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Reunion

Black Sabbath

Metal - Released October 20, 1998 | Epic

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Though it was conceived as a mere cash-in for the long-awaited return of the original Black Sabbath, 1998's Reunion is as close to an official live album as the band has had in their historic 30-year career. 1980's Live at Last was released without their permission, and 1982's Live Evil featured then-singer Ronnie James Dio. With this in mind, the band must be commended on the excellent quality of the recordings, which include their most enduring classics ("War Pigs," "Paranoid," "Iron Man"), as well as a few surprises ("Dirty Women," "Behind the Wall of Sleep"), and were culled from a series of concerts in their native Birmingham in December 1997. The real key to this album, however, is the band's ability to avoid the most common pitfall of live recordings: speeding up the songs. This patience is crucial, since such Sabbath staples as "Sweet Leaf," "Black Sabbath," and "Snowblind" owe much of their unique personality and somber atmospherics to the band's trademark "snail's pace." "Children of the Grave" proves itself once again as one of the band's most dependable live favorites, and the massive riffs of "Into the Void" are simply timeless. The two brand new studio tracks are another treat for longtime fans, and while "Selling My Soul" is rather mundane, "Psycho Man" is absolutely incredible thanks to its slow intro and raging final riff.© Eduardo Rivadavia /TiVo
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Humanoid City Live

Tokio Hotel

Pop - Released July 19, 2010 | Island Records (The Island Def Jam Music Group / Universal Music)

Tokio Hotel's 2010 concert album, Humanoid City Live, features the German emo-electro outfit performing live during the band's Humanoid City Tour in Milan, Italy. Included are such songs as "Noise" off the band's 2009 studio album Humanoid, "Ready Set Go" off 2007's Scream, and other well-known hits and album tracks. Tokio Hotel's Humanoid City Tour was a grand and theatrical spectacle that built upon the band's futuristic goth/glam rock imagery, and in that sense, this CD/DVD release truly showcases the band's high-concept live show.© Matt Collar /TiVo
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World Behind My Wall

Tokio Hotel

Pop - Released January 1, 2010 | Island Records (The Island Def Jam Music Group / Universal Music)

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The Singles 86-98

Depeche Mode

Pop/Rock - Released September 28, 1998 | Venusnote Ltd.

It took Depeche Mode only four years to assemble their first singles compilation, but 12 to assemble The Singles 86>98. Appropriately, the second set was much more ambitious than The Singles 81>85, spanning two discs and 20 songs, plus a live version of "Everything Counts." The Singles 86>98 was an album that many fans, both casual and hardcore, waited patiently for, and for good reason -- Depeche Mode were always more effective as a singles band than as album artists. That's not to say that the double-disc compilation is perfect. DM's output fluctuated wildly during those 12 years, as the group hit both career highs and lows. It's possible to hear it all on this set, from "Strangelove" and "Never Let Me Down Again," through "Personal Jesus" and "Enjoy the Silence," to "I Feel You" and "Barrel of a Gun." It's possible that some casual listeners will find that the collection meanders a bit too much for their tastes, but the end result is definitive and, along with The Singles 81>85, ranks as Depeche Mode's best, most listenable album.© Stephen Thomas Erlewine /TiVo
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Remixes 2: 81-11 (Deluxe)

Depeche Mode

Pop/Rock - Released June 6, 2011 | Venusnote Ltd.

Remixes 2: 81-11, an inevitable sequel, contains a handful of early remixes not contained on Remixes 81-04, as well as a dozen selections from the Playing the Angel (2005) and Sounds of the Universe (2009) singles, and is filled out with 14 newly commissioned remixes. Among the older highlights are Francois Kevorkian's percussive “Dub in My Eyes” mix of “World in My Eyes” (which also resembles a muscular version of Kraftwerk’s “The Telephone Call,” a track he happened to mix four years prior) and the Tim Simenon/Mark Saunders mix of “Strangelove” (a radical overhaul that nonetheless sticks to the original’s core elements). For the Angel and Universe singles, the group held up its reputation of seeking diverse and cutting-edge producers, from Stuart Price (as Jacques Lu Cont) to Efdemin, for remix duties. Most of these later mixes can be polarizing for DM fans, as they reflect the course taken by “remix culture” throughout the 2000s; they are less like true remixes and more like brand-new productions with heavily treated snatches of Dave Gahan's vocals. This remains all the more true for the 2011 mixes, granted by the loved-or-hated likes of Eric Prydz (of Steve Winwood-sampling “Call on Me” fame) and international pop-chart overlords Stargate. More likely to keep the fans’ ears perked: new mixes from ex-members Vince Clarke and Alan Wilder. Clarke’s “Behind the Wheel” is wonderfully sleek and slightly ominous, while Wilder’s “In Chains” is all dark ambience until the three-minute mark, when it gradually ascends into a meticulously layered grind. Once again, the compilation was offered on CD in three-disc and one-disc sets. The latter is more like a sampler with no discernible method to the selection process, and those who take that option will miss out on the Clarke and Wilder mixes, as well as numerous highlights.© Andy Kellman /TiVo
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The End Of The F***ing World (Original Songs and Score)

Graham Coxon

Film Soundtracks - Released January 26, 2018 | Graham Coxon

Born in West Germany in 1969, Graham Coxon came to fame as the guitarist in Blur. But in moving from pop to music for moving pictures, Coxon has not lost one bit of his predilection for song. And so this soundtrack contains impressive homages to country, rock and folk songs from the 70s, like Angry Me and the ballad Saturday Night. Adapted from a graphic novel by Charles Forsman, this series, which came out on Netflix in 2017, jars audiences with its humorous tale of a psychopathic teenager. Despite this unusual tone, there is no hint of a pastiche in Graham Coxon's work. Everything in his music testifies to his sincere love of the music of the 1970s. ©NM/Qobuz
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101 Great Country Line Dance Hits, Part 4

The Country Dance Kings

Country - Released July 18, 2013 | Mick Lloyd Productions