alternate take of "'Round Midnight" from the guitarist's earlier session with baritonist Pepper Adams, and three 1988 unaccompanied guitar solos (a medley of "Lush Life" and "Daydream," "I'm Getting Sentimental Over You," and Charlie Parker's "Quasimodo"). The bulk of the set matches Leitch in 1985 with pianist Kirk Lightsey, bassist Ray Drummond, and drummer Marvin "Smitty" Smith. The CD as a whole finds the guitarist in prime form playing superior tunes -- including "My One and Only Love," Wayne Shorter's "Speak No Evil," Thelonious Monk's "Off Minor," and two of Leitch's own straight-ahead originals -- and is his definitive release.
© Scott Yanow /TiVo
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