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Le Timbre d'Argent (The Silver Bell), begun in 1864, was Camille Saint-Saëns' very first opera. All but forgotten, it was last staged in 1914, before the 2017 Paris production on which this 2020 release is based. The forces here, including the specialist ensemble Les Siècles, the fine choir Accentus, and conductor François-Xavier Roth make a strong case for the opera's revival. Saint-Saëns obviously valued the work, revising it as late as 1913, due in part to the Franco-Prussian War; it is this last version that is heard presently. The work was termed a drame lyrique or opéra fantastique rather than an opéra comique, but it is an action-packed work that veers between romantic fun and fantasy elements that it shares, along with a pair of librettists, with Offenbach's Les contes d'Hoffman of 15 years later. (Goethe's Faust is another inspiration: the titular silver bell brings wealth but kills someone close to the user.) The fantasy elements are prominent in the substantial choral sections, giving the magical choir Accentus much to do. There is a great deal of sheer, sparkling Mozartian melody as well. Roth and a lively cast led by tenor Edgaras Montvidas as the obsessed, Faust-like artist keeps things moving along. Saint-Saëns is a conductor whose star seems to be on the rise, and admirers of his music are sure to want this. The surprise, however, is that anyone can enjoy it.© TiVo

Released just a year after 2003's three-disc Longbox, French Soul is the second, more slimmed down retrospective from Belgian singer/songwriter Axelle Red. Its two-disc, 28-track collection covers her five studio albums, from 1993's Sans Plus Attendre ("Sensualite") to 2002's Face A/Face B ("Toujours"). While the first disc includes original versions of "Ma Priere," "Le Monde Tourne Mal," and "Bimbo a Moi," the second disc features ten soul reworkings of classic hits such as "Elle Danse Seule," "Faire des Mamours," and "Rester Femme." The album also includes a duet with French vocalist Renaud and one English-speaking track, "People Get Ready." © Jon O'Brien /TiVo

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In the wake of his blockbuster album Mon Paradis, which was among the best-selling French albums of 2007, folk-pop singer/songwriter Christophe Maé released the live CD/DVD package Comme à la Maison. The live concert featured on Comme à la Maison was recorded on June 18-19, 2008, on a beach in the south of Corse, a French island in the Mediterranean Sea, and includes Maé and his band accompanied at times by a gospel-style choir, accordionist Régis Gizavo, and singer William Baldé of "Rayon de Soleil" fame. The 14-song performance compiled on Comme à la Maison is comprised primarily of material from Mon Paradis; indeed, ten of the 14 songs come from that album, including the hit singles "On S'Attache," "Parce Qu'on Sait Jamais," and "Belle Demoiselle." Not until the eighth song on Comme à la Maison does Maé turn toward non-Mon Paradis material, performing the three-song cycle "Mon P'tit Gars," "Moi J'ai Pas le Sou" (a duet with William Baldé), and "Sa Danse Donne" (an old song from his more or less impossible to find debut album of the same name). Then before closing the performance with the Mon Paradis highlights "Parce Qu'on Sait Jamais" and "C'est Ma Terre," Maé and his choir perform "Tribute to Bob Marley," essentially a three-minute medley of the refrains from "No Woman, No Cry," "Redemption Song," and "Could You Be Loved" -- that is, nothing special. While it's disappointing that Comme à la Maison doesn't include more surprises than it does, whether in the form of new material or cover songs, the live performance is still impressive and casts the songs of Mon Paradis in a new light, one that highlights Maé's African influence in particular (the finale of "C'est Ma Terre" especially). Still, anyone looking for more than an "unplugged" version of Mon Paradis might be disappointed. In addition to the 14-song live performance, the DVD half of Comme à la Maison includes a making-of segment, plus the promotional videos for "On S'Attache," "Parce Qu'on Sait Jamais," "Ça Fait Mal," "Belle Demoiselle," and "C'est Ma Terre." The deluxe collector's edition of Comme à la Maison adds even more bonus material, including a seven-song "Live à Paris Bercy" performance. Those looking for simply music should opt for the cheaper CD-only version, which spreads the 14-song beach concert across two discs.© Jason Birchmeier /TiVo