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Schubert: Piano Sonata, D. 959 - Moments musicaux D. 780

Adam Laloum

Solo Piano - Released January 19, 2024 | harmonia mundi

Hi-Res Booklet Distinctions 4F de Télérama
Adam Laloum has offered low-key Schubert in the past, and it has gone against the current grain of finding big Beethovenian drama in Schubert. Here, in the Piano Sonata in A major, D. 959, he shifts gears a bit. His first movement involves flexible tempos and a good deal of general instability. Then he settles down, resulting in a first-movement-heavy treatment of the sonata. It is unusual and probably fulfills the goal of standing out from the large crowd of recordings of this late Schubert work. Perhaps stronger are the six Moments Musicaux, where Laloum's perfect control results in crystalline miniatures that truly entrance the listener if external thoughts are set aside. Sample the Allegro, D. 780, No. 3, a perfect miniature. Harmonia Mundi finds idiomatic sound at the Théâtre Auditorium de Poitiers but mikes Laloum too closely, picking up a good deal of non-musical noise. Laloum is perhaps a pianist who excels in music of small dimensions, a valuable thing in a field where heroics are usually what is valued, and he produces an excellent example here.© James Manheim /TiVo
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Schubert: Die schöne Müllerin

Samuel Hasselhorn

Art Songs, Mélodies & Lieder - Released September 22, 2023 | harmonia mundi

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This 2023 release inaugurates an ongoing series from baritone Samuel Hasselhorn and pianist Ammiel Bushakevitz, performing Schubert works two centuries on from their date of composition, and slated to culminate in 2028, the bicentennial of the composer's death. The project begins with one of the most famous Schubert song cycles of all, Die schöne Müllerin, D. 795, depicting the crackup and despair of a young wanderer who falls in love with a beautiful miller's daughter. Hasselhorn has plenty of recent competition in this cycle; listeners can sample the 2017 recording by Christian Gerhaher and Gerold Huber for another approach, but this one promises well for the ongoing project. Die schöne Müllerin is a work in which Schubert took vast strides toward the emancipation of the piano in the lied, and Bushakevitz leans into this aspect, with details that illuminate and often foreshadow themes developing in the text. Hasselhorn has a warm baritone with an appealing conversational tone that turns chilly and quiet toward the cycle's downer conclusion. Another draw is Harmonia Mundi's sound from the b-sharp studio in Berlin; the engineers put Bushakevitz just a bit forward in the mix, not so much as to sap energy from Hasselhorn's singing, but enough to highlight his perceptive performance. This release bodes well indeed for the duo's future work.© James Manheim /TiVo
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Schubert: Mass No. 6 in E-Flat Major

The Cleveland Orchestra

Masses, Passions, Requiems - Released September 1, 2023 | Cleveland Orchestra

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Discovering Mendelssohn

Christian Li

Classical - Released June 16, 2023 | Decca Music Group Ltd.

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Teenage violinist Christian Li has thus far recorded mostly well-trodden repertory, and the Mendelssohn Violin Concerto in E minor, Op. 64, certainly falls into that category. It is the centerpiece of Discovering Mendelssohn, but the program is filled out with a variety of materials that trace the cosmopolitan Mendelssohn's travels and also revive the 19th century type of concert, with orchestral and violin-and-piano pieces cheek by jowl, as well as a few audience-friendly arrangements of songs with and without words that include Yinuo Mu's harp and Xuefei Yang's guitar (in the charming concluding Venetian Gondola Song). This shows growth on Li's part, as does his confident rapport with the Melbourne Symphony Orchestra under Sir Andrew Davis, but really, the key to the album's success is that Li's performance of the Violin Concerto stands out from the crowd. He gets but does not overdo the sentiment in the big tunes, and he has an attractive precision in the high notes. Li places proper emphasis on the unusually placed cadenza in the concerto's first movement, loosening up and giving it improvisatory flair. He includes pieces by Mozart, Bach, and Schubert, all of which have more or less definite connections to Mendelssohn; this, too, supports the effort to create the atmosphere of a concert of Mendelssohn's time. An exciting young player takes a definite step forward with this enjoyable release. This album landed on classical best-seller charts in the summer of 2023.© James Manheim /TiVo
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Schubert: Winterreise

Dietrich Fischer-Dieskau

Classical - Released January 1, 1965 | Deutsche Grammophon (DG)

