Your basket is empty

Categories:

Results 1 to 20 out of a total of 1140
From
CD$15.09

Le Danseur De Charleston

Philippe Clay

Pop - Released January 1, 1987 | Universal Music Division Mercury Records

On n'est pas là pour se faire engueuler

Philippe Clay

Pop - Released October 10, 2011 | Sergent Major Company Ltd.

Download not available
From
CD$12.55

Cigarettes whisky et grands succès

Philippe Clay

French Music - Released March 8, 2019 | Les Voix du Music Hall

From
CD$5.29

Live at Club Domino

Philippe Clay

Jazz - Released January 16, 2013 | Avro

From
HI-RES$1.18
CD$0.95

VR Love

Klyf Kai

Pop - Released June 30, 2023 | Living Clay

Hi-Res
From
HI-RES$1.18
CD$0.95

Wo Ai Ni

Klyf Kai

Hip-Hop/Rap - Released February 10, 2023 | Living Clay

Hi-Res
From
HI-RES$1.18
CD$0.95

Be Your Boaz

Klyf Kai

Miscellaneous - Released February 14, 2022 | Living Clay

Hi-Res
From
HI-RES$1.18
CD$0.95

Marry a Kardashian

Klyf Kai

Pop - Released September 22, 2022 | Living Clay

Hi-Res
From
HI-RES$1.18
CD$0.95

Lè Mwen Prale

Klyf Kai

World - Released June 30, 2023 | Living Clay

Hi-Res
From
HI-RES$16.59
CD$14.39

Fauré : Requiem, Cantique de Jean Racine, Super flumina Babylonis

Philippe Jaroussky

Classical - Released September 5, 2011 | Warner Classics

Hi-Res Booklet
Paavo Järvi's recording of the Fauré Requiem is notable for its balance of a sumptuous orchestral and choral sound with a chaste and dignified interpretation of the score. The strings of Orchestre de Paris in particular sound gorgeous, and Choeur de l'Orchestre de Paris sings with marvelous dynamic variety; in the opening movement, the chorus seems to emerge gradually out of near-silence, yet the group can produce a terrifyingly large sound in the Libera me. Counter tenor Philippe Jaroussky and baritone Matthias Goerne are outstanding in the solo movements, investing the meditative music with deep feeling. The Pie Jesu is sometimes sung by a woman and sometimes by a boy soprano, and Jaroussky's performance has some elements of both: the purity of a boy's voice but with the musical maturity of an adult singer. The album is generously filled out with four other choral or orchestral pieces. The lovely Cantique de Jean Racine and Pavane for orchestra and mixed choir are frequently paired with the Requiem. Elégie for cello and orchestra, premiered by Pablo Casals, and played with elegance here by Eric Picard, fits beautifully with the contemplative tone of the album. Super flumina Babylonis for mixed choir and orchestra is a student work, recorded here for the first time. It's more overtly emotional than the other repertoire on the album, as is appropriate for the text, and may lack the subtlety of the later pieces, but it's an attractive, skillfully crafted work that stands on its own merits and deserves broader exposure. The sound of the live recording is exceptionally warm and resonant, yet still detailed.© TiVo

Nougayork Remixes

Claude Nougaro

French Music - Released March 1, 2024 | Parlophone (France)

Download not available
From
HI-RES$16.59
CD$14.39

Il Boemo (Motion Picture Soundtrack)

Philippe Jaroussky

Cinema Music - Released June 23, 2023 | Warner Classics

Hi-Res
Il Boemo ("The Bohemian") was composer Josef Mysliveček, who was close to the Mozart family. This Czech film appears to be based partly on unsubstantiated gossip included in the Mozart family correspondence, but Mysliveček had a pretty interesting life, even leaving hypothetical romantic intrigue aside; he worked for some years as a miller before turning to composition and, like Mozart in his later years, he was a pure freelancer. His nose was destroyed in a botched surgical effort to alleviate his syphilis symptoms. The film is a project of director Petr Vaclav and Collegium 1704 conductor Václav Luks, and it is partly aimed at raising the profile of Mysliveček, which remains low, at least outside Czech-lands. Mysliveček wrote 26 operas, 55 symphonies, and numerous other works, and Mozart admired him. Mysliveček's symphonies have been recorded from time to time, but his all-important operatic output, all of it in Italian and in the opera seria form, has not, and therein lies the substantial general interest of this recording. Among the operas is an "Adamo ed Eva." Many of the arias here sound a good deal like Mozart, with the uncanny simplicity Mozart so often had, rather than the big, ornate sound of the usual opera seria. Then, one realizes that he was doing this before Mozart learned to sound like himself (Mysliveček died in 1781). Sample the aria "Il caro mio bene" from the 1780 opera Armida (which failed and sank Mysliveček's previously soaring fortunes). Luks assembles a fine group of mostly Eastern European singers, of whom Simona Šaturová in this aria is a representative example; the veteran countertenor Philippe Jaroussky also makes multiple appearances. Under Luks, Collegium 1704 manages an idiomatically sweet Classical-era sound, something that still eludes many groups specializing in the Baroque. Essential for Mozart enthusiasts, this release is enjoyable listening for anyone and may well contribute to the filmmakers' goals; one hopes that the film achieves wide distribution so that album listeners can hear the arias in place.© James Manheim /TiVo
From
HI-RES$16.59
CD$14.39

