Your basket is empty

Categories:
Narrow my search:

Results 1 to 20 out of a total of 3971
From
CD$19.77

Verdi: La traviata

Sofia Philharmonic Orchestra

Opera - Released December 1, 2017 | Profil

From
CD$25.59

Verdi: La Traviata

Dame Joan Sutherland

Classical - Released January 1, 1980 | Decca Music Group Ltd.

Joan Sutherland was in her early fifties when she made this 1976 recording of La traviata, so her voice has a maturity that isn't ideal for Violetta. Her technique and her distinctive brightness are still fully evident, though, and her performance is sometimes vocally dazzling. Luciano Pavarotti was close to his prime at the time of the recording, and he sings with his characteristic breadth, vigor, and intensity. Matteo Manuguerra is a sturdy Germont. Richard Bonynge leads the National Philharmonic Orchestra and the London Opera Chorus in a spirited, traditional take on the score, one of the relatively few recordings of the opera that is absolutely complete. The sound is superb and clear, clean, and present.© TiVo
From
HI-RES$24.70
CD$19.76

La Flûte Enchantée

Hervé Niquet

Classical - Released April 23, 2021 | Château de Versailles Spectacles

Hi-Res Booklet
From
CD$26.59

Verdi: La Traviata - The Sony Opera House

Riccardo Muti

Classical - Released June 24, 1993 | Masterworks

From
CD$13.09

La Traviata

Giuseppe Verdi

Opera - Released January 1, 1977 | Master Classics Records

From
HI-RES$22.23
CD$14.82

Psyché

Ambroisine Bré

Classical - Released February 11, 2022 | Grande Ourse

Hi-Res Booklet
From
HI-RES$24.71
CD$19.77

Verdi: La Traviata

Bayerisches Staatsorchester

Opera - Released January 29, 2008 | Farao Classics

Hi-Res
Farao Classic's recording of La Traviata is revelatory, largely because of the extraordinary quality of the principals who, until this release, were largely unknown to international audiences. Anja Harteros is a stunningly effective Violetta -- fresh and young sounding, with absolute vocal security and interpretive sensitivity. Her tone is natural and unforced, she sings with beautiful intonation, and the skill and psychological range and insight with which she shapes the vocal lines make this a performance of the highest order. Her of renunciation of Alfredo and her death scene are heartbreakingly poignant, great moments of theater. Her voice and her dramatic depth clearly mark Harteros as an artist to watch out for. The same could be said for Paolo Gavanelli; his burnished, vibrant tone in service to a nuanced, compassionate characterization makes his Germont genuinely compelling. Piotr Beczala makes an intense, passionate Alfredo, and he sings with an open-throated, clarion sound, but he sounds too consistently overwrought to be completely persuasive. Zubin Mehta is in top form, in complete control of the score's tragic dramatic arc; his reading is both shapely in its details and propulsive in its theatricality. The Bayerischen Staatsorchester and the Chorus of the Bayerischen Staatsoper are fully responsive to his direction and perform with finesse and urgency. The SACD's clarity, presence, and balance are unusually good for a live recording. This fine new version should be of strong interest to anyone who loves the opera. © TiVo
From
CD$19.99

Jacques Offenbach : La Vie parisienne (5 septembre 1954)

Jules Gresssier

Classical - Released April 15, 2014 | Ina, musique(s)

From
HI-RES$13.29
CD$11.49

Operatic Intermezzi (Édition StudioMasters)

Herbert von Karajan

Classical - Released March 24, 2014 | Warner Classics International

Hi-Res Booklet
From
HI-RES$31.79
CD$24.59

Spontini: La vestale

Les Talens Lyriques

Classical - Released May 12, 2023 | Bru Zane

Hi-Res Booklet
Gaspare's Spontini's French-language La Vestale is probably the most often heard of his operas, but that is not saying much; the work was sung by Maria Callas in the 1950s, but performances are sparse. Here, it is revived in period style by Les Talens Lyriques and conductor Christophe Rousset, and a very good case is made for further attention. The story is action-packed; Julia, in the absence of her lover, General Licinius, becomes una Vestale, a Vestal Virgin and guards a sacred flame. When Licinius returns to town, the flame goes out, and Julia is sentenced to be buried alive. Licinius rallies his troops, vowing to kidnap Julia, and the flame is reignited later by a lightning strike. Spontini's orchestration of this tale is Beethovenian in its dimensions, and despite the difficulties of natural horns, it is exciting to hear this opera as Napoleon (thought to be the model for Licinius) and Josephine (who backed the opera) heard it. The singers are not Callas-level, but throughout, and especially in the choruses, there is a commitment to the text and its meaning that is rare in any kind of recording. Marina Rebeka, in the role of Julia, is fully involved in the character's plight, and the smoky-voiced Aude Extrémo as La Grande Vestale is worth the price of admission on her own. The singers are aided by clear, spacious studio sound engineering from the early opera specialist label Palazzetto Bru Zane, whose high standards are perhaps even exceeded here. © James Manheim /TiVo
From
HI-RES$31.79
CD$24.59

