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What We Saw From The Cheap Seats (Deluxe Version) (Édition Studio Masters)

Regina Spektor

Alternative & Indie - Released May 28, 2012 | Sire

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What We Saw From The Cheap Seats (Édition Studio Masters)

Regina Spektor

Alternative & Indie - Released May 28, 2012 | Sire

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What We Saw from the Cheap Seats

Regina Spektor

Alternative & Indie - Released May 25, 2012 | Sire

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What We Saw from the Cheap Seats

Regina Spektor

Alternative & Indie - Released May 25, 2012 | Sire

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The Sound Of Sonny

Sonny Rollins

Jazz - Released November 30, 1957 | Prestige

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Warmer In The Winter

Lindsey Stirling

Christmas Music - Released October 20, 2017 | Concord Records

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That it took elfin violinist, dancer, and performance artist Lindsey Stirling five albums to deliver a proper holiday offering is surprising, as her particular brand of (mostly) instrumental millennial pop is perfectly suited to heat up the year's coldest months in style. After all, this is an artist who skyrocketed to fame with a musical theater-worthy rendering of the main theme from the Nordic fantasy video game Skyrim. The aptly named Warmer in Winter prances about with equal parts benevolence and solipsism, effectively pairing the season's most beloved and familiar melodies with the gamer-approved blips, beeps, and slick techno beat drops that have become her forte since dropping her eponymous debut in 2013. Enlisting vocal help from former Disney star Sabrina Carpenter ("You're a Mean One Mister Grinch"), fellow internet phenom Becky G. ("Christmas C'mon"), All Time Low frontman Alex Gaskarth ("Time to Fall in Love"), and even in-demand New Orleans polymath Trombone Shorty ("Warmer in Winter"), Stirling has crafted a fun and flighty brew of modern holiday cheer that is most certainly of its time.© James Christopher Monger /TiVo
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John Rutter Christmas Album

Stephen Varcoe

Classical - Released September 24, 2002 | Collegium

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No living composer is more closely associated with the Christmas season than John Rutter, whose piece Shepherd's Pipe Carol, first placed him on the map of Yule some 35 or so Christmases ago. Rutter is the primary artistic force behind Collegium Records, which in 2002 made a trip to the vaults and culled together The John Rutter Christmas Album. It is the eighth collection of Christmas music with Rutter issued by Collegium, and before you cry "Noël oversaturation!" it is good to know three things about it. Firstly, it is mostly compiled from the Collegium Christmas Day in the Morning and Christmas with the Cambridge Singers, both titles that are no longer available on CD. Secondly, The John Rutter Christmas Album consists entirely of Rutter's own Yuletide-centric original compositions and arrangements. Finally, there are two brand new recordings on this CD. Stand out tracks here are Wexford Carol, Nativity Carol, What Sweeter Music, and the newly recorded selections Dormi Jesu and Love Came Down at Christmas. One is a little surprised that Collegium did not take advantage of the occasion to re-record some selections that didn't turn out quite so well the first time, particularly Jesus Child and I Saw Three Ships, both of which suffer from ragged coordination, or the lack of it, between choir and orchestra. The John Rutter Christmas Album could be better sequenced than it is; heard beginning to end, it bogs down somewhat at about the beginning of the last third. Nevertheless, Rutter's contribution to Christmas music is unique, and this is a nice survey of it, with only one other collection of its kind available, namely Polyphony's John Rutter: Music for Christmas on Hyperion. So get out the Yule log, the Wassail bowl, and do consider inviting Rutter to your Christmas feast. The dish he brings with The John Rutter Christmas Album is a tasty one indeed. © TiVo
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Famous Friends (Deluxe Edition)