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Schubert: Winterreise

Cyrille Dubois

Art Songs, Mélodies & Lieder - Released December 1, 2023 | NoMadMusic

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Beethoven: Symphony No.6 "Pastoral" / Schubert: Symphony No.5

Wiener Philharmonic Orchestra

Classical - Released January 1, 1995 | Deutsche Grammophon (DG)

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Schubert: Lieder with Orchestra

Munich Radio Orchestra

Classical - Released October 6, 2023 | BR-Klassik

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One might react to this album with initial annoyance and ask whether it is really necessary to hear orchestrated versions of Schubert's supremely pianistic songs. It may come as a surprise, then, to find that most of these Lieder with Orchestra were arranged by great composers. They include Benjamin Britten, Jacques Offenbach, and Max Reger, who took on the job because, he said, he hated to hear a piano-accompanied song on an orchestral program. Perhaps the most surprising name to find is that of Anton Webern, but his arrangements are not the minimal, pointillistic things one might expect; he wrote these arrangements as a way of studying Schubert's music, and they are quite straightforward. Indeed, it is somewhat difficult to distinguish the arrangers simply by listening to the music; Schubert's melodic lines tend to suggest distinctive solutions. Perhaps Reger's are a bit more lush than the others, although his version of Erlkönig, D. 328, is one of the few numbers here that just doesn't work (there is no way to replicate the percussive quality of the accompaniment). As for the performances as such, Benjamin Appl is clearly an important rising baritone, and he has a wonderful natural quality in Schubert. An oddball release like this might seem an unusual choice for a singer in early career, but he contributes his own notes, and he seems to have undertaken the project out of genuine enthusiasm for the material. At the very least, he has brought some intriguing pieces out of the archives and given them highly listenable performances. The Munich Radio Orchestra, under the young Oscar Jockel, is suitably restrained and keeps out of Appl's way. This release made classical best-seller lists in the autumn of 2023.© James Manheim /TiVo
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Schubert: Schwanengesang

Andrè Schuen

Classical - Released November 18, 2022 | Deutsche Grammophon (DG)

Hi-Res Booklet Distinctions OPUS Klassik
After receiving huge praise for his debut album on Deutsche Grammophon, baritone Andrè Schuen continues his Schubert journey. Schubert's enigmatic final collection of songs, Schwanengesang, is the subject of Andrè Schuen and his longstanding accompanist Daniel Heide's second release for Deutsche Grammophon. Schuen calls Schwanengesang "my greatest love among the Schubert lieder. Especially the Heine settings; they move me the most!". © Deutsche Grammophon
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Wanderer Without Words

Juliette Journaux

Classical - Released September 29, 2023 | Alpha Classics

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Album d'un voyageur (Brahms, Grieg, Schubert, Janacek...)

Florian Noack

Solo Piano - Released April 13, 2018 | La Dolce Volta

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Among the many young talents which are currently developing on the musical scene, a select few are particularly spellbinding. One of these is Florian Noack whose generosity and solar brilliance shine through from the very first listening. His vivaciousness and curiosity are thrilling and infectious. His "twenty-five" fingers gallop marvellously across the keyboard. And most important of all, his sincerity and humility command respect.  A traveller to the heart of national folk musics, he shares in their unique flavours, by turns exquisite and powerful; he sometimes offers his own unique arrangements... Pianist Florian Noack invites us here on a stunning musical adventure: his first recording for La Dolce Volta, after several albums for Ars Produktion and Artalinna. Florian Noack's album is structured around dance: Brahms, Grieg, Schubert, Rachmaninov, Szymanowski, Komitas, Janáček, Nín, Martucci, Grainger, for a virtuous, poetical and intimate sequence. Florian Noack deploys all the range of his talent to bring us the quintessence of these pieces, which in other hands would seem banal. This is an utterly charming album, which will not leave anyone indifferent: that's for sure! © La Dolce Volta
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Der Tod und das Mädchen & Songs

Goldmund Quartet

Classical - Released May 26, 2023 | Berlin Classics

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Mein Traum. Schubert, Weber, Schumann

Pygmalion

Opera - Released October 7, 2022 | harmonia mundi

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One morning in 1822, Schubert wrote down an enigmatic text in which all his ghosts seem to take shape: wandering, solitude, consolation, disappointed love. Inspired by this dreamlike narrative, Raphaël Pichon, Pygmalion and Stéphane Degout have devised a vast Romantic fresco, combining resurrection of unknown treasures with rediscovery of established masterpieces. © harmonia mundi
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Schubert: Schwanengesang

Mark Padmore

Classical - Released January 27, 2023 | Decca Music Group Ltd.

