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Gloire Immortelle !

Hervé Niquet

Classical - Released November 17, 2023 | Château de Versailles Spectacles

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Ravel: Complete Orchestral Works by Manuel Rosenthal

Manuel Rosenthal

Classical - Released December 31, 2021 | Alexandre Bak - Classical Music Reference Recording

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David: Le désert

Orchestre de chambre de Paris, Accentus, Laurence Equilbey

Classical - Released January 26, 2015 | naïve classique

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Stravinsky: L' Oiseau de feu, Le Sacre du printemps, Perséphone

Michael Tilson Thomas

Symphonic Music - Released January 1, 1999 | RCA Red Seal

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Couperin: Portrait d'Iris, Suites pour viole de gambe et pièces de clavecin

Emmanuelle Guigues

Classical - Released April 9, 2010 | Paraty Productions

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Charpentier: Pastorale de Noël - Antiennes O de l’Avent

Sébastien Daucé

Sacred Vocal Music - Released October 21, 2016 | harmonia mundi

Hi-Res Booklet Distinctions 5 de Diapason - 4F de Télérama
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Verdi: Don Carlos

Orchestra del Teatro della Scala di Milano

Classical - Released January 1, 2013 | Deutsche Grammophon (DG)

Abba père

Collectif Cieux Ouverts

Miscellaneous - Released April 13, 2017 | Premiere Partie Music

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Intégrale (exclus À 17 ans "At Seventeen", En duo avec Claude François

Sheila

Pop - Released October 30, 2006 | Warner (France)

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Paris

Hubert-Félix Thiéfaine

French Music - Released February 3, 1995 | Tristar

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Charpentier: Pastorale de Noël – Grandes Antiennes O de l’Avent

Ensemble Correspondances

Classical - Released October 29, 2016 | harmonia mundi

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Assoiffés du ciel

Embrase nos coeurs

Miscellaneous - Released December 10, 2011 | Premiere Partie Music

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Stravinsky: Les Noces

Rias Kammerchor

Classical - Released June 22, 2015 | harmonia mundi

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Albert Camus - l'étranger (texte intégral lu par l'auteur)

Albert Camus

Literature - Released June 19, 2020 | Frémeaux Librairie

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La baie Tutti Frutti

Cry Babies en Français

Comedy/Other - Released January 20, 2023 | IMC Toys

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Le temps qu'il faut

Ecole Pierre

Hip-Hop/Rap - Released June 10, 2022 | Premiere Partie Music

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Karol Szymanowski: Piano Works

Krystian Zimerman

Classical - Released September 30, 2022 | Deutsche Grammophon (DG)

Hi-Res Booklet Distinctions Diapason d'or - Choc de Classica
Recordings by Polish pianist Krystian Zimerman are a rare event, and eagerly awaited by his many fans. They surely won’t be disappointed with this new opus that brings together Szymanowski, Zimerman and legendary pianist Arthur Rubinstein.Returning to his roots, Krystian Zimerman pays tribute to his compatriot Karol Szymanowski on the 140th anniversary of the composer’s birth. This selection of little-known works testifies to the importance of Szymanowski within the piano repertoire. A long twenty-eight years separate Zimerman's recording of Masques, Op. 34 (made in 1994 in Copenhagen) from the rest of the programme, which was recorded in 2022 in the exceptional acoustics of the Fukuyama Concert Hall near Hiroshima.Nevertheless, the considerable lapse of time between these recordings doesn’t detract from the album's coherence. This is thanks to Zimerman's fluid, clear and readable sound, which—as we know—leaves nothing to chance. This fascinating recording reveals various facets of Szymanowski's compositional genius and features both his mature and early works, all of which were influenced by the great Chopin.Composed during the First World War whilst staying at the family estate in Ukraine, the three parts of Masques evoke Debussy, Scriabin and Stravinsky. However, each movement is overlaid with the orientalist perspective so typical of the Polish composer. A few carefully chosen Préludes and Mazurkas stand alongside the splendid Variations on a Polish Folk Theme for piano, Op. 10, composed by a young Szymanowski still in the process of mastering his mother tongue. © François Hudry/Qobuz
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Pancrace Royer: Surprising Royer, Orchestral Suites

Les Talens Lyriques

Symphonic Music - Released May 5, 2023 | Aparté

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Beyond the neglect of French Baroque music in general, it is a bit hard to understand why composer Pancrace Royer was almost completely unknown until Christophe Rousset came along to champion him, first in harpsichord music and now, with these suites of music drawn from operas, in orchestral music. In the 18th century, Royer was quite well known and admired among others by Rameau, whose music he helped along considerably. Royer certainly inhabited Rameau's stylistic world, but from the evidence here, his music is distinctive and merits the adjective "surprising" that Rousset has attached to it. It is colorful, given to unexpected turns of harmony, and vivid in its evocation of the exotic scenes of French opera. Sample the "Air pour les turcs" ("Air for the Turks") from Zaïde, reine de Grenade, with its crackling percussion. Royer challenged his orchestra with virtuoso ensemble writing in the likes of the "Premier et second tambourins" from Almasis, and Rousset and Les Talens Lyriques step up with precise, vigorous readings that one imagines would have made the composer overjoyed. The inclusion of two alternate versions for movements from Zaïde is also unusual and gives insight into the compositional thinking of the day. Essential for specialists and enthusiasts interested in the French Baroque, this album is a lot of fun for anyone, with only overdone church sound detracting from the overall effect. © James Manheim /TiVo
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Bartók: Concerto for Orchestra

Karina Canellakis

Symphonies - Released April 28, 2023 | PentaTone

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Conductor Karina Canellakis was surrounded by a good deal of buzz when this live recording, her debut on the PentaTone label, was made in the summer of 2022, and the album is only going to increase the volume; it landed on classical best-seller charts in the spring of 2023. Bartók's Concerto for Orchestra was the ubiquitous modern music concert closer until fairly recently; now, the repertory is broader, but there are still plenty of alternatives for listeners wanting to hear this classic crowd-pleaser. Canellakis contributes something new to the dialogue, holding the Netherlands Radio Philharmonic Orchestra together through a fast, urgent performance. Sample the second movement of the Concerto for Orchestra, which will be a good deal faster than what listeners may be used to. There is evidence that this is how Bartók wanted it, however, and Canellakis proceeds confidently. The high speeds continue in the fourth movement, where the big melody has perhaps a bit too much tension, and through an exciting, high-intensity finale. It is a fresh, bold approach to the work that is well worth hearing and bodes well for Canellakis' time with this orchestra. The curtain-raiser is the set of Four Orchestral Pieces from the early period of Bartók's Bluebeard's Castle, a bit less distinctive but again showing excellent handling of Canellakis' new orchestra. PentaTone's live sound is clean and showcases the fine instrumental work on display here throughout. © James Manheim /TiVo