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Odysseus

Remi Geffroy

World - Released September 16, 2023 | Collectif Vacance Entropie

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Passé simple (Best Of)

Diane Tell

French Music - Released October 15, 2013 | Tuta Music

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Toboggan special

Jean-Louis Murat

French Music - Released March 25, 2013 | [PIAS] Le Label

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Passé simple (Best Of) [Deluxe Version]

Diane Tell

French Music - Released October 15, 2013 | Tuta Music

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L'Esquisse 2

Keny Arkana

Hip-Hop/Rap - Released May 23, 2011 | Because Music

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C'est tout.

Guizmo

Hip-Hop/Rap - Released December 19, 2012 | Y&W

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Natural Fake

De-Phazz

Lounge - Released March 7, 2005 | Phazz-a-delic New Format Recordings

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Les grands succès, Vol. 1

Chantal Pary

Pop - Released January 1, 2001 | Disques Mérite

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Live at Passé Simple

Domenico Solazzo's PaNoPTiCoN

Contemporary Jazz - Released August 14, 2023 | Off

La cuenta

Rohff

Hip-Hop/Rap - Released December 10, 2010 | Parlophone (France)

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Simplement je passe

Gérard Vermont

French Music - Released July 8, 2016 | Marianne Mélodie

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Shangri La

Jake Bugg

Alternative & Indie - Released January 1, 2013 | EMI

Hi-Res Distinctions 4 étoiles Rock & Folk
Jake Bugg's eponymous 2012 debut was enough of a success to push him into neo-stardom across the Atlantic Ocean. He never had an actual hit in America -- the album did get to 75 on the Billboard 200, though -- but his reputation was strong, strong enough to gain the attention of Rick Rubin, who signed up to record the young British singer/songwriter's sophomore album at the producer's home studio. Literal guy that he is, Bugg named his second album Shangri La after Rubin's Malibu studio, and it's an appropriate title because it's a collection of 12 songs that were recorded at Shangri La. There is no greater theme than that, apart from perhaps how Rubin assists Bugg in going electric, accelerating the process that took Bob Dylan the better part of three years into less than 12 months. Rubin skillfully retains a veneer of authenticity throughout Shangri La, adhering to the Dylan in Greenwich Village vibe of the 2012 debut and never letting the electric expansion feel like exploitation, but all this care is applied to songs that are deliberately slight -- "Kitchen Table" and "Pine Trees" signifying country authenticity, while the Wire-inspired "Kingpin" signifies urban grit, the two tied together through picture books and cable TV -- and delivered in a voice that's the Bard channeled through Alex Turner. Here, Rubin is a help: he brings in Pete Thomas, one of rock's great unheralded drummers, to anchor this throwback to 1965 Dylan, a sonic achievement undercut by Bugg's adenoidal whine. At every turn, this high-pitch sneer acts as a reminder of Bugg's terminal adolescence, offering another opportunity to examine his sophomoric solipsism. Cut out Bugg's delivery, and Shangri La is a perfectly appealing singer/songwriter throwback -- an exercise in '60s folk-rock pastiche that is just pleasing enough on the surface. As this is music that is determined to be authentic, it's impossible to cut out the guy responsible for the tone, melody, and words, so attention is always drawn to Bugg, a songwriter who can cobble together melody but not meaning, a singer whose severely limited skills cripple whatever chance he has in communicating.© Stephen Thomas Erlewine /TiVo

Charles Trenet

Charles Trenet

French Music - Released September 24, 1990 | Parlophone (France)

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Pain-Noir

Pain-Noir

Alternative & Indie - Released September 25, 2015 | Un Plan Simple - TOMBOY Lab

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Hall Pass | Simple Quiet Moments

Relaxing Music

Lounge - Released December 9, 2020 | Gluten Free Records

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Time Pass Exam - Exam Five, Simple Questions, Good Answers, Focus on Science

Life Sounds Nature

New Age - Released November 30, 2016 | Tranquility Meditation Time

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A Simple Song to Pass the Time

Shaddit

Pop - Released November 16, 2023 | Shaddit

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Keep Calm And Pass Me The Boombap

Tanka

Hip-Hop/Rap - Released April 29, 2022 | Simplemento

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Verdelot: Madrigals for 4 Voices

Profeti Della Quinta

Classical - Released January 15, 2021 | Pan Classics

Booklet Distinctions Diapason d'or
Philippe Verdelot played a very important role in the development of the madrigal during the Italian Renaissance. Born in France, he probably moved to Italy at a young age. From 1522 onwards, he held the most important positions in church music in Florence – first he was maestro di capella at the Baptistery of Florence Cathedral, and a year later also at the Cathedral itself. After 1530, with the riots surrounding the expulsion of the Medici family and the siege of the city, all biographical traces are lost, and no works created after these events seem to have survived. In the years before, however, Verdelot had initiated important musical developments with his madrigals, which at that time were the most published in Italy. The Ensemble Profeti della Quinta presents a selection of four-part madrigals from an anthology published posthumously (1540, 1565). A special feature of their performance is that each singer reads from the originally notated single voice – unlike in a modern score with parts notated one above the other. The musicians must therefore listen to each other much more closely and be able to react spontaneously. This spontaneity can be felt throughout the recording, and takes the listener to the beginnings of the Italian madrigal in a very intense way. © Pan Classics