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Rossini: Il barbiere di Siviglia

Teresa Berganza

Opera - Released January 1, 1972 | Deutsche Grammophon (DG)

Hi-Res Booklet Distinctions The Qobuz Ideal Discography
This is a Barbiere "di qualità, di qualità": in fact, of very great quality indeed, from Deutsche Grammophon. Recorded in London in the summer of 1971, it is one of the first meetings of Claudio Abbado and the London Symphony Orchestra. It is also the first of Alberto Zedda's philological editions of Rossini's works, whose scores have been covered over by inherited errors for over a century. Getting rid of the additions which have, quite wrongly, become traditional, means restoring certain interruptions and the fine instrumentation of the period; and above all, singing and playing without exaggerations, thanks to an innate sense for the theatre. It's a spot of spring cleaning which has restored the youth of the 24-year-old composer's masterpiece. Bravo, signor barbiere, ma bravo! It is a dream record, with singers who are well-versed in the repertoire. Everyone is right where they need to be, from Teresa Berganza's wiley and cheeky Rosina, to the refined and hard-working Figaro played by Hermann Prey, via Luigi Alva's frivolous Count and the utterly ridiculous Basilio played by the outrageous Paolo Montarsolo. We're amused by their antics, as we admire the well-oiled and unstoppable machine of Rossini's theatre, under the unceasingly inventive and thrilling baton of Claudio Abbado. © François Hudry/Qobuz
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Rossini: The Barber of Seville

Erich Leinsdorf

Classical - Released March 31, 1997 | Living Stereo

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Rossini : Il Barbiere di Siviglia - La Cenerentola - L'Italiana in Algeri - Il viaggio a Reims

Claudio Abbado

Opera - Released January 1, 2012 | Deutsche Grammophon (DG)

Distinctions Diapason d'or / Arte - Choc de Classica - The Qobuz Ideal Discography
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Vincerò!

Gaetano Donizetti

Opera - Released January 1, 1995 | Replay Music Special

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Splende

Annalisa

Pop - Released February 12, 2015 | WM Italy

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Rossini: Il Barbiere di Siviglia

Hermann Prey

Classical - Released January 1, 1972 | Deutsche Grammophon (DG)

Distinctions The Qobuz Ideal Discography
This is a Barbiere "di qualità, di qualità": in fact, of very great quality indeed, from Deutsche Grammophon. Recorded in London in the summer of 1971, it is one of the first meetings of Claudio Abbado and the London Symphony Orchestra. It is also the first of Alberto Zedda's philological editions of Rossini's works, whose scores have been covered over by inherited errors for over a century. Getting rid of the additions which have, quite wrongly, become traditional, means restoring certain interruptions and the fine instrumentation of the period; and above all, singing and playing without exaggerations, thanks to an innate sense for the theatre. It's a spot of spring cleaning which has restored the youth of the 24-year-old composer's masterpiece. Bravo, signor barbiere, ma bravo! It is a dream record, with singers who are well-versed in the repertoire. Everyone is right where they need to be, from Teresa Berganza's wiley and cheeky Rosina, to the refined and hard-working Figaro played by Hermann Prey, via Luigi Alva's frivolous Count and the utterly ridiculous Basilio played by the outrageous Paolo Montarsolo. We're amused by their antics, as we admire the well-oiled and unstoppable machine of Rossini's theatre, under the unceasingly inventive and thrilling baton of Claudio Abbado. © François Hudry/Qobuz
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Vinceró , Great Opera Arias

Giacomo Puccini

Classical - Released June 24, 2011 | Piros - Send

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Vincerò!

Piotr Beczala

Opera - Released May 15, 2020 | PentaTone

Hi-Res Booklet
Vinceró! , "I will win!". A whole program is hidden behind the famous and peremptory injunction that Calaf gives himself to conquer the love of the intractable Princess Turandot. It is under this banner, in the form of a bet, that Piotr Beczala places his first Pentatone recital, illustrating his evolution from the lyrical tenor repertoire to the dramatic roles of verismo. Puccini features prominently on this album with the famous arias from Tosca, Manon Lescaut, La Fanciulla del West, Edgar, Gianni Schicchi, Madame Butterfly and, of course, Turandot, which the star-studded Polish tenor had not yet performed on stage. Recorded in 2019 at the Queen Sofia Palace of Arts in Valencia with the Orquestra de la Comunitat Valenciana conducted by Marco Boemi, this recital also features some verismo composers from the end of the 19th century: Cilea, Mascagni, Giordano and Leoncavallo. A new turning point for Piotr Beczala, who will continue to play Radames and Lohengrin in Zurich and New York © François Hudry/Qobuz
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Scarlatti, A.: Giuditta (La) [Opera]

