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Schubert : Winterreise (Voyage d'hiver)

Dietrich Fischer-Dieskau

Classical - Released February 23, 2018 | Warner Classics

Distinctions Diapason d'or
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Schubert: Voyage d'hiver

Victoire Bunel

Classical - Released January 12, 2024 | B Records

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Schubert: Winterreise

Cyrille Dubois

Art Songs, Mélodies & Lieder - Released December 1, 2023 | NoMadMusic

Hi-Res Booklet Distinctions 4F de Télérama
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Schubert: Winterreise

Joyce DiDonato

Classical - Released April 9, 2021 | Warner Classics

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World famous mezzo-soprano Joyce DiDonato and conductor-pianist Yannick Nézet-Séguin join forces to take on one of the most brilliant song cycles ever written: Schubert's Winterreise. DiDonato, however, casts a different light on this beloved cycle of 24 songs in telling their story from the perspective of the woman, the lost love. Nancy Plum, from Town Topics (Princeton) writes: "The question of what happened to the woman who sent the narrator on a tortuous journey was not answered in the Wilhelm Müller poetry from which Schubert drew the text, but DiDonato created a scenario onstage of being that woman, reading from the narrator's journal and responding to the inherent despair". "What stood out was the heavy emotion that came through in her singing, as she lingered on a syllable here, pressed her tone there. She created vivid feelings with her contrasts", wrote The New York Classical Review about Joyce Didonato's interpretation. © Warner Classics
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Schubert: Die schöne Müllerin, Winterreise & Schwanengesang

Nathalie Stutzmann

Classical - Released November 10, 2014 | Erato - Warner Classics

Booklet Distinctions 4F de Télérama
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Schubert: Winterreise, Op. 89, D. 911 (Live)

Ian Bostridge

Classical - Released August 1, 2019 | PentaTone

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Just like Pears and Britten, Ian Bostridge worked with the composer Thomas Adès on this recording of Schubert's Winterreise, made at a concert at London's famous Wigmore Hall in 2018. With his unique voice and style, the British singer divides opinion. Love him or hate him, he evokes strong feelings. As we fall into the former camp, we couldn't recommend this recording strongly enough. It is very different from the studio version recorded some years before for EMI, with the great Norwegian pianist Leif Ove Andsnes. Compared to that splendid record, this new version is simpler, almost calmer. Thomas Adès makes use of original manuscripts to build a fine accompaniment, that gives voice to the overwhelming melancholy of the young composer who knows himself to be doomed. Fatal wanderings, seen through a lens of solitude, regret and resignation. The first volume of a trilogy which will eventually bring together Schubert's great cycles, in live recordings by these same musicians. © François Hudry/Qobuz
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Un Jour Si Blanc

François Couturier

Jazz - Released January 25, 2010 | ECM

The title of François Couturier's album, Un Jour Si Blanc, comes from a poem by Soviet filmmaker Andreï Tarkovsky, an artist with whom the pianist is fascinated and whose work was the inspiration for his entire 2006 album, Nostalghia: Song for Tarkovsky. The French pianist has devoted most of his career to jazz, but he obviously knows the classical repertoire well because in previous albums he has made musical references to composers as diverse as Pergolesi, Beethoven, Schoenberg, and Schnittke. That broad frame of reference gives his music an uncommon expressive scope, and the selections on this album offer an impressive stylistic and emotional range. It's possible to hear the influence of Messiaen in L'aube, Ligeti in the crystalline chromatic sections of the title track, and sultry hints of Piazzolla in Voyage d'hiver, but there is no sense of appropriation because the voice is always Couturier's own. His dazzlingly crisp technique gives him the freedom to explore and create pianistic figures that would be out of the reach of all but the most virtuosic players. In the more meditative pieces, he plays with a mesmerizing, unhurried serenity and flexibility; it almost feels like it's possible to hear him listening. Couturier can be heard quietly vocalizing in the more intense passages, but it's no distraction. The album should appeal to fans of both jazz and new classical music with a taste for the adventurous. ECM's sound is characteristically clean, clear, and immediate. © TiVo
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Schubert: Die Winterreise

Andreas Staier

Vocal Music (Secular and Sacred) - Released August 29, 1997 | Warner Classics International

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Schubert: Winterreise, D. 911

