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Father & Son (Schubert, Brahms, Schumann...)

Christoph Prégardien

Lieder (German) - Released November 21, 2014 | Challenge Classics

Booklet Distinctions 5 de Diapason - 5 Sterne Fono Forum Klassik
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Schubert Revisited: Lieder Arranged for Baritone and Orchestra

Matthias Goerne

Classical - Released January 6, 2023 | Deutsche Grammophon (DG)

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Pianist Alexander Schmalcz has performed alongside many famous singers during his career and is also a talented arranger. At the request of Matthias Goerne, he orchestrated Schubert’s lieder in the spirit of similar works by Berlioz, Reger, Liszt and Webern. Matthias Goerne has performed these orchestrations in numerous concerts, both in Europe and in New York, as part of the Mostly Mozart Festival.Schmalcz’s arrangements are both rigorous and conscientious. They’re perfect for Matthias Goerne’s dark tone, which is particularly graceful on this recording made in October 2019 with the Deutsche Kammerphilharmonie Bremen. Over the years, the German baritone’s voice has become even more well-rounded, finding deep golden bass tones.The orchestration gives these 20 lieder exceptional weight, further emphasised by the mellowness of the strings, the darkness of the trombones and the sometimes ominous use of the timpani. This orchestration plunges Schubert’s music into a romantic universe similar to lieder by Brahms and even Wolf, especially in Songs of the harpist (Gesänge des Harfners), The Erl-King (Erlkönig) and the famous lieder Death and the maiden (Der Tod und das Mädchen). The anachronism of these arrangements is magnified by the silky accompaniment of the Deutsche Kammerphilharmonie Bremen and Matthias Goerne’s stunning vocals. © François Hudry/Qobuz
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Schubert: Lieder with Orchestra

Munich Radio Orchestra

Classical - Released October 6, 2023 | BR-Klassik

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One might react to this album with initial annoyance and ask whether it is really necessary to hear orchestrated versions of Schubert's supremely pianistic songs. It may come as a surprise, then, to find that most of these Lieder with Orchestra were arranged by great composers. They include Benjamin Britten, Jacques Offenbach, and Max Reger, who took on the job because, he said, he hated to hear a piano-accompanied song on an orchestral program. Perhaps the most surprising name to find is that of Anton Webern, but his arrangements are not the minimal, pointillistic things one might expect; he wrote these arrangements as a way of studying Schubert's music, and they are quite straightforward. Indeed, it is somewhat difficult to distinguish the arrangers simply by listening to the music; Schubert's melodic lines tend to suggest distinctive solutions. Perhaps Reger's are a bit more lush than the others, although his version of Erlkönig, D. 328, is one of the few numbers here that just doesn't work (there is no way to replicate the percussive quality of the accompaniment). As for the performances as such, Benjamin Appl is clearly an important rising baritone, and he has a wonderful natural quality in Schubert. An oddball release like this might seem an unusual choice for a singer in early career, but he contributes his own notes, and he seems to have undertaken the project out of genuine enthusiasm for the material. At the very least, he has brought some intriguing pieces out of the archives and given them highly listenable performances. The Munich Radio Orchestra, under the young Oscar Jockel, is suitably restrained and keeps out of Appl's way. This release made classical best-seller lists in the autumn of 2023.© James Manheim /TiVo
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Schubert : String Quintet - Lieder

Quatuor Ébène

Classical - Released April 8, 2016 | Erato - Warner Classics

Hi-Res Booklet Distinctions 5 de Diapason - 4F de Télérama - Gramophone Editor's Choice - Choc de Classica - 5 Sterne Fono Forum Klassik
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Wanderer Without Words

Juliette Journaux

Classical - Released September 29, 2023 | Alpha Classics

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Der Tod und das Mädchen & Songs

Goldmund Quartet

Classical - Released May 26, 2023 | Berlin Classics

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Schubert in Love

Rosemary Standley

Classical - Released September 11, 2020 | Alpha Classics

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A few years after the success of her album crossing Baroque music with folk, "Love I Obey", the Franco-American singer Rosemary Standley visits Schubert, this time with the complicity of the Ensemble Contraste: “We all have a few notes of Schubert buried deep inside us,” say the artists, who have got together around his music and brought it to an original sound texture, the result of their varied influences- classical, pop, jazz, folk. They have picked some of the best-known lieder and universally loved instrumental pieces, incorporating in them rhythms from other countries and instruments unusual in this repertory: the jazz trumpet of Airelle Besson, the guitar of Kevin Seddiki, the percussion of Jean-Luc Di Fraja join forces with the viola of Arnaud Thorette, the piano, cello and double bass of Ensemble Contraste - not forgetting the exceptional participation of the soprano Sandrine Piau, who joins Rosemary Standley for several duets. The arrangements are by Johan Farjot. © Alpha Classics
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Schubert: Der Tod und das Mädchen

Jerusalem Quartet

Classical - Released April 7, 2008 | harmonia mundi

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Schubert: Rosamunde & Der Tod und das Mädchen