Forgotten Arias

Philippe Jaroussky

Classical - Released October 27, 2023 | Warner Classics

Hi-Res Booklet
One attraction of this release, which made classical best-seller charts in the autumn of 2023, is that it lives up to its title; the music is generally obscure, and it is well worthy of revival. It might be called "Unjustly Forgotten Arias." These are countertenor, originally castrato arias from the late Baroque period (or early Classical, depending on how one looks at it), composed between 1748 and 1770. Texts are by Pietro Metastasio, the greatest librettist of the age, and there are several instances in which multiple composers set the same one. So the album is of interest to serious students of the period. For the general listener, though, the attraction is the voice of countertenor Philippe Jaroussky, which is in fine form. One might even argue that this material fits his now middle-aged instrument perfectly. There are some fiery runs of the type that made him famous, but these are, for the most part, arias in which sheer passagework is beginning to break up into more variegated melodic expression. They are quite virtuosic, but this is not always a question of runs of 16th notes. Instead, there are big leaps of an octave (or even two), and the composers force the singer down into a lower register, even down to low C; Jaroussky's low notes are rich and tough. Some of the pieces are melodically quite attractive; try "Per quel paterno amplesso" from Johann Christian Bach's Artaserse, probably the most famous opera libretto of the time and one in which composers strove to outdo each other. Jaroussky gets excellent support from Le Concert de la Loge under conductor Julien Chauvin on an album that makes an especially strong entry in Jaroussky's distinguished catalog.© James Manheim /TiVo
From
HI-RES$18.19
CD$15.79

Pergolesi : Stabat Mater - Laudate pueri - Confitebor

Philippe Jaroussky

Vocal Music (Secular and Sacred) - Released November 1, 2013 | Warner Classics International

Hi-Res Booklet
From
HI-RES$16.59
CD$14.39

Bach & Telemann : Sacred Cantatas

Philippe Jaroussky

Classical - Released October 7, 2016 | Erato - Warner Classics

Hi-Res Booklet Distinctions 5 de Diapason
From
HI-RES$10.99
CD$9.09

La Maison Magique

clair

French Music - Released April 7, 2023 | Maison Magique

Hi-Res
From
HI-RES$18.99
CD$13.99

Rameau : Pièces pour clavecin

Bertrand Cuiller

Chamber Music - Released February 23, 2015 | Mirare

Hi-Res Booklet Distinctions Diapason d'or - Choc de Classica
From
HI-RES$16.59
CD$14.39

À sa guitare

Philippe Jaroussky

Classical - Released October 15, 2021 | Warner Classics

Hi-Res Booklet
From John Dowland to Benjamin Britten, visiting en passant Barbara, Fauré and Rossini, Philippe Jarrousky and Thibaut Garcia revisit five centuries of music in this very intimate album.The young guitarist from Toulouse and the countertenor from Versailles come together beautifully: a cross-interview for the simple text accompanying the programme allows us to discover the communicative complicity of two musicians from different generations. Despite his certain willingness to share the bill equally, one must admit that Thibaut Garcia on guitar is slightly more dominant: at ease in all styles—his interpretation of Schubert's arrangement of Erlkönig is strikingly virtuoso—he always accompanies Philippe Jaroussky with great elegance, more or less convincingly depending on the piece. Nevertheless, there are some very enjoyable surprises, such as the delicate version of Barbara's Septembre.The listener may be a little bewildered by the extent of the period covered; indeed, it is difficult to segue seamlessly from one universe to another. But everyone is free to select and choose according to his or her taste between a Fauré Nocturne and a Rodríguez tango. Therefore let us welcome this recital for what it is, a beautiful story of friendship: after all, music is also a sharing experience. © Pierre Lamy/Qobuz
From
HI-RES$14.82
CD$9.88

Rameau: Pièces de clavecin en concerts

Les Timbres

Classical - Released May 20, 2014 | Flora

Hi-Res Booklet