Jos Van Immerseel

Classical - Released January 1, 1990 | Channel Classics

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Schubert: Winterreise

Brigitte Fassbaender

Classical - Released January 1, 2002 | Warner Classics

Schubert knew madness. He knew it to the depths of his soul and feared it. And out of his fear he wrote the greatest monument to love lost, to death lost, to madness found. He wrote Die Winterreise, the most hopeless art work ever conceived by the despairing mind of man.Speaking of madness, is Brigitte Fassbaender nuts? A woman singing Winterreise? Although it could be argued that women are capable of experiencing the emotions of Schubert's cycle, a woman interpreting those oh-so-macho emotions is hard for most men to believe. "Nevertheless," as Galileo said, "it moves." "Can a woman interpret those emotions?" is an absurd question. Lotte Lehmann did so, and did so superbly more than 50 years ago. But, to answer the question "is Brigitte Fassbaender nuts?" the answer is "yeah, d'you've a problem with that?" After all, aside from the singer's gender and other pointless concerns, what's the most important psychological characteristic a human being needs to sing Winterreise? He/she has to be crazy or at least act the part. Fassbaender may not be crazy, but she can act. More to the point, she can act and sing and thereby convince, no, compel belief in her audience. Fassbaender's is one of the great Winterreises.© TiVo
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Schubert: Winterreise, Op. 89, D. 911 (Live)

Dietrich Fischer-Dieskau

Classical - Released October 28, 2013 | Orfeo

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Schubert: Winterreise

Mark Padmore

Classical - Released January 19, 2018 | harmonia mundi

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Recorded in the Mennonite (Anabaptist) church in Haarlem, the Netherlands, this recording unfolds in very reverberant acoustic surroundings, giving it a slightly unreal aura that is perfectly suited to the sad, timeless poems of Wilhelm Müller's Winter Journey (Winterreise) set to music by Franz Schubert.Whether it's a dream or a nightmare, the overwhelming density of Schubert's message calls for artists who can embody this hopeless solitude. Mark Padmore had already recorded the cycle with Paul Lewis playing a modern piano. Kristian Bezuidenhout's personality, and his Viennese pianoforte, and Mark Padmore's light tenor voice (probably close to the one in which Schubert sang this cycle) give these pages an even more touching gravity, as they take aim at the prime of youth.The complicity and the mutual listening between the singer and the pianoforte form the basis of these two artists' work. The perceptible affectation in the singer's art is tempered by the simplicity and unfailing support of the pianoforte accompaniment. Here, this surprising romantic wandering takes on unusual and disconcerting resonances, opening up unsuspected horizons. © François Hudry/Qobuz
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Schubert: Winterreise, D. 911

Leif Ove Andsnes

Classical - Released January 1, 2000 | Warner Classics

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Hans Hotter - Gerald Moore

Hans Hotter

Classical - Released January 1, 1987 | Warner Classics

Distinctions The Qobuz Ideal Discography
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Schubert: Winterreise

Edwin Crossley-Mercer

Art Songs, Mélodies & Lieder - Released June 1, 1990 | Mirare

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Schubert: Die Winterreise, D.911

Hans Hotter

Classical - Released January 1, 1992 | Deutsche Grammophon (DG)

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Schubert: Winterreise

Dietrich Fischer-Dieskau

Classical - Released January 1, 1965 | Deutsche Grammophon (DG)

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Hope@Home

Daniel Hope

Classical - Released August 14, 2020 | Deutsche Grammophon (DG)

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It's not entirely clear where Daniel Hope's 2020 album Hope@Home was recorded: the location, except for one track recorded at the Frauenkirche in Dresden, is given merely as "Berlin." If it was indeed recorded at the violinist's home, he has a space with an unusually live acoustic that is somewhat at odds with the impression of intimacy that he seeks to convey. That's one of the few complaints here, however, for Hope has, in many ways, made a virtue of necessity. His program is built around a long list of guests, as if in the manner of a home musical soirée, including both instrumentalists and singers. The pianist on the majority of the tracks is Christoph Israel, who also serves as arranger, and it is the variety of these that really makes the album. Hope manages to pull off the idea of having a large group of talented house guests experimenting at the piano, and this is not easy to do with a convincing quality of spontaneity. Consider the unusual combination of Falla's "Asturiana" with Rudyard Kipling's poem "If," spoken by Iris Berben, or a yet more unexpected America the Beautiful. The main sequence of the program consists of a mix of classical (Schubert and Brahms) and popular American, British, and continental European songs. It may be calibrated to appeal to varied audiences, but it is relaxed, fun, often ingenious, and quite lovely.© James Manheim /TiVo
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L'art d'Aldo Ciccolini (Scarlatti, Schubert, Chopin, Liszt...)

Aldo Ciccolini

Solo Piano - Released September 28, 2018 | Cascavelle

Distinctions 5 de Diapason
« The title does not lie: it is really "the art" of the Italian master who shines in this box, [...] showing the artist in a surprising form when he was already nearly eighty years old. [...] A rich complement to the sum published in 2009 by Warner. » (Translated from French – Diapason, janvier 2019 / Bertrand Boissard)
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Schubert: Winterreise

Thomas Quasthoff

Classical - Released August 1, 1998 | RCA Red Seal