Quatuor Hermès

Quartets - Released October 1, 2021 | La Dolce Volta

Hi-Res Booklet Distinctions Choc de Classica
At the end of 1822, Schubert learnt that he had contracted a venereal disease. His hopes were "dashed", friendship and love became "torture". He threw all his energy into his work and embarked on the most profound portion of his oeuvre. This was the period of the song cycle Die schöne Müllerin, followed in 1824 by the "Rosamunde" Quartet, the Arpeggione Sonata and "The Death and the Maiden" Quartet. He left more and more works unfinished, but everything he did complete now took on a new dimension. His quartets are no longer for "accompanied first violin": they gain in expressiveness, power and symphonic richness. The String Quartet No. 13 in A minor, D. 804, "Rosamunde", was the only one printed and performed in public during Schubert’s lifetime. It is a work uttered in a murmur, with its tremolos, its unison melodies, its modulations. This string quartet is deeply touching in its confidences devoid of vehemence or drama. A nocturnal hymn to yearning, it is fragile and should be performed neither too desolately nor too lightly, always playing on the ambiguity between dewdrops and tears. The String Quartet No. 14 in D minor D810, "Death and the Maiden", is a work dictated by despair. Schubert concurs with Mozart’s remark that death is humanity’s best friend. He composed his quartet in D minor, the key of the Mozart Requiem. The highly dramatic first movement is a struggle for life. In the second movement, Death is accepted. The drama returns in the third movement, now tinged with irony. And the work ends with a Dance of Death, a Presto in the form of a tarantella (the Italian dance invented to cure the bite of the tarantula). The final chord affirms D minor. There is no doubt about the tragic outcome. © La Dolce Volta
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Schubert: Die Freunde von Salamanka, D. 326; Der Spiegelritter, D. 11

Edith Mathis

Classical - Released February 23, 2024 | Archiv Produktion

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Franz Schubert : Wanderers Nachtlied (Lieder, vol. 8)

Matthias Goerne

Lieder (German) - Released February 10, 2014 | harmonia mundi

Hi-Res Booklet Distinctions Diapason d'or / Arte - Choc de Classica
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Nostalgia

Magdalena Kožená

Classical - Released October 9, 2021 | PentaTone

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Songs of love, longing and innocence. On this third Pentatone album "Nostalgia", Magdalena Kožená presents Bartók’s Village Scenes, Mussorgsky’s The Nursery and a selection of Brahms songs, together with acclaimed pianist Yefim Bronfman. Sung in Slovak, Russian and German, these songs on love, longing and innocence show three master composers transforming folk traditions into their unique musical styles. Kožená demonstrates her vocal mastery once more, and this recording with Bronfman is the result of a two-decades-spanning congenial artistic partnership. © Pentatone
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Schubert: Die schöne Müllerin, Winterreise & Schwanengesang

Nathalie Stutzmann

Classical - Released November 10, 2014 | Erato - Warner Classics

Booklet Distinctions 4F de Télérama
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Schubert: Lieder

Jessye Norman

Classical - Released September 24, 1985 | Decca Music Group Ltd.

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My Mother's Songbook

Elena Rozanova

Classical - Released March 18, 2022 | Evidence (LTR)

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Liszt devoted more than half his output to the transcription. This latter covers a vast field of compositions, from the symphonies of Beethoven to Berlioz, Bach, Lassus and his contemporaries, as well as his own works. Here Elena Rozanova brings together some of his transcriptions of lieder by Schubert, Schumann and Chopin, well-known or not so well-known, that have cradled her childhood. From these virtuoso pieces we can feel the art of Liszt, who manages to preserve the quintessence of the original works and to transcend the words. © Evidence
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Schubert: Der Tod und das Mädchen

Talich Quartet

Classical - Released January 1, 1994 | Phaia Music

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Heimweh: Schubert Lieder

Anna Lucia Richter

Classical - Released February 1, 2019 | PentaTone

Hi-Res Booklet Distinctions Gramophone Editor's Choice
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Schubert Sessions: Lieder with Guitar

Franz Schubert

Vocal Music (Secular and Sacred) - Released October 14, 2016 | Groupe Analekta, Inc

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Schubert: String Quintet, Op. 163 & Lieder

Quatuor Ébène

Classical - Released April 8, 2016 | Erato - Warner Classics

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Recording Franz Schubert's String Quintet in C major, D. 956, is a major achievement for most string players, and Quatuor Ebène's performance with cellist Gautier Capuçon on Erato is a high point in their discography. Playing with great transparency and alertness, the quintet delivers a vital performance that captures the rarefied, almost mystical quality of Schubert's late masterpiece while maintaining a sense of urgency and, at times, explosive energy. This is to be expected of a world-class string quartet, and it's probably more than enough effort for a single CD. Yet the program continues with a set of five of Schubert's lieder, sung by baritone Matthias Goerne and accompanied by Quatuor Ebène and double bassist Laurène Durantel, in arrangements by Raphaël Merlin. These versions for voice and strings were conceived in the spirit of the Schubertiades, on the idea that string players likely were in attendance and eager to join Schubert in impromptu music-making. While these transcriptions are speculative, they are certainly enjoyable for their beautiful tone and subdued feeling, and Goerne sings with warmth and expressiveness to match the subtle moods of the arrangements.© TiVo