Chris Young

Country - Released April 29, 2022 | RCA Records Label Nashville

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Handel: Acis & Galatea

Dunedin Consort

Classical - Released November 3, 2008 | Linn Records

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The Dunedin Consort, led by John Butt, has moved into the niche of recording original or obscure versions of Baroque choral masterworks using forces as close as possible to those of the original performances. Its 2006 performance of the Dublin version of Messiah is one of the liveliest and refreshingly intimate recordings of the work, and won a Gramophone Award for Best Baroque Vocal Album of the year. Here the group turns its attention to a much earlier Handel work, the 1718 pastoral oratorio Acis & Galatea. Through ingenious musical detective work, Butt has reconstructed the most likely constitution of the ensemble that originally performed the piece while the composer was employed at Cannons House in Middlesex. Acis & Galatea is a work stronger on charm than substance, but its charms are considerable, from its lively and lyrical solos and ensembles to its inventive and clever orchestration. While Handel is not known for comedy, and this piece is in fact a tragedy (a rejected suitor kills his rival, but the heroine transforms her slain lover into a fountain, so things don't turn out too badly), the librettists and composer treat the subject lightly and with genuine wit. The villain is portrayed as a buffoon, and Butt and his singers play up the work's humor. Baritone Matthew Brook is vocally virtuosic and comically convincing as Polyphemus; his arias "O ruddier than the cherry" and "Cease to beauty to be suing" are among the highlights of the recording. As Galatea, soprano Susan Hamilton sings with purity and unmannered grace. Tenor Nicholas Mulroy as Acis has a somewhat covered sound that keeps him from being truly heroic. Thomas Hobbs, in the secondary role of role of Damon, has a light but bright and clarion tenor. The orchestra plays with exquisite finesse and expressiveness. Butt and his exemplary forces make a strong case for this odd little piece and give it a depth and coherence that make their performance stand out among the recorded versions.© TiVo
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Bridgerton (Music from the Netflix Original Series)

Kris Bowers

Film Soundtracks - Released December 25, 2020 | Lakeshore Records

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Songs For Christmas

Sufjan Stevens

Ambient/New Age - Released November 21, 2006 | Asthmatic Kitty

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Warmer In The Winter

Lindsey Stirling

Christmas Music - Released October 20, 2017 | Concord Records

That it took elfin violinist, dancer, and performance artist Lindsey Stirling five albums to deliver a proper holiday offering is surprising, as her particular brand of (mostly) instrumental millennial pop is perfectly suited to heat up the year's coldest months in style. After all, this is an artist who skyrocketed to fame with a musical theater-worthy rendering of the main theme from the Nordic fantasy video game Skyrim. The aptly named Warmer in Winter prances about with equal parts benevolence and solipsism, effectively pairing the season's most beloved and familiar melodies with the gamer-approved blips, beeps, and slick techno beat drops that have become her forte since dropping her eponymous debut in 2013. Enlisting vocal help from former Disney star Sabrina Carpenter ("You're a Mean One Mister Grinch"), fellow internet phenom Becky G. ("Christmas C'mon"), All Time Low frontman Alex Gaskarth ("Time to Fall in Love"), and even in-demand New Orleans polymath Trombone Shorty ("Warmer in Winter"), Stirling has crafted a fun and flighty brew of modern holiday cheer that is most certainly of its time.© James Christopher Monger /TiVo

On Riverside: Sonny Rollins

Sonny Rollins

Jazz - Released September 5, 2023 | UME - Global Clearing House

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Acis and Galatea

The Sixteen

Classical - Released February 1, 2019 | Coro

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Handel's Acis and Galatea, short and sweet, has been among his most enduringly popular works. Part of its fascination resides in its generic ambiguity: it may be classified as an oratorio (although its choral elements are sparse), a serenade, a masque, a pastoral, or, perhaps most accurately by Handel himself as "a little opera." The story involves a shepherd, Acis, a kind of goddess-nymph, Galatea, and a rude giant, Polyphemus, who is jealous of the love of Acis and Galatea (spoiler: Acis is killed and ends up as a fountain). The music hits the pastoral mood from the very start with the subdominant harmonies and fetching suspensions of the Sinfonia. The work has been expanded in several dimensions, including by Handel himself over the decades and centuries, but the original 1718 version of the work, the one heard here, is perhaps preferable: the mix of fun and light tragedy in the work comes through most clearly. Likewise, although the opera has been done plenty of times by full-on operatic voices, and listeners may fondly remember the version with Peter Pears and Joan Sutherland from the 1950s, the smaller-scale singing of Jeremy Budd and Grace Davidson is attractive indeed, and the one-voice-per-part chorus reflects the circumstances of the work's original performance. Sample Davidson's charmingly injured "Must I my Acis still bemoan." An altogether delightful version of this familiar Handel work. © TiVo
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I Saw Jesus in You

Ron Hamilton

Gospel - Released October 15, 1996 | Majesty Music

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What We Saw Before the Darkness

Jumpman

Punk / New Wave - Released April 24, 2020 | Prank Monkey

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(What We Saw) In The Burg

Jamie L

Miscellaneous - Released January 21, 2013 | Paper Recordings

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We Rock

The Cheapseats

Miscellaneous - Released February 9, 2016 | Tp Rich

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The Beatles 1962 – 1966

The Beatles

Rock - Released November 10, 2023 | UMC (Universal Music Catalogue)

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Council Skies (Deluxe)

Noel Gallagher's High Flying Birds

Alternative & Indie - Released June 2, 2023 | Sour Mash Records Ltd

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