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Wolfgang Amadeus Phoenix

Phoenix

Alternative & Indie - Released May 25, 2009 | Glassnote Entertainment Group LLC

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Realigned with Philippe Zdar, the half of Cassius who mixed United, Phoenix make adjustments on the polarizing characteristics of their second and third albums -- the pokey and occasionally listless Alphabetical, the jagged and tune-deficient It's Never Been Like That -- with some of the most direct and enjoyable songs they've made to date. The two opening songs, the bopping "Lisztomania" and the buzzing "1901," are so immediate and prone to habitual play that the remainder of the album is bound to be neglected. There is plenty to like beyond that point, including "Lasso," which niftily alternates between a tangled rhythm and tight-spiral riffing, and the labyrinthine "Pt. 1" of "Love Like a Sunset," which serves the same purpose as the extended instrumental passages on Roxy Music's Avalon, at least until its rousing conclusion and shift into "Pt. 2." Beyond containing the band's best, most efficient songwriting, the album also stands apart from the first three studio albums by projecting a cool punch that is unforced. Vocalist Thomas Mars, more bright-eyed and youthful than ever, also sounds more a part of these songs, rather than coming across as a protruding element that clashes against the instruments. Maybe they've just hit their stride.© Andy Kellman /TiVo
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Wolfgang Amadeus Phoenix

Phoenix

Rock - Released October 20, 2009 | Glassnote Entertainment Group LLC

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"[T]he Soft Pack's 'Fences' is a glorious outburst of snarling garage rock..."© TiVo
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Wolfgang Amadeus Phoenix

Phoenix

Pop - Released March 31, 2009 | Glassnote Entertainment Group LLC

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Realigned with Philippe Zdar, the half of Cassius who mixed United, Phoenix make adjustments on the polarizing characteristics of their second and third albums -- the pokey and occasionally listless Alphabetical, the jagged and tune-deficient It's Never Been Like That -- with some of the most direct and enjoyable songs they've made to date. The two opening songs, the bopping "Lisztomania" and the buzzing "1901," are so immediate and prone to habitual play that the remainder of the album is bound to be neglected. There is plenty to like beyond that point, including "Lasso," which niftily alternates between a tangled rhythm and tight-spiral riffing, and the labyrinthine "Pt. 1" of "Love Like a Sunset," which serves the same purpose as the extended instrumental passages on Roxy Music's Avalon, at least until its rousing conclusion and shift into "Pt. 2." Beyond containing the band's best, most efficient songwriting, the album also stands apart from the first three studio albums by projecting a cool punch that is unforced. Vocalist Thomas Mars, more bright-eyed and youthful than ever, also sounds more a part of these songs, rather than coming across as a protruding element that clashes against the instruments. Maybe they've just hit their stride.© Andy Kellman /TiVo

Franz Joseph Haydn, Wolfgang Amadeus Mozart, Franz Peter Schubert : Pianoforte

Eugenio De Rosa

Classical - Released January 1, 2008 | Phoenix Classics

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Luigi Boccherini, Wolfgang Amadeus Mozart, Domenico Puccini

Simone Soldati

Classical - Released January 1, 2001 | Phoenix Classics

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Mozart: Arias

Justino Diaz

Opera - Released January 1, 1988 | Phoenix USA

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Mozart, W.A.: Mass in C Minor / Requiem

Various Interprets

Sacred Vocal Music - Released June 12, 2008 | Phoenix Edition

This double disc combines a pair of Mozart mass performances linked by a common choir, orchestra, and conductor; the two live recordings were made five years apart, in 1986 and 1991, in different locations, and they have no soloists in common except for mezzo soprano Doris Soffel. These are large-scale German performances of the old school. For many listeners the soloists will be the main attraction, a prime example being the appearance of bass Thomas Quasthoff, sounding preternaturally warm in the "Tuba mirum" section of the Requiem, K. 626. The soaring female duets in the Mass in C minor, K. 427, from Soffel and soprano Arleen Augér, can stand up to the sumptuous chorus, which may seem to overpower the music, except for listeners raised on the Mormon Tabernacle Choir. Conductor Gary Bertini makes the Choir of Cologne Radio do a lot of Wagnerian stomping around, especially in the Requiem, and that kind of thing is purely a matter of personal taste. But what's certain is that the soloists here are a match for the large dimensions of the interpretation, and that this is a decent example of its type. © TiVo

JUSTINO DIAZ sings Mozart Arias

Ettore Stratta

Classical - Released January 1, 1988 | Phoenix USA

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Le Directeur de Théâtre (Der Schauspieldirektor)

Sir Neville Marriner

Full Operas - Released July 28, 2008 | Phoenix Edition