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Remendos da Alma

João Luis de Almeida

Folk/Americana - Released April 20, 2024 | João Luis de Almeida

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Promessas de Remendos

Viña

Alternative & Indie - Released June 25, 2023 | VIŅA

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Remendos na Alma

Impius

Alternative & Indie - Released February 15, 2024 | Impius

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Remendos

Renato Barushi

Hard Rock - Released January 1, 2016 | Renato Barushi

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Remendos Feitos

Dudu Fagundes

Brazil - Released August 28, 2022 | Maestro das Ruas Produções Artísticas LTDA.

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Con Remiendos en el Alma

Ruth Martínez

World - Released February 1, 2013 | Meta - Ruth

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ZAPATERO REMENDON

MORRO THE ANIMAL

Ska & Rocksteady - Released February 1, 2024 | MORRO THE ANIMAL RECORDS

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Remiendos

A Blez

Hip-Hop/Rap - Released November 10, 2022 | 2828326 Records DK2

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Migajas y remiendos

Javier Peña

World - Released January 31, 2024 | 4061796 Records DK

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Zapatero Remendón

Los Amaya

Folk/Americana - Released March 22, 2013 | Parlophone Spain

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Remendo

Edir Carneiro

Alternative & Indie - Released October 18, 2013 | Edir Carneiro

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Tachito Remendón

Exceso de Equipaje

Latin - Released October 1, 2019 | Musa

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MARTÍN GARCÍA EL ZAPATERO REMENDÓN

ALFONSO NOYOLA BLANCA

Pop - Released April 7, 2023 | 4896890 Records DK

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Remendo

banda bo

Brazil - Released January 11, 2023 | GuGu NaS TeCLaS

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Los Remiendos

Sebastian Pena

Lounge - Released November 12, 2021 | Musekana Music

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Los Mandamientos de Gallape

Remendaos

World - Released October 18, 2006 | Musica Global Discográfica S.L. distributed by Altafonte

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Viejo Remendón

Andy Omar Molina

Latin - Released August 24, 2018 | Andy Omar Molina

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Remindosics

Loebishope

Rock - Released August 11, 2020 | novecore.com

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Reset

Remendaos

Folk/Americana - Released January 21, 2011 | CK Music

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Figure 8

Elliott Smith

Rock - Released April 18, 2000 | Geffen

Judging only by his earlier, bare-bones indie-label albums, it seemed highly unlikely that Elliott Smith would turn into the ambitious arranger and studio craftsman of his lushly textured Dreamworks debut, XO. A big part of that shift, of course, was the fact that Smith had major-label finances and equipment to work with for the first time; this allowed him to fuse his melancholy, slightly punky folk with the rich sonics of pop artists like the Beatles and Beach Boys. Smith continues in that direction for the follow-up, Figure 8, an even more sonically detailed effort laden with orchestrations and inventive production touches. With a couple of exceptions, the sound of Smith's melancholy has largely shifted from edgy to sighingly graceful, although his lyrics are as dark as ever. Even if the subject matter stays in familiar territory, though, the backing tracks are another matter -- a gorgeous, sweeping kaleidoscope of layered instruments and sonic textures. Smith fleshes his songs out with assurance and imagination, and that newfound sense of mastery is ultimately the record's real emphasis; there's seemingly a subtle new wrinkle to the sound of every track, and yet it's all easily recognizable as trademark Smith. Even if it is a very impressive statement overall, Figure 8 isn't quite the masterpiece it wants to be -- there's something about the pacing that just makes the record feel long (at over 52 minutes, it is the longest album in Smith's catalog), and it can sometimes float away from the listener's consciousness. Perhaps it's that Smith's songwriting does slip on occasion here, which means that those weaker tracks sink under the weight of arrangements they aren't equipped to support. Still, most of the songs do reveal their strengths with repeated plays, and it's worth the price of a few nondescript items to reap the rewards of the vast majority. Fans who miss the intimacy of his Kill Rock Stars records won't find much to rejoice about here, but overall, Figure 8 comes tantalizingly close to establishing Elliott Smith as the consummate pop craftsman he's bidding to become.© Steve Huey /TiVo