Elisabeth Jacquet de la Guerre: Céphale et Procris

Reinoud Van Mechelen

Classical - Released February 9, 2024 | Château de Versailles Spectacles

Hi-Res Booklet Distinctions Diapason d'or
From
HI-RES$31.79
CD$24.59

Marais: Ariane et Bacchus

Le Concert Spirituel

Classical - Released March 24, 2023 | Alpha Classics

Hi-Res Booklet Distinctions Diapason d'or
From
HI-RES$31.79
CD$24.59

Mademoiselle Duval: Les Génies ou les Caractères de l'Amour

Camille Delaforge

Classical - Released February 9, 2024 | Château de Versailles Spectacles

Hi-Res Booklet
From
HI-RES$38.99
CD$29.29

Meyerbeer: Robert le Diable

Orchestre National Bordeaux Aquitaine

Classical - Released September 23, 2022 | Bru Zane

Hi-Res Booklet Distinctions Gramophone: Recording of the Month
For his last season at the helm of the Opéra de Bordeaux, Marc Minkowski—always keen to conduct forgotten works which have, in some way, marked the history of music—sets his sights on Robert le Diable, Giacomo Meyerbeer's opera which was a true social phenomenon in 19th century France. The Palazzetto Bru Zane - Centre de musique romantique française has followed suit by officially publishing this concert version, which also features some excellent vocal soloists. Admired by Balzac, Sand and Dumas, this ‘grand opéra à la française’ (great French opera) faded into obscurity after the First World War. Its creator became a sort of pariah – one met with both condescension and mockery. With its ‘seductive and haunting melodies’ (Alexandre Dratwicki), it’s nevertheless a flamboyant work that greatly inspired his contemporaries, such as Verdi, who referred to it in La Traviata. The extraordinary impact of Robert le Diable was such that it was performed a great many times on every continent. A true one-man band, Marc Minkowski has invested himself entirely in this undertaking, learning this vast score practically by heart and conducting it with his usual power and conviction. The international cast is full of surprises thanks to their deep understanding of the work and the protagonists’ fantastic pronunciation. This new release, to the credit of the Bru Zane label, revitalises our knowledge of this work that’s scarcely mentioned in specialised dictionaries. © François Hudry/Qobuz
From
CD$7.90

Tchaikovsky: Eugène Onéguine (Diapason n°598)

Galina Vichnievskaia

Full Operas - Released September 25, 2010 | Les Indispensables de Diapason

Booklet Distinctions Diapason d'or
From
HI-RES$30.09
CD$26.09

Verdi : La Traviata

Marina Rebeka

Opera - Released November 1, 2019 | Prima Classic

Hi-Res Booklet
As if trying to prove that opera's centre of gravity has changed, this new Traviata is from Latvia. Recorded in Riga between 24 March and 3 April 2019, it's the first studio recording of a Verdi opera for... 26 years. This production shows off today's great voices, with a moving Violetta from Latvian soprano Marina Rebeka, who has been singing this role very successfully on the great stages of the world since 2007 and meeting with great acclaim (she has already featured in a Naxos DVD of a live performance of La Traviata in Hanover). At her side, Alfredo is played by Charles Castronovo, one of the world's most sought-after lyrical tenors. He sang this role (also for a DVD recording) alongside Natalie Dessay at Aix-en-Provence. As for the Verdian baritone George Petean, he is also seen at Vienna, and at Covent Garden, the Metropolitan, Dresden and Zurich. At the stand, the young German lyrical orchestra conductor Michael Balke is on the up and up. After having led the Magdeburg Opera, he is currently the musical director at St. Gallen, in German- speaking Switzerland. And today he is gradually becoming more and more in- demand on the Tokyo stage and on stages across Europe. For musicians, making a record often means running a gauntlet. Following her international success, Marina Rebeka, like a great many artists today, turned the tables by creating Prima Classic, her own independent label, keeping her intellectual property rights and artistic independence over her work: all in order to enjoy total freedom in her own artistic choices. This Traviata is very polished both vocally and instrumentally, and it's one of the first outings for the new label. © François Hudry/Qobuz
From
HI-RES$24.70
CD$19.76

Rameau: Les Boréades

Václav Luks

Classical - Released September 11, 2020 | Château de Versailles Spectacles

Hi-Res Booklet
From
HI-RES$21.99
CD$15.49

Lully: Armide

Les Talens Lyriques

Classical - Released March 24, 2017 | Aparté

Hi-Res Booklet Distinctions 4F de Télérama - Gramophone Editor's Choice
From
HI-RES$21.99
CD$16.99

Camille Saint-Saëns: Phryné

Hervé Niquet

Opera - Released February 11, 2022 | Bru Zane

Hi-Res Booklet
Everyone knows Camille Saint-Saëns has a great sense of humour thanks to his Carnaval des Animaux in which no one escapes ridicule, not even him. Now the Palazzetto Bru Zane Foundation and Hervé Niquet have unearthed Phryné, a forgotten comic opera from 1893 enriched with recitatives composed by André Messager three years later.Received with immense and lasting success in its time, this brilliant work eventually fell into the abyss, never to be seen again. Fortunately, fans of Saint-Saëns made great efforts to rediscover his works on the centenary of his death in 2021. Phryné captures the "Grecomania" that was prevalent in all the arts in France at this time, especially in Offenbach’s music and even in architecture (just think of the beautiful Parisian district of New Athens in the 9th arrondissement). Ironically, and perhaps a little cheekily, Saint-Saens confessed that he was “working on this little piece with infinite pleasure” and was infatuated with this courtesan musician who had served as a model for the sculptor Praxitele.Always keen to discover a forgotten repertoire, Hervé Niquet brought together a few singers, Florie Valiquette, Cyrille Dubois, Anaïs Constans and Thomas Dolié, to breathe some life back into Phryné with his Concert Spirituel, with the aim of producing a concert version to be performed in the Opéra de Rouen Normandie in 2021. Though Lucien Augé’s libretto may seem tasteless today with its hefty dose of misogyny, Saint-Saens’ music is simply delicious, with a succession of arias and ensembles. This modest and charming opera-comedy, which Charles Gounod so enjoyed, offers a less serious and less academic take of a composer that well and truly deserves to be rediscovered. © François Hudry/Qobuz
From
CD$19.77

Thalberg: Piano Works

Francesco Nicolosi

Classical - Released May 14, 2021 | Naxos

Booklet