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Verdi

Ludovic Tezier

Classical - Released February 5, 2021 | Sony Classical

Hi-Res Booklet Distinctions Diapason d'or / Arte
It was time for Ludovic Tézier to finally provide his admirers with a recital. His performances as a Verdian baritone are impressive: Rigoletto, Simon Boccanegra, Falstaff, Giorgio Germont (La Traviata), Posa (Don Carlo), Le Conte De Luna (Il Trovatore), Renato (Un ballo in maschera), Iago (Otello). And almost all of these are reprised in this solo album. To this impressive list of stage roles, Tézier brings the welcome addition of arias from Ernani, Macbeth and Nabucco all accompanied by Frédéric Chaslin at the head of the orchestra of the Teatro Comunale in Bologna. It was in 1998 in Tel Aviv that the French baritone played his first Verdian role. He was thirty years old when he was Ford in a production of Falstaff. "There is an absolutely fascinating energy in Verdi, both for the audience and for the singers", he admits. "His roles are usually very challenging, but his music acts at the same time as a fountain of youth. Verdi is brimming with vitality, which is what allowed me to return to the stage just two days after my father's death". Now with a fully-matured voice, Ludovic Tézier is in demand all over the world for his Verdi roles. He is one of the best performers of Verdi's work, standing alongside the late Piero Cappuccilli who remains his great role model. This record offers timely confirmation of his stature. © François Hudry/Qobuz
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Verdi : Le Trouvère (Diapason n°609)

Choeur de L'Opera de Vienne

Classical - Released September 25, 2011 | Les Indispensables de Diapason

Booklet Distinctions Diapason d'or
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Verdi: Falstaff

Herbert von Karajan

Classical - Released March 14, 2011 | Warner Classics

Distinctions Choc de Classica
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Giuseppe Verdi : Luisa Miller

Katia Ricciarelli

Classical - Released January 1, 1980 | Deutsche Grammophon (DG)

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Handel: La Resurrezione

The English Concert

Classical - Released April 8, 2022 | Linn Records

Hi-Res Booklet
This recording sees Harry Bicket continue his long love affair with Handel, which began back in 1996 at the Glyndebourne Festival when he conducted Theodora, produced by Peter Sellars. Here, Harry Bicket and the musicians from The English Concert tackle the oratorio La Resurrezione, following their recording of Rodelinda which was incredibly well-received by critics in 2021. With a well-knit team of excellent soloists in the ensemble, Bicket delivers a colourful interpretation of Handel’s work with sharp rhythms and beautiful instrumental tones.Created in 1708 at the Palazzo Bonelli (now the Palazzo Valentini) in Rome, under led by Corelli, La Resurrezione caused a scandal when Pope Clement XI sent a stern admonition to young Handel's patron, Marquis Francesco Maria Ruspoli, for having a woman (!) sing in a publicly performed religious work. The pope was clearly unable to understand the innovative nature of this musical feat.Through a libretto that superimposes two events taking place on the evening of Good Friday and Easter morning, Handel writes touching and dramatic scenes for an orchestral ensemble of 40 musicians, which was very large for the time. It also required two castrati male vocalists and the aforementioned soprano who was condemned by the Church. With his use of rare and diverse instruments, the young German composer gave his orchestra warm, powerful tones right from the outsight. © François Hudry/Qobuz
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Giuseppe Verdi : Falstaff

Leonard Bernstein

Classical - Released July 11, 2014 | Sony Classical

Hi-Res Distinctions Diapason d'or - The Qobuz Ideal Discography
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Leontyne Price - Verdi and Puccini Arias

Leontyne Price

Classical - Released January 13, 2015 | RCA Red Seal

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Verdi : Il Trovatore (Remastered)

Zubin Mehta

Classical - Released September 16, 2013 | Sony Classical

Hi-Res Distinctions The Qobuz Ideal Discography
Unquestionably a jewel in the crown of the discography: incandescent and inspired conducting from start to finish (under the baton of Zubin Mehta, not the only example), and great voices of the time, sumptuous and committed — Leontyne Price, Fiorenza Cossotto, Sherrill Milnes and Placido Domingo. A fascinating and burning work is answered by an interpretation of flesh, fire and ashes to be counted in the leading pack of Trovatori in the catalog. (Qobuz/GG) 
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Verdi: Macbeth

Luciano Pavarotti

Classical - Released January 1, 1993 | Decca Music Group Ltd.