Sophie Landy

Opera - Released January 1, 2009 | Dynamic

Vincero

Amaury Vassili

Pop - Released February 17, 2009 | Warner (France)

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One of the year's more notable if not outstanding revelations for French classical crossover fans, Vincerò marks the debut album of 19-year-old prodigy Amaury Vassili, whose vocal prowess is a wonder to behold. In the course of 12 songs in around 45 minutes, Vassili proves himself not only a gifted tenor, but versatile, as well. He sings both French- and Italian-language material, and even throws in a couple English-language standards for good measure. The couple English-language songs, Queen's "Who Wants to Live Forever" and Leonard Cohen's "Hallelujah," are somewhat surprising in that they're both shopworn standards most likely to be heard on an episode of Nouvelle Star than a typical French classical crossover album, but that's precisely why they're such pleasant inclusions. They're welcome reminders that Vassili is still a teenager and presumably doesn't take himself too seriously. Then again, this is a classical crossover album after all, and songs like these as well as "Parla Più Piano," the Italian-language version of "Speak Softly Love (Love Theme from the Godfather)," are ideal material for crossing over to the popular music marketplace from the realm of classical, which is represented here by a bit of Beethoven on "Fragile." In collaboration with producer Quentin Bachelet, composers Davide Esposito, and Stanislas Renoult -- both of whom are recording artists themselves, the latter best known as simply Stanislas -- are tasked with crafting original material for Vincerò. While the three Renoult contributions ("Vincerò," "Un Angelo," "Per Te") aren't especially remarkable, Esposito is credited with the front-loaded highlights "Lucente Stella" and "Io Ti Amerò."© Jason Birchmeier /TiVo
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Vincerò, perderò

Mario Frangoulis

Classical - Released May 31, 2002 | Sony Classical

Vincero

Amaury Vassili

Pop - Released March 23, 2009 | Warner (France)

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One of the year's more notable if not outstanding revelations for French classical crossover fans, Vincerò marks the debut album of 19-year-old prodigy Amaury Vassili, whose vocal prowess is a wonder to behold. In the course of 12 songs in around 45 minutes, Vassili proves himself not only a gifted tenor, but versatile, as well. He sings both French- and Italian-language material, and even throws in a couple English-language standards for good measure. The couple English-language songs, Queen's "Who Wants to Live Forever" and Leonard Cohen's "Hallelujah," are somewhat surprising in that they're both shopworn standards most likely to be heard on an episode of Nouvelle Star than a typical French classical crossover album, but that's precisely why they're such pleasant inclusions. They're welcome reminders that Vassili is still a teenager and presumably doesn't take himself too seriously. Then again, this is a classical crossover album after all, and songs like these as well as "Parla Più Piano," the Italian-language version of "Speak Softly Love (Love Theme from the Godfather)," are ideal material for crossing over to the popular music marketplace from the realm of classical, which is represented here by a bit of Beethoven on "Fragile." In collaboration with producer Quentin Bachelet, composers Davide Esposito, and Stanislas Renoult -- both of whom are recording artists themselves, the latter best known as simply Stanislas -- are tasked with crafting original material for Vincerò. While the three Renoult contributions ("Vincerò," "Un Angelo," "Per Te") aren't especially remarkable, Esposito is credited with the front-loaded highlights "Lucente Stella" and "Io Ti Amerò."© Jason Birchmeier /TiVo

Vinceró

Gregory Kunde

Classical - Released May 19, 2017 | Universal Music Spain S.L.

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Vincero!

Glen Kowarsky

Classical - Released August 30, 2017 | Glen Kowarsky

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Turandot, SC 91: "Nessun Dorma (Vincerò)"

Luca Rasca

Classical - Released June 30, 2023 | Halidon

Vincero

Amaury Vassili

Pop - Released March 23, 2009 | Warner (France)

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Vincero

Franco Corso

Pop - Released December 1, 2020 | Franco Corso

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Vincero - New Wonderful Melodies

Hanno Herbst

Classical - Released June 20, 2008 | hanno herbst verlag

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Vincerò

Ignacio Prieto

Opera - Released December 20, 2020 | Ignacio Prieto

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Vincerò domani

RAM Antonio Mazzoccoli

Pop - Released April 11, 2024 | iMD-RAM

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