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This release by tenor Mark Padmore and pianist Mitsuko Uchida, Schubert specialists both, came with strong recital buzz on both sides of the Atlantic and landed on classical best-seller charts in early 2023. This recording was made at Wigmore Hall in London. It is Schubert's not-quite-cycle Schwanengesang (it was assembled into a set after Schubert's death) that gets top billing in the graphics, but the album opens with Beethoven's An die ferne Geliebte, Op. 98, the first true song cycle, shown on the cover in small print. The piano part in Beethoven's songs had an unprecedentedly major role in the proceedings, and the placement of the set at the beginning may serve to advise the listener of the unusual emphasis on Uchida's piano in the main Schubert attraction as well. Sample Ständchen, the most famous song in the set, or Abschied for a taste of the lively, spritely quality that is Uchida's alone. The piano-driven effect is heightened by the engineering, which puts Padmore's voice somewhat into the background, and it is not at all clear that this needed to be done. Padmore remains, however, a terrific Schubert interpreter. His voice is a bit thin in its middle register by now, but his ability to extract fine shades of meaning through slight alterations of tempo is unmatched. In general, this is a fine Schubert recording that lives up to the hype, and it is especially recommended to Uchida fans; they will discover a new facet of her talent. © James Manheim /TiVo
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Schubert by Candlelight

Sergei Kvitko

Classical - Released August 4, 2023 | Reference Recordings

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Schubert in Love

Rosemary Standley

Classical - Released September 11, 2020 | Alpha Classics

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A few years after the success of her album crossing Baroque music with folk, "Love I Obey", the Franco-American singer Rosemary Standley visits Schubert, this time with the complicity of the Ensemble Contraste: “We all have a few notes of Schubert buried deep inside us,” say the artists, who have got together around his music and brought it to an original sound texture, the result of their varied influences- classical, pop, jazz, folk. They have picked some of the best-known lieder and universally loved instrumental pieces, incorporating in them rhythms from other countries and instruments unusual in this repertory: the jazz trumpet of Airelle Besson, the guitar of Kevin Seddiki, the percussion of Jean-Luc Di Fraja join forces with the viola of Arnaud Thorette, the piano, cello and double bass of Ensemble Contraste - not forgetting the exceptional participation of the soprano Sandrine Piau, who joins Rosemary Standley for several duets. The arrangements are by Johan Farjot. © Alpha Classics
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Stella x Schubert

Stella Chen

Classical - Released March 10, 2023 | Platoon

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Schubert: Piano Works

Lars Vogt

Classical - Released October 14, 2016 | Ondine

Hi-Res Booklet Distinctions 5 de Diapason
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Schubert: Schwanengesang & String Quintet

Julian Prégardien

Classical - Released September 10, 2021 | Alpha Classics

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Here are two works composed by Schubert at the very end of his short life. Schwanengesang (Swansong) was written in Vienna in the autumn of 1828. He died on 19 November at the age of thirty-one, and Die Taubenpost (Pigeon post), which closes the collection, is said to be his very last composition. The fourteen songs, by turns light-hearted, sombre and melancholy, are settings of poems by Ludwig Rellstab, Heinrich Heine and Johann Gabriel Seidl. In the summer of the same year he composed his String Quintet in C major, scored for two cellos, which was not premiered until 1850, at the Vienna Musikverein. The power and orchestral dimensions of the work make it a pinnacle of nineteenth-century chamber music. We could not have dreamt of a finer line-up of musicians to record these two Schubert monuments. Fanny Mendelssohn’s Schwanenlied (also to words by Heinrich Heine) completes the programme, along with Felix Mendelssohn’s Song Without Words No. 1 (for solo piano), composed a year after Schubert’s death and Schubert’s own setting of an unrelated Schwanengesang (D. 744, on a poem by Johann Senn). © Alpha Classics
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An die Musik - Schubert: Lieder

Elly Ameling

Classical - Released January 1, 1983 | Universal Music Australia Pty. Ltd.

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