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Satie & compagnie (Satie, Ravel, Debussy, Hahn...)

Anne Queffélec

Classical - Released January 14, 2013 | Mirare

Hi-Res Booklet Distinctions Diapason d'or

Branka Parlić - Erik Satie Initiés 2017

Erik Satie

Classical - Released January 29, 2019 | Odličan hrčak doo

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Morton Feldman : Rothko Chapel (+ Satie & Cage)

Kim Kashkashian

Classical - Released October 2, 2015 | ECM New Series

Hi-Res Booklet Distinctions 5 de Diapason - 4 étoiles Classica
This is a marvelous release, equally perfect in conception, execution, and engineering. The program locates the intellectual origins of the American avant-garde composers Morton Feldman and John Cage not in postwar European developments, but in the music of Erik Satie, who with each decade seems a more pioneering figure. Feldman and Cage here seem not modernists, but postmodernists. Front and center at the beginning is Feldman's masterpiece Rothko Chapel (1967), a chamber-ensemble-and-chorus evocation of the Houston, Texas, chapel adorned with paintings by, and partly designed by, the Abstract Expressionist painter Mark Rothko. The album thus reflects local roots for the Houston Chamber Choir, hitherto a solid regional ensemble but hardly suspected capable of the heights they achieve here. The implications of the Feldman are spun out in works by Cage -- the choral realizations of the works entitled Four2 and Five are quite unusual -- and retrospectively connected to Satie, the latter played with a full sense of their significance by pianist Sarah Rothenberg. Rothko Chapel was meant to be performed in the actual chapel, but it's hard to fault ECM for choosing a pair of Texas auditoria instead: the results are sonically stunning. The explosive surprises in Satie's pieces, which do indeed link them to the shocks Cage would later offer, come through with incredible intensity; auditioned on an inexpensive stereo the sonics are gripping, and it's hard to imagine what joys await the possessor of equipment truly capable of realizing ECM's engineering work. Very highly recommended.© James Manheim /TiVo
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Moderne (Satie, Ravel, Debussy, Poulenc...)

Alexandre Tharaud

Solo Piano - Released June 1, 1999 | harmonia mundi

Distinctions Diapason d'or
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Erik Satie : Avant-dernières pensées

Alexandre Tharaud

Classical - Released January 20, 2009 | harmonia mundi

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Satie et les Gymnopédistes

François Mardirossian

Solo Piano - Released September 15, 2023 | Ad Vitam records

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Erik Satie: Oeuvres pour piano, Parade

Christoph Deluze

Classical - Released June 1, 2013 | Praga Digitals

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Satie: Gnossiennes, Gymnopédies, Parade & Other Pieces

Sébastien Llinares

Classical - Released April 7, 2017 | Paraty Productions

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Satie: Piano Works (Selection)

Klára Körmendi

Classical - Released August 1, 2006 | Naxos

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Satie: Gymnopédies & Gnossiennes

Jacques Loussier

Jazz - Released January 1, 1998 | Telarc

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Satie

Tamar Halperin

Electronic - Released May 13, 2016 | Neue Meister

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Érik Satie by France Clidat - Piano Works: 3 Gymnopédies, Gnossiennes..

France Clidat

Classical - Released November 6, 2020 | Alexandre Bak - Classical Music Reference Recording

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Satie: Gymnopédies 1&3; Gnossienne No.3 etc.

Orchestre Du Capitole De Toulouse

Classical - Released July 15, 2001 | Warner Classics

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Satie: Gymnopédies, Gnossiennes - Varsano

Daniel Varsano

Classical - Released April 1, 1981 | Sony Classical

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Satie: Gymnopédies, Gnossiennes & Other Works

Giacomo Scinardo

Classical - Released April 20, 2018 | Dynamic

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Satie: Gymnopédies & Other Works

Alessandro Deljavan

Classical - Released January 1, 2014 | OnClassical

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Erik Satie (Enregistrements 1937 à 1959)

Francis Poulenc

Classical - Released August 29, 2014 | Les Indispensables de Diapason

Booklet Distinctions Diapason d'or - The Qobuz Ideal Discography
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Satie: Complete Piano Works, Vol. 1

Nicolas Horvath

Classical - Released May 12, 2017 | Grand Piano

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Satie: Complete Piano Works, Vol. 3 (New Salabert Edition)

Nicolas Horvath

Classical - Released May 11, 2018 | Grand Piano

Hi-Res Booklet
It is on no lesser instrument than the 1881 Érard which had belonged to Cosima Wagner that Nicolas Horvath delivers this third volume of Satie's complete piano works. Of course, one dreads to think what Cosima might have made of music as un-Wagnerian (and even un-Lisztian... although... the later Liszt...) as this, but still. Notwithstanding a few global discographic firsts – because, as ever with Satie, there are always a few forgotten pearls – Horvath gives us the first recording in the revised version of the new Salabert edition of several pieces, including the most intriguing Christian ballet in three tableaux, or uspud (without a capital letter in the manuscript). This uspud from the mid-1890s, which might have been written for the piano or the harmonium, still belongs to Satie's more or less mystical period, as it came before he took up his habit of giving his works deliberately provocative titles such as Embryons desséchés ("Desiccated embryos") among other, equally poetic, examples. The album also includes several pieces of the stature of Gnossiennes; all in all it covers the period 1893 to 1897 – with a "summary" version of Vexations, as in its complete version – 840 repetitions in a row of the same quasi-serial microcell – the piece runs for between ten and twenty hours, depending on the tempo, and is only of limited discographic interest. Note that the pieces recorded here range from "slow" to "very slow", and the real goers get up to "very moderate": this is very much Satie in contemplative mood. © SM/Qobuz
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Erik Satie & Friends (Poulenc, Milhaud, Ibert, Debussy...)

Erik Satie

Classical - Released April 1, 2016 | Sony Classical

Distinctions 4 étoiles Classica