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Soaked in Colour. From Purcell to Queen

Isabel Pfefferkorn

Classical - Released June 2, 2023 | Fuga Libera

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Vessels 2.0

Starset

Rock - Released September 28, 2018 | Fearless Records

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Spreading the Plague

Rage

Metal - Released September 30, 2022 | Steamhammer

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Schumann : Einsamkeit - Lieder

Matthias Goerne

Lieder (German) - Released March 31, 2017 | harmonia mundi

Hi-Res Booklet Distinctions Choc de Classica - 5 Sterne Fono Forum Klassik
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Robert & Clara Schumann Lieder - Frauenliebe und -Leben

Barbara Bonney

Classical - Released January 1, 1997 | Decca Music Group Ltd.

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Lotosblume

Die Flippers

Germany - Released September 23, 2022 | Sony Music Catalog

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Lotosblume

Die Flippers

Techno - Released February 23, 2024 | Sony Music Catalog

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Lotosblume

Die Flippers

Pop/Rock - Released July 27, 1992 | Ariola

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Dirty Minds

Jan Philip Schulze

Classical - Released February 21, 2020 | Challenge Classics

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Japan

Marcus Creed

Choral Music (Choirs) - Released August 9, 2019 | SWR Classic

Booklet Distinctions 5 de Diapason - 5 Sterne Fono Forum Klassik
Armed with over 2,000 years of history, Japan has been able to develop its own musical language, with forms of expression that are linked tightly to theatre and dance. The country's recent westernisation has contributed to the emergence of a new style which takes on board both Japanese roots and outside influences. This album offers a selection of choral works composed after 1950, in a period when many Japanese composers were gradually liberating themselves from outside influences.That was the case with Toshio Hosokawa (born in 1953) who started out writing in the "western avant-garde style", before taking inspiration from the traditional music of his homeland. The Lotus, based on the Buch der Lieder by Heinrich Heine which Schumann set to music, uses a vocal ensemble and light, discreet percussion, Japanese singing bowls and wind chimes.Töru Takemitsu (1930-1996) is thought of as one of Japan's greatest composers, both at home and around the world. While few, his choral works are very evocative and call up childhood memories, and the "sakura" (cherry blossom) of the popular songs that he arranges in his own style. His music possesses a fascinating subtlety.Michio Mamiya (born 1929) turned early in life to the study of folk music, in the manner of Bartók and Kodály. He collects and transcribes the songs of the oral tradition, which he then works into his music. Finally, Jô Kondô (born 1947) takes inspiration from the great Flemish polyphonists like Johannes Ockeghem, setting modern Japanese literary texts to music. His complex music at once reinforces and hides the ambiguities of the poem, with constant changes in rhythm and a polytextuality inherited from western medieval music. © François Hudry/Qobuz
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6°30′33.372″N 3°22′0.66″E

Emeka Ogboh

Electronic - Released July 29, 2022 | Danfotronics

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Typisch untypisch

Viera Blech

Pop - Released May 6, 2022 | Tyrolis

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Schumann : Myrthen

Christian Gerhaher

Classical - Released October 11, 2019 | Sony Classical

Hi-Res Booklet Distinctions 5 de Diapason
Although he's alone on the cover, baritone Christian Gerhaher has given a lot of space over to soprano Camilla Tilling in his Schumann record. And so the original tones – and therefore the cycle's structure – are preserved. The voices mingle and their dialogue reminds us that these Lieder were presented to Clara like a wedding bouquet. The sound recording sometimes plunges both voice and piano into a maelstrom of noise. But happily, the performers offer an amorous reading of these poems borrowed from Goethe, or Rückert, or Burns. Both singers savour each consonant and give the poems a resounding, perfect pronunciation, and an unerring sense of diction (take Camilla Tilling's oh-so-sensual repetition of Kuß in Die Lotosblume, every bit as distracting as Margaret Price's), and of recital (the successive episodes of Hochländers Abschied take life in the hands of Christian Gerhaher, a virtuoso of nuance). With accompaniment from pianist Gerold Huber, they have created a very fine record that brings to life that marvellous poet of sound, Schumann. © Elsa Siffert/Qobuz
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Robert and Clara Schumann: Lieder

Wolfgang Holzmair

Classical - Released January 1, 2002 | Universal Music Australia Pty. Ltd.

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Schumann, R.: 3 Romanzen, Op. 94 / Fantasiestücke / 5 Pieces in Folk Style / Myrthen

Karl-Heinz Steffens

Chamber Music - Released January 1, 2003 | Tudor

Karl-Heinz Steffens -- principal clarinet of Symphonieorchester des Bayerischen Rundfunks from 1989 through 1999 and clarinet soloists of the Berliner Philharmoniker from 2000 on -- is exactly the kind of German clarinet player who ought to have a big label recording contract: a technically impeccable, tonally delectable, interpretatively soulful player at home in the great German clarinet repertoire. But, since the big labels aren't about to record German clarinet players -- not enough money in it, perhaps -- Steffens is signed to the Swiss Tudor label to make records of the great German clarinet repertoire. On this disc, Steffens has somehow contrived to record most of Schumann's works for clarinet, a small body of works consisting largely of transcriptions and arrangements of works for other instruments. That's alright: with Steffens' fluent technique, melting tone, and warm interpretations, they all sound lovely from the composer's arrangement of the Three Romances for oboe and piano, Op. 94, which opens the disc to the Three Fantasiestücke, Op. 73, originally written for clarinet and piano that closes it. Perhaps most charming of all are the transcriptions of six lieder, especially the achingly beautiful "Im wunderschönen Monat Mai" from Dichterliebe that sounds even more plaintively longing on the clarinet. Steffens' accompanist is Karina Wisniewska, who supports him with care and compassion throughout and who shines on her own and in the third movement of the Fantasie, Op. 17, making the listener yearn for a whole disc by this wonderful player. Tudor's sound is deep, full, and round. © TiVo
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Schumann: Lieder

Margaret Price

Classical - Released January 1, 2016 | Orfeo

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Schumann: Myrten, Op. 25

Sophie Koch

Classical - Released June 15, 2009 | Cascavelle

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47/13:0 für die Teufelskicker!

Teufelskicker

Children - Released November 22, 2013 | EUROPA