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Verdi : Ernani (Remastered)

Thomas Schippers

Classical - Released January 1, 1968 | Sony Classical

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Verdi : Aida (Remastered)

Erich Leinsdorf

Classical - Released January 1, 1971 | Sony Classical

Hi-Res Distinctions 5 de Diapason
« En 1970, neuf ans après la mythique version Solti, Leontyne Price, malgré un médium moins nourri, reste une Aïda d'anthologie, d'une irrésistible sensualité. Sous la baguette experte d'Erich Leinsdorf, à Londres, Grace Bumbry, séduisante et redoutable, Placido Domingo entre vaillance et abandon, Sherill Milnes, père inflexible, sont à sa hauteur.» (Diapason, mars 2018 / Didier Van Moere)
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Verdi : I due Foscari (Live)

Ivan Repušić

Opera - Released July 5, 2019 | BR-Klassik

Hi-Res Booklet Distinctions 5 de Diapason
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Verdi: Luisa Miller (Live)

Marina Rebeka

Opera - Released April 6, 2018 | BR-Klassik

Hi-Res Booklet
Luisa Miller marks the end of years of hardship for Verdi who is now in full possession of his own musical language, and he does not owe anything to Bellini or Donizetti anymore. The opera, with a rather complex architecture, starts with a beautiful overture, and is supported by a dramatic direction and an inspired melodic style, with perfectly characterised roles. Recorded during a live version performed in 2017 in Munich’s Prinzregententheater, this new version of Luisa Miller, with its eminently international cast, sounds undeniably appealing. The title role is held by Latvian soprano Marina Rebeka. This great interpreter of Mozart and Rossini made her acclaimed debut in Salzburg, under the direction of Riccardo Muti, and has since sung on the greatest lyrical stages in the world. By her side, Sicilian tenor Ivan Magri as Rodolfo, and Romanian George Petean who asserts himself as one of today’s best Verdian baritones. Croatian conductor Ivan Repušić leads the way with meticulous efficiency, lending a true “italianità” to the Munich Radio Orchestra. © François Hudry/Qobuz
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The Verdi Album

Sonya Yoncheva

Classical - Released February 2, 2018 | Sony Classical

Hi-Res Booklet
For huge fans of Yoncheva, this is a beautiful collection of some of the Verdian soprano's finest moments. Half of the tracks are great hits: Otello and his famous prayer, Don Carlo, Nabucco, Il Trovatore and La forza del destino, the other half being made up of lesser-known works such as Stiffelio, Luisa Miller or Attila. The Bulgarian soprano (note that she was born in 1981, and is already a star at the peak of her career) demonstrates at once the warmth of her voice, an instrument fallen from heaven, with her mezzo tones and the range of her great lyrical voice, but also her bel canto vocal technique which is deployed to great effect in this brilliant repertoire. More purist listeners might have issues with her way of making her attacks "from below" in the Italian style, but that is her stylistic and technical choice, and it is a choice shared by a good proportion of lyrical singers who work with the Italian repertoire. This studio recording was created in 2017. © SM/Qobuz
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Verdi: I vespri Siciliani

Parma Teatro Regio Orchestra

Classical - Released March 25, 2014 | C Major

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Verdi : Otello

Tullio Serafin

Classical - Released March 18, 2016 | Sony Classical

Distinctions Diapason d'or
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Vivaldi: Stabat Mater

Jakub Józef Orliński

Classical - Released March 18, 2022 | Warner Classics

Hi-Res Booklet
In this new interpretation of Vivaldi’s famous Stabat Mater, hedonism gives way to a pain and suffering that’s uncommon in compositions by this red-headed priest. Accompanied by the Capella Cracoviensis and meticulously directed by Jan Tomasz Adamus, the Polish countertenor Jakub Józef Orliński offers a fresh take on this music. This is mainly owed to his skilful ornamentation that enriches Vivaldi’s long, yet rather simple vocal lines. This score by Vivaldi was only discovered in 1939, and this highly expressive performance gives the piece a haunting tone and a profoundly melancholic dimension.Le Stabat Mater is Vivaldi’s oldest known vocal masterpiece, dating back to approximately 1711. At this time, the composer was in Brescia helping his father, a violinist. A short time after, he would assume his post in Ospedale della Pietà in Venice (a hospice and music conservatory for orphans). Vivaldi spent 40 years there as a violin teacher, principal composer and choirmaster. © François Hudry/Qobuz
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Boccherini : Cello Concertos, Stabat Mater & Quintet

Ophélie Gaillard

Classical - Released February 22, 2019 | Aparté

Hi-Res Booklet Distinctions 5 de Diapason - 4F de Télérama - 5 Sterne Fono Forum Klassik
Cellist Ophélie Gaillard and Pulcinella Orchestra focus on Luigi Boccherini, Italian composer and first virtuoso cellist in history. Born in the Tuscany, Boccherini then went to the Court of Prussa and Spain. His musical education looks like a journey around Europe, as it used to be. Long eclipsed by the violin, star of the string instruments, the cello slowly fit in the eighteenth century repertoire thanks to composers who played the instrument themselves. The now famous Suites of Johan Sebastian Bach are the first master pieces composed for the cello. Then Luigi Boccherini strengthened its place in the musical creation, thus becoming to cello what Vivaldi was to the violin one generation earlier. With rhythms of dance from Andalusia and melodies dug along the streets of Madrid, Boccherini draws with notes his adopted country such as his contemporary Francisco Goya did with colours. This double album explores all the genres (concertos, sonatas, symphonies) and invites the gorgeous Sandrine Piau to perform Boccherini’s poignant Stabat Mater for string quintet and solo soprano. © Aparté/Little Tribeca
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Elisabeth Jacquet de la Guerre: Céphale et Procris

Reinoud Van Mechelen

Classical - Released February 9, 2024 | Château de Versailles Spectacles

Hi-Res Booklet Distinctions Diapason d'or